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Peter Weir Takes the Long “Way Back”

Peter Weir Takes the Long “Way Back” (photo)

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From “Picnic at Hanging Rock” to “The Truman Show” and “Master and Commander: The Far Side of the World,” Peter Weir’s filmography is rife with tales of men engaging with imposing environments, a fixation that continues with his newest film “The Way Back,” the real-life saga of three men who, in 1940, escaped a Russian gulag and traveled by foot to India – a trek spanning thousands of miles across five countries. Weir’s latest may feature big-name stars Colin Farrell and Ed Harris in an epic adventure, but in style, tone and content, it’s an anti-blockbuster of the first order. Shot by longtime Weir collaborator Russell Boyd with a combination of landscape majesty and close-up intimacy, it’s a narratively straightforward portrait of determination, survival and absolution that the writer/director layers with subtle thematic and emotional depth. On the eve of last week’s 11-film Lincoln Center career retrospective, Weir spoke about the veracity of “The Way Back”‘s source material, the “gamble” of making films for adults, and how being a director is sometimes like being a school headmaster.

Why was there a seven-year gap between “Master & Commander” and “The Way Back”? Was it difficult finding a new project, or putting this particular one together?

No, it was really just a series of projects – three in total – that, frustratingly, just didn’t come together for different reasons. I think they were films that I wasn’t meant to make. That’s my rationalization on it. But I did have to draw on deep reserves of patience, because I thought “God, there can’t be another one that goes south.” I think it was 2007 that I was sent the book [Slavomir Rawicz’s “The Long Walk: The True Story of a Trek to Freedom”] that became the inspiration for this film, and that was the one to make.

01172011_WayBack2.jpgWhat was it about the book that first sparked your interest?

Generally speaking, I think it’s profoundly an emotional experience. It’s more than intellectual and, therefore, not necessarily immediate. Over the days that I’d read it, it would come back to me and, in some ways, I would find it quite touching. I would think, “What is it about human nature, about the human spirit, that can endure so much, and yet keep going? What is it to survive?” I’d been touched by the book and thought that if I can bottle that lightning and pass it on to the audience, then they’ll feel what I felt.

I’ve read reports that Rawicz may not have actually been on the walk, but instead may have heard the story and claimed it as his own.

Yes, it’s that maybe he wasn’t on the walk. It’s documented that he was in a gulag, [as] a Polish officer who had – along with the majority of the Polish military in the Soviet zone in Poland – been sent in 1939 to the prisons. We know that they murdered a lot of them. But was he on the walk? I said to the producers that I couldn’t do the film unless I knew the walk occurred [and] that we can work around [Rawicz] and fictionalize it, but I’ve got to know there was a walk – that was what moved me. I didn’t particularly want to make the life story of the author. And that’s what we found. We got the evidence and I was happy, and so I could retitle it, and even reintroduce some other characters, and redraw those characters, all based on either interviews with survivors or from true accounts. I set myself that standard, so I would have a reality that I was dealing with.

You have a reputation for being very interested in historical details. Where did you start, in terms of research, after reading the book?

In this case, I think there were three key steps. One was to go and meet Cyril Delafosse-Guiramand, a young French guy in his late 30s, [who] walked this walk inspired by the book some time after 2000. He started off in Siberia and he walked all the way to India. So I had to meet Cyril. He was up in Laos, and I flew to meet him, and had him tell me what it was like — in the Gobi, in the forests north of Siberia. So he became vital. A lot of what he said I put in the script, then he became a member of the crew, and he helped the actors.

Secondly, I went to the locations – particularly to Mongolia, China and Siberia. And thirdly, I met survivors in Moscow (Russians obviously), and then in London, I met with Polish gentlemen who had survived and, in one case, one who had escaped. So those where the three key areas. And then, lots of reading. I’ve got quite a library.

01172011_WayBack11.jpgWas there ever a thought about not shooting on location?

Generally, I believe in faking as much as you can, so that your actors are as comfortable as possible to do what they’re trained to do. In other words, it doesn’t make the performance better just because you go and climb a mountain. You can put up a fake mountain in the studio and make them work more on their performance. In this case, I did think it was important to go to the real places, or facsimiles of them — four thousand miles, and through all the seasons, from blizzards in Siberia to the scorching desert to the Tibetan plateaus on to India. So I firstly cast those parts, if I can call the landscapes actors. I couldn’t shoot in Siberia, so we shot in the forests of Bulgaria. I couldn’t shoot in the Gobi desert for various reasons, so we used the Sahara. We shot in India, at Darjeeling.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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