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Rosamund Pike Finally Tells Her “Version”

Rosamund Pike Finally Tells Her “Version” (photo)

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There’s a reason why Rosamund Pike plays the woman who makes Paul Giamatti’s twice-married Barney Panofsky realize he will love no other. With the beauty to play a Bond girl in her first film role and the smarts to be one of the few to follow through with a meaningful career, Pike has that bedeviling combination that can seduce an audience of either sex and prove elusive to casting directors unfortunately too used to casting actresses for one quality or the other. However, this has changed in recent years as Pike has found her unique skill set employed to play the daft, but knowing arm candy to Dominic Cooper in “An Education,” the trophy wife who was smarter than her husband in “Made in Dagenham,” and ultimately her natural role as the complete package in “Barney’s Version” as Miriam, the woman who catches Barney’s eye, captures him with her intellect and endlessly frustrates him as only perfection can.

If one were to suggest she’s anything close in person, Pike would quickly disabuse you of the notion, though she’s even quicker to disarm you, pulling out her iPhone at the drop of a hat to show off the green head that sits by her fireplace, a life cast of her face used as a model for the prosthetic work for her character in “Barney’s Version” that she’s since spraypainted over and outfitted in Doc Ock spectacles. She can’t help but look particularly radiant when she does this, showing flashes of the performer her co-star Giamatti has repeatedly said he’d become “obsessed” with before filming and the curious old soul that jetted off to Kerala right after filming wrapped to experience an Ayurvedic detox for the first time. (Not surprisingly, she wrote eloquently about it for the Times of London.) Now that the old-age makeup’s worn off, Pike recently took the time to talk about her other transformations, both in inhabiting the the role of the aging Miriam and for her career, in addition to her recent adventures in the States.

You initially went in to audition for the role of Barney’s free-spirited first wife Clara, but came away with Miriam, which seems like a benchmark for your career. Was it particularly gratifying to get the part?

I don’t read any press actually, but [my agent] sent an e-mail and he just said The Sunday Times just picked “Barney’s Version” as something to watch and it said something [like] “Rosamund Pike has the acting chops to play any role she wants now.” That felt really, really good because that’s what you want is freedom. I went into this business because the first films I saw that got me in the gut and moved me, it was probably “In the Name of the Father” with Daniel Day Lewis. I was glued to the screen. I felt the injustice, I felt I was going through it all with the character and I just bawled my eyes out and it was an incredible experience. I thought I want to do that to people. I want to give people those kind of rides. And until now, I haven’t really gotten the kind of roles that have allowed me to do that. [slight laugh] So in a way, it feels like a point of freedom is coming. And Paul [Giamatti] had my back. Paul really went out on a limb. I auditioned for it and we met and I think Paul said, “cast her.” That’s what you need. You need someone in this business because people are so…I don’t know. They’re risk averse.

01122010_RosamundPikeBarneysVersion2.jpgAfter your audition, I understand you wrote a letter to the filmmakers. Have you done that in the past?

No, but I wrote an e-mail to the producers and the director after the meeting and I knew the novel of “Barney’s Version.” I read the script backwards and forwards. I’d obviously done reading for Miriam on my own and then I met Paul and Paul was Barney. I believed in him so totally as Barney and I believed in myself as Miriam that we’d tell this story with truth. It felt right. We were those people. And you don’t always feel that. Sometimes you go in and of course you want it to work and you do a chemistry read with another actor and you don’t quite believe them or you kind of know you’re faking it a little bit. But with this, it was like looking into someone’s face and there was no acting. There was no artifice. It was daunting in some ways when you actually get the job. You then think God, how am I going to pull this off? But mentally getting inside the older woman I didn’t find so hard actually.

Since you age gradually in the film, does the physical aspect of it change your performance?

This is what’s interesting. You get the part and it’s all about the soul and the feeling inside and then suddenly, the obsession is all on the external, which is usually what throws me. It’s what threw me in the Bond film [“Die Another Day”]. I went and auditioned for the Bond film, got that role — I had just come back from traveling on a gap. I was like a shaggy student, sort of hippie kind of chick and then suddenly I get transformed and all the focus was suddenly on the external. It makes you panic because that’s not how you got the job, right?

And then the same with this. Everybody’s looking at you and you just feel so insecure because you think oh, I’m not right. As soon as the focus goes on the external, one feels that and the first [makeup] tests didn’t really work. I thought oh, no, they’re going to think I can’t age enough visually and they’re going to fire me and cast someone else. Suddenly, we made a breakthrough. We changed the actual substance of the pieces that we were using for prosthetics from silicone to gelatin and suddenly, it started to behave like skin. And we made a decision that [Miriam] wasn’t going to gain weight as she got older, but she definitely was going to have pieces on her eyelids, pieces on her cheeks. These folds here on the side of the mouth. Pieces on the neck. They did an age-sort of makeup on me, putting age spots and little veins in and then over the top of that, I did my makeup as Miriam would, so I put mascara on and eyeliner on and treated the face as if it was mine. Suddenly, then we got something real.

01112011_RosamundPikeBarneysVersion3.jpgWas it a challenge keeping her real in other ways when you’re representing a perfect woman for Barney in this film? I do realize the film is called “Barney’s Version.”

It’s Barney’s version, yeah. Sometimes I was pushing to add some lines that had a bit more edge. Like Paul and I really wanted in the scene where I agree to go for lunch for the first time and he gets drunk. In the film, Miriam says, “Are you okay? Is everything alright?” And I wanted her to say, “Barney, are you drunk?” And the director and the producer didn’t want it. They were so keen that she was never that direct. I think Miriam in the book probably is a bit more direct, but they just wanted her to seem permissive. That’s her quality that they wanted in the film was for her to be all-understanding and they just worried that anything would make her seem too hard, which I think, in some ways, it’s a shame because I think you can have bite. You know that wasn’t her challenge. It’s a humorous recognition, really.

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The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Uncle-Buck

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…