This browser is supported only in Windows 10 and above.

DID YOU READ

Tim Grierson on Brad Pitt, the Unpredictable Movie Star

120312-brad-pitt

Posted by on

Brad Pitt is unquestionably a movie star, but what kind is he? The lead in this past weekend’s “Killing Them Softly,” he doesn’t have a single movie in the Top 140 of the all-time domestic box office chart, and his biggest worldwide hit, “Troy,” is just outside the Top 100 of the international chart. And yet he’s indisputably one of our most recognizable faces, one half of the world’s biggest celebrity couple. But despite the many memorable films he’s been a part of over the last 20 years, he doesn’t have a “Pirates of the Caribbean” or “Men in Black” franchise that’s catapulted him into the ranks of mega-blockbuster stars. (Even the “Ocean’s Eleven” films don’t quite count because of their ensemble nature and the fact that none of them have ever cracked $200 million. They’ve always been cool, hip doubles or triples rather than outright home runs.) I don’t bring any of this up to knock him. In fact, I realize it’s part of the reason why I like him so much. With his looks and charisma, he was probably going to be a star regardless. But how he’s decided to approach his stardom has been consistently gratifying as a viewer.

Pitt will turn 49 on December 18, making him about six months younger than Johnny Depp and 18 months younger than Tom Cruise. He’d been working in television in the late ‘80s — landing parts on everything from “Dallas” to “Head of the Class” to “21 Jump Street” — before really coming to moviegoers’ attention with 1991’s “Thelma & Louise.” It was a minor but crucial role as a cocky hunk who seduces Thelma and, oh yeah, steals her money. Despite not having a lot of screen time, Pitt established a persona that has presaged just about every role he’s taken since, playing a handsome, carefree guy who’s sharper and more calculating than he first appears. Additionally, it was a quality movie, an early sign that he (or, at least, his handlers) had the good sense to pick strong, interesting work.

The rest of the ‘90s saw Pitt transitioning into studio projects, but hardly ones that were always overtly commercial. He would do an “Interview With the Vampire,” where he played second fiddle to Cruise, but he’d also try his hand at more thoughtful fare like “Seven Years in Tibet” and “A River Runs Through It,” a drama directed by Robert Redford that inspired many comparisons between the boyishly gorgeous young actor and his equally photogenic, golden-haired director. But like Redford, Pitt didn’t want to be judged just by his looks, choosing edgier thrillers like “Kalifornia,” “Twelve Monkeys” and “Seven” that would showcase his darker side. (And with “Twelve Monkeys,” he received his first of four Oscar nominations, for Best Supporting Actor.)

The decade culminated in perhaps the perfect amalgam of Pitt’s commercial and artistic ambitions, starring in “Seven” director David Fincher’s “Fight Club,” still one of the nerviest, most subversive movies to ever come from a studio. Not surprisingly, the movie bombed, only to become a cult hit in subsequent years. As Tyler Durden, the loopy, dangerous mentor to Ed Norton’s miserable office drone, Pitt delivered his finest performance to that point, fully comfortable as a seductive movie star but willing to play with that image to produce a character who was funny and unsettling.

This isn’t to say he didn’t have his missteps. His earnest turn in “Meet Joe Black” couldn’t save that film, and his one-note gimmick of a performance in “Snatch” could make you worry that he was getting bored with being a star and lapsing into self-indulgence. But then he’d surprise you with something that seemed completely dashed-off and yet endlessly amusing. At least that’s my take on “Ocean’s Eleven,” that rare instance when a lot of big-name talent — director Steven Soderbergh, stars George Clooney, Matt Damon, Julia Roberts and Pitt — all decide to make a big, silly, stylish lark and it actually turns out to be as much fun to watch as it sounds like it was to make. Pitt’s Rusty isn’t so much a character as he is an attitude, but that hardly mattered since the actor’s essence filled in the gaps; “Ocean’s Eleven” and its two sequels are Pitt at his most effortless, having a ball but letting the audience feel like they’re part of the gang as well.

His career was soon going to change thanks to “Mr. & Mrs. Smith,” the 2005 hit that’s still his highest-grossing in the U.S. The movie is completely fine, but its real cultural impact is that it set in motion his relationship with co-star Angelina Jolie (and breakup with wife Jennifer Aniston), which became instant tabloid fodder. Since then, Pitt and Jolie have always been overshadowed a little by the whole “Brangelina” phenomenon. That’s too bad since Pitt has worked his hardest to make us focus on the work instead, starring in “Babel,” “The Assassination of Jesse James by the Coward Robert Ford” and “The Curious Case of Benjamin Button” (his third pairing with Fincher). “Jesse James” in particular was a real revelation: a chance for Pitt to play the quietly frightening mythic villain James, who already seems to have one foot in the grave as the movie begins. It’s perhaps his greatest performance and the sort of role that’s ideal for a star who knows how to exude charisma while at the same time communicating the weariness of man so famous that it’s almost like his real self is vanishing. Clearly, it can be quite tempting to look at “Jesse James” as Pitt’s commentary on his own celebrity.

Entering his third decade in film, he’s hardly resting on his laurels. His work in “The Tree of Life” was another Pitt entirely: a larger-than-life ‘50s father who seemed to embody all the rugged, emotionally stunted masculinity of that generation of men. And then “Moneyball,” where endless charm and even-more-endless competitiveness duked it out. In a sense, that role was an encapsulation of the Pitt we now know: immensely likable, nonchalantly commanding, soulful around the edges. And his next two movies are, as always, a demonstration of his different creative impulses. The prickly, distinctive “Killing Them Softly” finds him reuniting with his “Jesse James” writer-director, Andrew Dominik, while next year’s “World War Z” is a hopeful studio blockbuster. “Killing Them Softly” will tank — it received a disastrous “F” rating from the audience polling company CinemaScore — but it hardly matters. (Pitt, playing a principled gangster, is terrific in it.) This is one of the advantages of being a star who’s not really beholden to any one big franchise: He can do what he pleases, and more often than not, what he does is worth your time. I see no reason to think that will change in the near future.

IFC_Portlandia-S8_best-of-skits_subaru-blog

The Best Of The Last

Portlandia Goes Out With A Bang

Posted by on

The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

IFC_Portlandia-S8_pick-a-lane_subaru-blog

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

Posted by on

Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Uncle-Buck

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…