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Christopher Lloyd discusses getting morbid for “Snowmen” and what it’s like playing a sage

Christopher Lloyd discusses getting morbid for “Snowmen” and what it’s like playing a sage (photo)

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The new movie “Snowmen” — out today — might need an introduction, but one of its stars, Christopher Lloyd, certainly does not. He’s been working for decades on TV and in films, including “Taxi,” “Back to the Future,” “Who Framed Roger Rabbit?,” and countless others, contributing a singular sort of eccentricity that’s as undefinable as it is irresistible. And yet, in “Snowmen,” he plays a relatively straightforward role as a caretaker at a cemetery who offers some much-needed advice to a group of kids in the midst of dealing with such weighty issues as life, death, and doing something worth remembering.

IFC caught up with Lloyd for a discussion about his work in “Snowmen”; additionally, he talked about his legacy as an actor known for being a bit odd, and examined the challenges of living up to others’ expectations while still satisfying his own.

The story of “Snowmen” is weirdly morbid – it almost feels like an “American Beauty” for kids. What initially appealed to you about the script?

Well, I kind of liked that there is it’s almost turned into a tragedy. I like the fact that something kind of scary occurred in it; it made it go deeper in its feeling and somehow realistic. You know, things do happen sometimes among young people. And I liked a film for young people that kind of dealt with that, as opposed to something that’s maybe very sugary and safe. I like going there; I’m glad everything turns out in the story, but in the process of the story, the kids mature – something happens that makes them think more seriously about life and who they are and what kind of people they want to be. They’re not just sort of set pieces, you know? And I also felt that the places they head into also involve the parents and the family in a much deeper way than might otherwise be the case, which I felt was good to see this. It was a balance – it wasn’t just what the kids were doing and the parents are sort of putting up with it or coping with it in kind of a superficial way. It pulled everybody into it and I felt it was much more emotionally fulfilling in the long run.

Was there a sense of freedom or responsibility when playing a part where you have an important role but a limited amount of screen time?

I wanted to help these kids work things out for themselves, to find themselves, and it was a limited time, but I felt that the scene was very well written and it gave me a lot of opportunity to do that. The scene in the chapel, there’s a lot of little nuances between them and myself, and among themselves, and again, the writing really afforded this to make good choices, and real choices.

Was there more to him that was either in the script or your development of the character that we don’t see?

He’s a loner essentially. He’s taking care of things around there, but he operates alone, and I didn’t imagine him as being married and having much of a family life. I figured he lived pretty much alone and whatever kind of circumstances he’s made livable for himself, and that he’s kind of whimsical at the same time, and he’s taken in a lot of life and learned a lot. And I would like to think he has a kind of profound understanding of what life is about, and he has these young people, and he sees them struggling with their own problems at their level, and he wants to give them some sort of direction without being too explicit or authoritarian, but just by way of suggestion, kind of lead them in a direction that could help them in life.

This character is otherwise pretty normal but you’ve obviously had great success playing eccentric characters. At this point is one easier than the other, or more fun?

I don’t know. I get into a character that comes my way, and you’ve probably heard this before, but whatever character I’m playing at the moment, I get pretty obsessed with it and try to bring it to life in as many ways as I can within the confines of the material. I mean, every time I wrap on the film, whatever the size of the role, or however it was written, if I feel like I’ve given it something I fell really good about it.

How comfortable are you with that association with those sorts of roles, and how much do you feel like you’ve been able to explore enough other opportunities so that you don’t feel typecast?

Well, I’ve loved to do the things that I’ve done, and I know that’s work that I’ve done sort of brings scripts to me that are sort of similar, maybe characters that are similar. I’ve had those characters come to me that are sort of a reflection of Doc Brown or Reverend Jim, and I’m very happy to play them as long as each time, the character is something different or unique in the first place. I just don’t want to repeat what I’ve already done; on the other hand, I always yearn for, like comics want a dramatic role and dramatic actors want to be comedians.

There’s always wanting to do something that you’re not normally known for doing. Last summer I had an opportunity to do a play, “Death of a Saleman,” playing Willy Loman, and I just relished it because it’s just the antithesis of so much else that I’ve done, goofy characters or way-out characters, and here was somebody who was so real and so demanding in a very dramatic way in a brilliant play. So one way or another, I get the opportunities to do different things.

Will you catch Christopher Lloyd in anything he’s in? Speak out below or on Facebook or Twitter.

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The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at

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Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

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