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“The Hobbit: An Unexpected Journey” review: Back to Middle-earth at 48 frames per second

The Hobbit: An Unexpected Journey

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Let’s face it: after “The Godfather: Part II” and “Indiana Jones and the Temple of Doom,” the list of successful prequel movies is pretty short.

Still, it’s no surprise to see “The Hobbit: An Unexpected Journey” arriving in theaters this weekend, offering up the first installment of a new, big-budget trilogy that will serve as a prequel to Peter Jackson’s “The Lord of the Rings” films. Jackson’s first series of movies based on J.R.R. Tolkien’s seminal fantasy novel has grossed almost $3 billion worldwide, so it was a bit of a no-brainer to give the same treatment to the story that started it all, The Hobbit.

Originally published back in 1937, The Hobbit chronicles the adventure of Bilbo Baggins, a diminutive “hobbit” caught up in a quest to kill a monstrous dragon that has laid claim to the ancestral home of a group of dwarves. Bilbo and the dwarves are accompanied by a mysterious wizard, Gandalf, who serves as guide, guardian, and ambassador at different points. Over the course of their journey, the group encounters all manner of enemies and allies, including giant spiders, vicious goblins, and noble eagles – as well as the dragon, Smaug – and Bilbo is forced to reconcile the appeal of an adventurer’s lifestyle with his love for a quiet home and a warm hearth.

By and large, the movie stays true to this theme, too – though it occasionally veers off to expand on threads in Tolkien’s story with new twists in characters’ relationships, a few new characters, and some brief narrative side-trips.

It’s worth noting early on that Tolkien penned The Hobbit as a children’s story – a fact that’s often forgotten due to the darker, more intense tone of both The Lord of the Rings novel and Jackson’s big-screen adaptations. “The Hobbit” filmmaker clearly hasn’t forgotten that fact, though, as it’s clear from the start that “An Unexpected Journey” skews considerably younger than the previous trilogy.

Where “The Lord of the Rings” films were frighteningly earnest with life-and-death stakes for both the characters and the world they inhabit, “The Hobbit” feels more like a grand, occasionally slapstick adventure with a group of bumbling fools trying to pass themselves off as warriors. With “An Unexpected Journey,” Jackson is clearly aiming for a lighter, more humorous tone, and Bilbo’s adventure comes across as more of a lighthearted romp than the deadly serious narrative of Frodo’s journey in “The Lord of the Rings.” While this is also right in line with the tone of The Hobbit as it was written, it’s the sort of difference that could confuse casual audiences expecting an extension of “The Lord of the Rings” and could frustrate fans whose recollection of the original story has been influenced by the modern adaptations.

On the visual side, Jackson’s decision to film “An Unexpected Journey” at 48 frames-per-second instead of the standard 24 in order to improve 3-D visuals has been loudly criticized by purists, but the change isn’t even close to the apocalyptic, career-ending, movie-ruining gaffe that early buzz indicated. While it takes a few minutes to adjust to the extra level of sharpness in the lush visuals of the film’s opening sequence (a sequence probably intended to distract you from that acclimation period), much of the film benefits from the high-def upgrade, which makes everything pop just a little bit more.

Still, that extra “pop” does cause a bit of a distraction during certain sequences – specifically, in scenes that take a bird’s-eye view of the group running through detail-heavy, CG set pieces. Much like the scene in “The Fellowship of the Ring” when Frodo and his companions are pursued through the Mines of Moria by a horde of goblins, Bilbo and the dwarves find themselves sprinting through similar environments on several occasions during “The Hobbit,” but the sequences have a noticeably different feel this time around with the hyper-detailed blend of 48fps filming and 3-D presentation. At times, the scenes feel a bit like the cinematic sequences from high-end video games, which often lose a sense of perspective by making every detail in the shot – no matter how far away – crystal clear. The end result is the occasional scene that doesn’t feel entirely real, but isn’t quite digital, either.

Overall, there seems to be a much heavier reliance on CG visuals in “The Hobbit” than in the “The Lord of the Rings” movies, with many of the film’s villains relying heavily on digital and motion-capture effects instead of on-screen actors in prosthetics and makeup. It’s an unfortunate decision, as the practical effects used in “The Lord of the Rings” provided an extra level of realism in those films that would’ve been even more valuable in the ultra-crisp, 48fps environment of the “Hobbit.”

Despite the reliance on digital effects for so many of the creatures of “The Hobbit,” the actors who do get time in front of the camera provide fantastic performances on par with “The Lord of the Rings” cast. Reprising his role as Gandalf, Ian McKellen proves yet again why he is the definitive version of the character, and Martin Freeman successfully captures all of the timidness of Bilbo Baggins with the necessary hint of the inner strength the adventure brings out in him. Outside of Richard Armitage’s noble and grim-faced Thorin Oakenshield, few of the dwarves receive much solo time in the spotlight (which stays right in line with the novel), though Aidan Turner makes the best of his opportunities as the young dwarf Kili.

Composer Howard Shore also deserves praise for his impressive interpretations of the lyrics that Tolkien scattered throughout The Hobbit – especially his haunting spin on the dwarves’ fireside ode to their long-lost kingdom, “Misty Mountains.” Tolkien was known for peppering both The Hobbit and The Lord of the Rings with song lyrics and poems, and much like the 1977 animated feature based on The Hobbit, “An Unexpected Journey” doesn’t disappoint in giving audiences the music of Middle-earth.

Despite all of its flaws (and there are quite a few of them), “The Hobbit: An Unexpected Journey” manages to be a very enjoyable film that remains loyal to the tone of the books without becoming a literal, scene-by-scene narrative. There’s no shortage of scenes that feel padded out to span the three-film arc Jackson has planned, but as the big-screen adaptation of a children’s story that had some dark undertones, “An Unexpected Journey” is a success.

The story of The Hobbit has always been its own creature, written for an audience 20 years younger than The Lord of the Rings readers, and envisioned as a far more innocent, playful tale. With this adaptation, Jackson seems keenly aware of the differences between The Hobbit and The Lord of the Rings, and instead of trying to make one more like the other, he embraces what makes each story unique. “An Unexpected Journey” may not be the greatest adventure on Middle-earth, but it does make for a great theater experience.

“The Hobbit: An Unexpected Journey” arrives in theaters Friday, December 14.

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Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…