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DID YOU READ

Miranda July discusses “The Future,” voicing a cat and why adults should use their imagination

Miranda July discusses “The Future,” voicing a cat and why adults should use their imagination (photo)

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Artist/writer/filmmaker Miranda July has been on my radar since 1999, when I discovered her spoken word album The Binet-Simon Test. It includes the track “Lena Beamish,” which is about a talk show about siblings who do daredevil stunts because they can’t feel physical pain. This is the sort of thing I liked listening to on my boombox as a teenager, while I lay on the floor waiting to grow older so my real life as an interesting person could begin.

July’s new film, “The Future,” is all about this waiting game, and the milestones we set for ourselves that we may never reach. Sophie, a dance teacher (played by July), and her boyfriend Jason (the dreamy Hamish Linklater), have been dating long enough that they’re ready for the next level of commitment: they’re going to adopt an injured cat (voiced by July). But Paw Paw isn’t ready to come home just yet, and in the interim, the couple’s life changes dramatically.

IFC: I think something you’ve done really well in your work is conveying the theme of growing pains. You’ve done it with children, and in “Me and You and Everyone We Know” with the teenage characters, and now it’s the growing pains of being in your mid-thirties. It never ends.

MJ: Yeah, and you think…there’s a point at which you become adult.

IFC: And you can stop projecting into when it’s going to be “better.”

MJ: Exactly. I do think I’m hopeful, and there is a sort of buoyancy to that, but I also am thinking the good thing is about to happen and I get there and I’m like, “Oh, this is what the good thing feels like?” I always have to remind myself: when the good thing happens, remember that you may feel bizarrely empty. (laughter)

IFC: You have symbols for growing pains, like in this movie it’s Sophie’s dance with the yellow shirtie, and in “Me and You” when he lights his hand on fire…and there’s this idea of having to exaggerate it so that it can really reach. Even the wig in your story “Something that Needs Nothing.”

MJ: Yeah, it is true that I like, especially for these ideas that are kind of esoteric, to have it be an object, or something that you can fill with meaning, and then the object is that, and you don’t have to keep talking about growing or anything.

IFC: Like you give it weight and mass.

MJ: Yeah. Exactly.

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IFC: I like how you do so many voices. I think that’s what drew me to your CDs back when I was in my bedroom as a teenager.

MJ: Yeah, so for you the cat is not…

IFC: I totally get the cat.

MJ: That’s nice. When I was doing that, I was like, “What am I doing?” This is going to be confusing: I’m Sophie/I’m the cat. And a few people said, “Miranda, this is so what you do. This is connecting it to past work.” And I was like, Oh…is that a good thing? But ultimately, if anyone was going to pull that off, at least it would be someone who wasn’t doing arbitrarily. It comes from a real comfort. I like doing that.

IFC: I was an only child until I was eight, so I used to make radio shows and I would do all the parts…

MJ: I just found one of those tapes actually, of mine, doing the same thing: a radio show. It’s really bad because I’m trying to involve my mom while she’s making dinner and she’s trying to cook and entertain me and…

IFC: And you were being her director.

MJ: Yeah, and she’s like, “Back to you, Sam,” and I’m like, “I’m not Sam, I’m Joe!” And I’m really angry and she’s like, “Oh, sorry, Joe…”

IFC: Do you feel like the way you lived in your imagination then has never stopped? Like some people stop playing make-believe or playing dress-up and they grow up, and for you, you just kept performing?

MJ: To some degree that must be true, but I resist the idea that it’s so childlike, because God, it takes such diligence, you know? And I would like to think that it’s an adult way to be also. So I’m trying to espouse that.

IFC: That it’s a skill and a craft…

MJ: Well that, but also I mean that these things, what if we thought of them as adult things? This kind of curiosity or playing, what if we shifted and thought, “Oh that’s a really mature, thoughtful and appropriate thing to do.” I actually think it’s good for my relationships; it helps me understand myself. I think the way it’s good for children, it’s also good for adults.

IFC: You’ve said that part of your career is about forming this intimacy with your audience, and I’ve noticed that in how you title things for your audience, or you include your audience in your title.

MJ: I use “you” a lot. I know. I think it’s because it works on me. I put this on my blog, but I had passed some graffiti that said “YOU WOULD,” and I felt very called out by it. That pulled me right in. I got away from it with this title (“The Future”), but I have a book coming out in the fall called “It Chooses You.” So now I’m falling back in.

IFC: I also think of your short film, “Are You the Favorite Person of Anybody?” When I heard that title, I thought, “Am I?” And then you see the movie and you’re like, “Whose favorite person am I?”

MJ: I know.

IFC: Like the graffiti, it calls you out.

MJ: It’s trying to use self-interest, all of our self-interest, as a tool in a way. A useful tool.


Leigh Stein is a writer and teaching artist. Her first novel, The Fallback Plan, is forthcoming from Melville House in 2012 and can be pre-ordered here.

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Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…