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DID YOU READ

Whit Stillman Takes Los Angeles

Whit Stillman Takes Los Angeles (photo)

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Just slightly over a week ago, Hadrian Belove of the Cinefamily in Los Angeles introduced a screening of Tom Noonan’s “What Happened Was” by recalling the era it came out in which “a great movie was coming out every week.” That feeling is being recreated for the next month with the series “When Indies Rocked,” a veritable wonderland for fans of the ’90s boom that introduced the world to writer/directors like Alexander Payne, David O. Russell, Neil LaBute, and Todd Haynes, among others.

Throughout Fridays in February, Payne, Russell, “In the Soup” director Alexandre Rockwell and “One False Move” star Bill Paxton are all scheduled to stop by the theater on Fairfax to reflect on their early work, but a tone of celebration is being set early with a 20th anniversary screening of Whit Stillman’s “Metropolitan” this Sunday night. The ideal reminder of a time in cinema when dialogue often danced and low budget-inspired ingenuity led to a deeply-felt visual style, Stillman’s first film in what would become one of the finest runs of any writer/director during the era (including “Barcelona” and “The Last Days of Disco”) has the fizz of a cocktail and the satisfaction of a main course as it follows a group of upper-crust collegians as they attend one debutante ball after another in New York, told from the perspective of a man of more humble means (Edward Clements) looking in.

Any time the film is presented on the big screen can be considered a rare treat in and of itself, but though the writer/director’s fans know no bounds, “Metropolitan” hasn’t strayed far from its east coast setting for a special screening, save for an gala in its honor at last year’s Sundance Film Festival. So it is with much-deserved pomp and circumstance that Stillman will accompany the film out to California for the first time and while he was in the editing bay for his next film “Damsels in Distress” – words the writer/director’s fans have been dying to see in print for over a decade – he took the time to share some thoughts via e-mail on the series and how this screening came together.

How did the Cinefamily screening come about?

The Sundance Film Festival paid for a new 35mm print for last year’s festival – which was fortunate as our lab, DuArt, has since halted film printing. With the Sundance print heading to the UCLA archive, Hadrian Belove of Cinefamily saw a chance for a screening. Meanwhile, we delayed our plan for a small anniversary re-release of “Metropolitan” as backing for our new film came together just after Sundance; but we hope it will go forward close to the new film’s release.

Does it really feel like 20 years has passed?

No, it doesn’t – or it feels like 21 years: “Metropolitan” had its first public screening at Sundance, late January 1990, but the theatrical release ran through March 1991 — in those days releases could last much longer: ours was August through March.

After the theatrical run, have you ever shown the film on the west coast? If you’ve seen it with an audience here, is it much different than with the hometown crowd in New York?

“Metropolitan” really played as a hometown film – one-third of its theatrical gross came out of Manhattan. I’ve only seen it with audiences in New York and at festivals and premieres – the worst were those at a Brussels disco with a very noisy and at the Hof festival in Germany where almost everyone walked out.

The series is called “When Indies Rocked” – and Hadrian of Cinefamily said at the earlier screening of “What Happened Was” that he recalls the ’90s as a time when a great movie was coming out every week. As someone who was in the thick of it, is that looking at it with rose-colored glasses or was there something genuinely special going on?

Generally, that’s right — but film history doesn’t strictly respect decade divides. I’d put the early “golden age” as the ten years from 1984 – for a lot of us, the artistic and commercial success of Jim Jarmusch’s “Stranger than Paradise” was the big inspiration, followed by Spike Lee’s “She’s Gotta Have It.” My only film school was his account of putting together that film. As the ’90s wore on, the indie films became a business, a bubble and then a bust. Roberto Rossellini said that in cinema, money is the root of all evil; if that’s true, there’s a lot less evil around now.

Tickets are still available for “Metropolitan” on January 30th and the series as a whole. Details can be found here.

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The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Uncle-Buck

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…