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Rosamund Pike Finally Tells Her “Version”

Rosamund Pike Finally Tells Her “Version” (photo)

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There’s a reason why Rosamund Pike plays the woman who makes Paul Giamatti’s twice-married Barney Panofsky realize he will love no other. With the beauty to play a Bond girl in her first film role and the smarts to be one of the few to follow through with a meaningful career, Pike has that bedeviling combination that can seduce an audience of either sex and prove elusive to casting directors unfortunately too used to casting actresses for one quality or the other. However, this has changed in recent years as Pike has found her unique skill set employed to play the daft, but knowing arm candy to Dominic Cooper in “An Education,” the trophy wife who was smarter than her husband in “Made in Dagenham,” and ultimately her natural role as the complete package in “Barney’s Version” as Miriam, the woman who catches Barney’s eye, captures him with her intellect and endlessly frustrates him as only perfection can.

If one were to suggest she’s anything close in person, Pike would quickly disabuse you of the notion, though she’s even quicker to disarm you, pulling out her iPhone at the drop of a hat to show off the green head that sits by her fireplace, a life cast of her face used as a model for the prosthetic work for her character in “Barney’s Version” that she’s since spraypainted over and outfitted in Doc Ock spectacles. She can’t help but look particularly radiant when she does this, showing flashes of the performer her co-star Giamatti has repeatedly said he’d become “obsessed” with before filming and the curious old soul that jetted off to Kerala right after filming wrapped to experience an Ayurvedic detox for the first time. (Not surprisingly, she wrote eloquently about it for the Times of London.) Now that the old-age makeup’s worn off, Pike recently took the time to talk about her other transformations, both in inhabiting the the role of the aging Miriam and for her career, in addition to her recent adventures in the States.

You initially went in to audition for the role of Barney’s free-spirited first wife Clara, but came away with Miriam, which seems like a benchmark for your career. Was it particularly gratifying to get the part?

I don’t read any press actually, but [my agent] sent an e-mail and he just said The Sunday Times just picked “Barney’s Version” as something to watch and it said something [like] “Rosamund Pike has the acting chops to play any role she wants now.” That felt really, really good because that’s what you want is freedom. I went into this business because the first films I saw that got me in the gut and moved me, it was probably “In the Name of the Father” with Daniel Day Lewis. I was glued to the screen. I felt the injustice, I felt I was going through it all with the character and I just bawled my eyes out and it was an incredible experience. I thought I want to do that to people. I want to give people those kind of rides. And until now, I haven’t really gotten the kind of roles that have allowed me to do that. [slight laugh] So in a way, it feels like a point of freedom is coming. And Paul [Giamatti] had my back. Paul really went out on a limb. I auditioned for it and we met and I think Paul said, “cast her.” That’s what you need. You need someone in this business because people are so…I don’t know. They’re risk averse.

01122010_RosamundPikeBarneysVersion2.jpgAfter your audition, I understand you wrote a letter to the filmmakers. Have you done that in the past?

No, but I wrote an e-mail to the producers and the director after the meeting and I knew the novel of “Barney’s Version.” I read the script backwards and forwards. I’d obviously done reading for Miriam on my own and then I met Paul and Paul was Barney. I believed in him so totally as Barney and I believed in myself as Miriam that we’d tell this story with truth. It felt right. We were those people. And you don’t always feel that. Sometimes you go in and of course you want it to work and you do a chemistry read with another actor and you don’t quite believe them or you kind of know you’re faking it a little bit. But with this, it was like looking into someone’s face and there was no acting. There was no artifice. It was daunting in some ways when you actually get the job. You then think God, how am I going to pull this off? But mentally getting inside the older woman I didn’t find so hard actually.

Since you age gradually in the film, does the physical aspect of it change your performance?

This is what’s interesting. You get the part and it’s all about the soul and the feeling inside and then suddenly, the obsession is all on the external, which is usually what throws me. It’s what threw me in the Bond film [“Die Another Day”]. I went and auditioned for the Bond film, got that role — I had just come back from traveling on a gap. I was like a shaggy student, sort of hippie kind of chick and then suddenly I get transformed and all the focus was suddenly on the external. It makes you panic because that’s not how you got the job, right?

And then the same with this. Everybody’s looking at you and you just feel so insecure because you think oh, I’m not right. As soon as the focus goes on the external, one feels that and the first [makeup] tests didn’t really work. I thought oh, no, they’re going to think I can’t age enough visually and they’re going to fire me and cast someone else. Suddenly, we made a breakthrough. We changed the actual substance of the pieces that we were using for prosthetics from silicone to gelatin and suddenly, it started to behave like skin. And we made a decision that [Miriam] wasn’t going to gain weight as she got older, but she definitely was going to have pieces on her eyelids, pieces on her cheeks. These folds here on the side of the mouth. Pieces on the neck. They did an age-sort of makeup on me, putting age spots and little veins in and then over the top of that, I did my makeup as Miriam would, so I put mascara on and eyeliner on and treated the face as if it was mine. Suddenly, then we got something real.

01112011_RosamundPikeBarneysVersion3.jpgWas it a challenge keeping her real in other ways when you’re representing a perfect woman for Barney in this film? I do realize the film is called “Barney’s Version.”

It’s Barney’s version, yeah. Sometimes I was pushing to add some lines that had a bit more edge. Like Paul and I really wanted in the scene where I agree to go for lunch for the first time and he gets drunk. In the film, Miriam says, “Are you okay? Is everything alright?” And I wanted her to say, “Barney, are you drunk?” And the director and the producer didn’t want it. They were so keen that she was never that direct. I think Miriam in the book probably is a bit more direct, but they just wanted her to seem permissive. That’s her quality that they wanted in the film was for her to be all-understanding and they just worried that anything would make her seem too hard, which I think, in some ways, it’s a shame because I think you can have bite. You know that wasn’t her challenge. It’s a humorous recognition, really.

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Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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