This browser is supported only in Windows 10 and above.

DID YOU READ

10 Incredible Special Effects You’d Swear Were CGI

inception-hallway’

Posted by on

Armchair Neil deGrasse Tysons put on their debunking caps as last year’s box office smash Interstellar recently made its way to Blu-ray. Following the plight of humanity as a group of scientists attempt to save the planet via wormhole surfing, the movie is mostly a solemn adventure — aside for a couple breakout characters. (No, not the moon landing-denying guidance counselors.) We’re speaking, of course, of the blocky and plucky robots, TARS and CASE.

Simple, efficient, and not much more than slabs of stainless steel in their default state, TARS and CASE are a far cry from the mechanically complicated automatons we’ve come to expect from futuristic space flicks. Nevertheless, it’s surprising to learn that, in many of the scenes, both bots weren’t CGI creations but literally slabs of stainless steel operated by on-set puppeteers. Take a look at how the special effects team pulled it off.


(Source: Giphy)

But the Metallic Duo isn’t the only effect that tricked audiences into thinking it was all just a bunch of ones and zeros. Here are 10 dazzling special effects you’d swear were CGI.

10. The T-Rex Attack, Jurassic Park

Part of the reason why the dinosaurs in a 20-year-old movie still look realistic is the impressive blending of CGI and practical effects. For the T-Rex attack, Spielberg and his crew seamlessly matched a head-to-tail graphical rendering of the beast with a massive animatronic puppet. (No easy task, since the latex skin kept getting soaked by the rain and caused reality-busting tremors.) While the CGI effects were breathtaking, the meticulous shots and edits of the puppet made audiences think there was no way to pull all of that off in real life.


9. The Hallway Brawl, Inception

The same practical effects that put Lionel Richie on the ceiling also tossed Joseph Gordon-Levitt and a hotel guard around a deco hallway. Rather than simulate the subconscious freefall using a green screen and a couple of harnesses, director Christopher Nolan constructed a 100-foot rotating hallway with a locked-down camera, effectively simulating a constantly shifting space by… making it constantly shift. The end results make it one of the most memorable moments in a film filled with fantastic visuals.


8. The Robotic Head, Total Recall

Get ready for a surprise: The transforming robotic head that Arnie uses as a disguise was actually a transforming robotic head. (Well, the scene required five heads in total.) As the woman begins to twitch and “malfunction,” we see the first mechanical prop head with an extending ear and then switch to the memorable second head with staggered retractable sections. The machinery that ran this prop was so heavy that it had to be lifted by hydraulics, requiring a mold of Arnold’s head to be positioned underneath as if he’s lifting the mask off. Then the wider angle shows Arnold slowly lowering a fourth mold, which he tosses to authorities for a simple matte effect before the explosion, which required a fifth head. It’s an amazing sequence of shots that a modern film would undoubtedly rely on (and ruin with) CGI to complete.


7. The T-800’s CPU Reset, Terminator 2

Speaking of fake Schwarzenegger heads, director James Cameron was no stranger to a few in his career — namely ones attached to a time-traveling cyborg. One such head was put to great use in a very creative and cost-cutting shot for Terminator 2 that was unfortunately left on the cutting room floor. (The scene was preserved as a supplemental for the DVD release.) In it, Sarah and John Connor operate on the T-800’s cranial CPU in front of a mirror as the camera swoops around for a closer look. The effect was pulled off with a false mirror, Linda Hamilton’s twin sister as her reflection (who mimicked her sister’s movements on the real Arnold), and a fake Terminator head used for close-ups in the foreground — all done with practical effects for a scene that would probably cost millions more if done with CGI.


6. The Star Gate, 2001: A Space Odyssey

Released 33 years before its title suggests, 2001: A Space Odyssey was produced long before CGI could take the majesty out of actual miniature spacecrafts. However, one colorful sequence appears to be a few decades ahead of its time. From a visual perspective, it was — but it was also pulled off without a single keystroke. The “Laserium” effect of the star gate was accomplished by painting psychedelic patterns on a piece of glass, backlighting it, and filming it through a slit on a second, blacked-out pane of glass. The results look like the de facto proto-screensaver of the cosmos.

5. The Car Chase, The Raid 2

If stunt coordinators ruled the world, then everything would look like The Raid movies. Filled with extraordinary practical effects and stunts, the movies’ plots take a backseat to the action-packed eye candy. And in one such instance where reality appears to be simulated, a camera appears to soar through a car window, into the interior, and out the other side. The truth: it was. With a camera operator disguised as a car seat, the gear is handed from one crewmember to another in one fluid motion.


4. The Transformation, An American Werewolf in London

When CGI is done well, the audience shouldn’t even notice it. When done poorly, well, it looks like 1997’s An American Werewolf in Paris — a sequel that just underscores how perfectly the movie’s predecessor handled the special effects. And through a series of prosthetics, heavy makeup, a false floor, and in-camera effects, the groundbreaking werewolf transformation in An American Werewolf in London didn’t require a single computer graphic to accomplish.


3. The Defibrillator Scene, The Thing

Expertly evoking the feelings of isolation, paranoia, and all-out dread, John Carpenter’s The Thing turns every member of an Antarctic research team into an alien suspect. And when their identities are revealed, it’s far too late, as seen in the incredible arm-chomping, head-walking transformation during the defibrillator scene. Even as the gooey green-tendoned Vance grows jaws in his chest and segmented legs from his head, every mutation was done on set courtesy of special effects master Rob Bottin, who filled in for Stan Winston when the practical effects workload became too heavy. As you can see, Bottin didn’t need Winston or a computer to make it look great.


2. The 3D Wireframe City, Escape from New York

While it might be hard to fathom for those who grew up with Google in their pocket, it was prohibitively expensive (or darn-near impossible) for a Hollywood film to do a simple wireframe rendering of Manhattan on a 1981 computer. So, to pull off what would take mere seconds in a modern-day system, director John Carpenter enlisted the help of a twenty-something James Cameron to complete the effect on set. Cameron strategically applied reflective tape to a matte-black model of the city, flipped on some ultraviolet lights, and “flew” the camera over the model — creating what appears to be a perfectly rendered CGI wireframe New York City.


1. All of Innerspace

There isn’t a single use of CGI in Innerspace. Not one. Not for the miniaturized pod, not for the bloodstream waterslides, not for the half-shrunken Kevin McCarthy, not for the incredible Robert Picardo-Martin Short transformations. Director Joe Dante pulled all of these off with practical, real-time, or in-camera effects, ranging from forced perspective to prosthetics to incredibly detailed miniatures — and the results are spectacular. For their work on this madcap sci-fi adventure, the special effects team won an Academy Award. Rightfully so, because even today no CGI could make everything look as good as that team did in 1987.

IFC_Portlandia-S8_best-of-skits_subaru-blog

The Best Of The Last

Portlandia Goes Out With A Bang

Posted by on

The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

IFC_Portlandia-S8_pick-a-lane_subaru-blog

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

Posted by on

Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Uncle-Buck

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…