This browser is supported only in Windows 10 and above.


Tribeca 2011: “L.A. Noire” Makes a Strong Debut for Video Games

Tribeca 2011: “L.A. Noire” Makes a Strong Debut for Video Games (photo)

Posted by on

Last night saw a bit of history made as Tribeca Film Festival showcased Rockstar Games’ “L.A. Noire” in a special event, marking the first time a video game’s ever gotten the spotlight at the storied cinema celebration.

At the opening of the Tribeca Talks session, the festival’s Chief Creative Officer Geoff Gilmore admitted that he’s not a gamer but saw Rockstar’s games as a part of a tradition picking up where indie films left off. Gilmore didn’t expound on that, but it seems that he saw the same kind of creative agency and freedom in games. In the heyday of indie films, they seemd to spring full-blown out of nowhere, full of fresh reconfigurative energy, and it must be that for someone in Gilmore’s position, games looks like they happen in the same way. He made a point to differentiate Rockstar’s oeuvre as ‘narrative games,’ too. While that does imply an unfortunate compartmentalization with what games currently are-most games try for some sort of narrative, or create it emergently-that distinction does apply to Rockstar’s heavily authored brand of game-making.

Speaking of narrative, reps from the “GTA” company unveiled a case from the virtual LAPD’s homicide desk called the Red Lipstick Murder. You actually get to see the murder in question as the level opens but the screen’s all silhouettes and camera cutaways so as not give away the culprit. Nevertheless, you can tell that the beating that takes away a woman’s life is brutal. Some scenes in the precinct briefing room showed off the game’s approach to period aesthetic and dramatis personae. The dialogue rattled out characters with flourish and the ambiance of late 1940s Los Angeles came alive in the chatter, set design and wardrobe of the gameworld. Fresh to the murder beat, lead character Cole Phelps–brought to life by Aaron Staton of “Mad Men”–gets assigned with the murder case with new partner Galloway.

LA Noire_screenshot_PS3_045.jpg

It was the first time that live gameplay’s been shown to such a large audience and the session let viewers in on just how the mechanics of “L.A. Noire” will work. Once players steer Phelps to a crime scene, they can scour the environment for clues. You’ll be able to run plate numbers to get addresses, too. A lipstick container, items in a purse and a purloined bar lighter all create new avenues to investigate, leading players to persons of interest. One such person was the owner of a bar where victim Selene Henry hung out. Questioning him ruled him out as a suspect but did reveal an affair with Selene before she got married. Heading to the apartment of the victim’s estranged husband, the man claimed innocence. Grilling each of these characters, you need to read their faces and decide from Trust, Doubt or Lie options. These sequences are where the game’s revolutionary MotionScan comes into play. Actors’ performances get captured and presented with amazing fidelity, so a grieving husband’s shifty eyes and hesitant delivery may put the lie to whatever his mouth is saying. As the game goes on, you can expect to encounter better liars whose falsehoods are harder to spot. If you get suckered by a character’s lies, you can go astray during your legwork and chase after red herrings. And as you poke into the dark corners of people’s lives, all sorts of intriguing details come up, like that fact that Selene Henry was a pilot or the fact that a male suspect in the case may have a taste for wearing womens’ shoes.

Watching the case play out highlighted how “L.A. Noire” will differ from other Rockstar games. Phelps feels more introspective, talking to himself as he looks through clues and the proceedings overall come across as slower, quieter and less chaotic than the cacophony of a “GTA” title.

LA Noire_screenshot_PS3_133.jpg

Yet, as innovative as “L.A. Noire” already looks to be, people still want more. One fan asked just how competent Phelps will be as a detective, wanting to know if, “You can play through the game and just be a screw-up the whole time?” He was essentially asking about how emergent the game would be, if infinite possibiities laid within its branching structure. Rockstar’s people replied that somebody would need to write all of that. As good as the experiences delivered by “Grand Theft Auto” games and Red Dead Redemption have been, a lot of folks yearn for complete unpredictability. “L.A. Noire” won’t deliver that but will likely hold some surprises up its sleeves, as it channels the murky noir energy of “Chinatown,” “The Third Man” and “Double Indemnity” into playable form.

Watch More

The Best Of The Last

Portlandia Goes Out With A Bang

Posted by on

The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at

Watch More

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

Posted by on

Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Watch More

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

Watch More