This browser is supported only in Windows 10 and above.

DID YOU READ

Tim Grierson on “The Five-Year Engagement” and other movies where love doesn’t always end happily ever after

Emily Blunt and Jason Segel in The Five-Year Engagement

Posted by on

“The Five-Year Engagement” doesn’t exactly work, but it is a rare Hollywood comedy about the problems of making love last. Romantic comedies (and dramas) tend to focus on the difficult groundwork that needs to be laid — pardon the pun — before a couple can find their happily ever after. At the end of most movies, the guy and gal realize that they’re perfect for one another, and the credits roll before we see what happens next: They’re in love, and that’s all that matters. Though it’s overlong and spotty, “The Five-Year Engagement” at least focuses on that part of a relationship you almost never see in other movies. And, interestingly, it’s not the only film recently that’s done that.

Now, I should say that this is hardly a revolutionary idea. Movies about the problems with long-term relationships have been explored in comedies before. Woody Allen’s 1977 Oscar-winning “Annie Hall” sifts through the wreckage of a failed love affair, but because of its jumbled timeline you hold out hope that maybe things will eventually work out. (A later Allen masterpiece, “Husbands and Wives,” would delve into the topic with even more insight 15 years later.) Writer-director-star Albert Brooks’ great 1981 film “Modern Romance” is all about a couple who can’t decide if they’re more miserable together or apart. In these movies, the typical boy-meets-girl setup is already way in the past — this type of film gets its laughs from how hard the boy tries to keep the girl.

But in the last few years, there have been a rash of good films that tackle this dilemma, either as comedy or drama — or perhaps a little of both. Three years ago, “(500) Days of Summer” took a page from “Annie Hall,” screwing with its chronology to offer a snapshot of specific days in the year-and-a-half relationship between Tom (Joseph Gordon-Levitt) and Summer (a never-better Zooey Deschanel) to show what went wrong with their courtship. As with a lot of these recent movies, there’s a push/pull dynamic going on in “(500) Days of Summer” that’s different than the typical, predictable “How will they finally fall in love?” suspense of your regular romantic comedy. Instead, “(500) Days of Summer” acknowledges that sometimes lovers aren’t completely compatible, and so we in the audience watch Tom and Summer and wonder if maybe they’re not meant to be together. That’s not a fault in the film — hey, that’s just life.

The superb 2010 indie drama “Blue Valentine” is in some ways a more traditional look at the relationships-sure-are-hard predicament. Again, there’s a juggling of time frames. (Scenes of happy puppy love between Ryan Gosling and Michelle Williams are juxtaposed with present-day scenes of the now-married couple utterly miserable.) But like “(500) Days of Summer,” “Blue Valentine” operates somewhat like a mystery. The viewer looks at the flashback scenes and wonders if there were clues to the couple’s future unhappiness there all along. And while there are no pat answers, what emerges is a sense that the things that draw us to a mate can also ultimately repel us — an adorable quirk or tendency eventually revealing a character flaw or deep insecurity. We expect on some level for stark indie dramas to examine difficult subjects like this, but “Blue Valentine” cuts so deep because even though this couple probably can’t make things work, we recognize how much love there still is between the two of them. That’s what makes the film so heartbreaking: Despite all the anger and regret, love doesn’t entirely go away.

That poisonous combination of love and hate — which, really, are two different expressions of the same sentiment — is also the subject of last year’s divisive “Like Crazy.” The drama starts with the passionate love affair of students Felicity Jones and Anton Yelchin, but when complications force them to be separated by an ocean, their powerful need for one another soon morphs into ugly emotions, as they both lash out in unfortunate and often immature ways. One of the most difficult things for the film’s critics to understand is that, honestly, we’re not meant to look at Jones and Yelchin as star-crossed lovers whose infatuation is destined to defeat all obstacles. Quite the opposite: “Like Crazy” is a rather sobering and honest account of what it’s like to be in one of those high-voltage, high-drama relationships where the people bring nothing but pain to each other. Everybody around them knows they shouldn’t be together, but, tragically, no one bothered telling the two of them. (Interestingly, “Like Crazy” essentially ends the same way that “Modern Romance” does, except this time there’s nothing remotely funny about the outcome.)

If you did like “Like Crazy,” though, let me suggest the recent French drama “Goodbye First Love,” another tale of crazy love with no happy ending in sight. In the film, Lola Creton plays a young woman hung up on a slighter older boy (Sebastian Urzendowsky). The problem is that he’s left France to see the world, and as the years go by, his letters stop coming. Clearly, he’s moved on, but Creton can’t. (Like the couple in “Like Crazy,” she’s too inexperienced in life and love to understand that your heart will heal.) And so she goes on for several years pining for this boy, even as her own life gets bigger and more interesting, including being courted by one of her professors. “Goodbye First Love” is probably the least romantic of any of these movies I’ve cited — the central couple is barely on screen together — but it’s a poignant, accurate depiction of what it feels like to nurse a crush that won’t go away. And just like with “Like Crazy,” being annoyed at the character isn’t the point. Her entire problem is that she can’t get over this guy. This type of thing never happens in most Hollywood romantic comedies, but I’m sure it’s happened to someone you know — or, god forbid, even you.

Which brings us back to “The Five-Year Engagement,” a movie that starts with its would-be happy ending, Tom (Jason Segel) proposing to his girlfriend Violet (Emily Blunt). But their wedding gets put on hold when they move from San Francisco to Ann Arbor so she can pursue her career as a psychologist. Though mostly a broad comedy, “The Five-Year Engagement” has grander ambitions, dramatizing how difficult it is to maintain the innocent infatuation of a relationship’s early days during the trying times. Sadly, the film lacks the courage of its convictions, wasting time with silly digressions and formulaic twists, but at least it tries to suggest that love takes more than a sweet kiss in the final reel. It’s easily the least accomplished of any of these movies — and its meager showing at the box office this weekend suggests audiences weren’t that interested in giving it a shot — but it’s nice to see a film with big stars for once acknowledge that, sometimes, love just ain’t enough.

Watch More
IFC_Portlandia-S8_pick-a-lane_subaru-blog

Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

Posted by on

Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Watch More
Uncle-Buck

Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

Watch More
IFC_Portlandia-AORewind-blog

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More