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DID YOU READ

“The King’s Speech,” Reviewed

“The King’s Speech,” Reviewed (photo)

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“The King’s Speech” looks like your mom’s favorite movie of the year, doesn’t it? A heartwarming, inspirational story, handsome period production design, a cutesy and weirdly photoshopped poster, not to mention a starring role for DILF supreme Colin Firth. Despite its mom movie credentials, this film somehow rises above its station to become more than just another in a long line of bland prestige pictures about royalty. With impeccable craft, a smart script, and two actors working at the top of their game, it’s the rare crowd-pleaser whose pleasures are more than base appeals to sentimentality. It’s hard to imagine a much better film being made from this material.

That material is the story of Albert, the Duke of York (Firth) — Bertie to his friends — and his struggle to overcome a lifelong speech impediment. As second in line to the throne Bertie really only has one responsibility, but it’s the worst responsibility imaginable for a stutterer: talking in public. An endless parade of doctors and failed cures eventually lead Bertie and his wife Elizabeth (Helena Bonham Carter) to the doorstep of Australian speech therapist Lionel Logue (Rush). Logue’s techniques are unorthodox and controversial, two words, Bertie notes, that aren’t exactly popular amongst the British royal family. Not surprisingly, the pair hit it off like oil and napalm, as Logue sifts through the Duke’s ample emotional baggage searching for the root of his problem and Bertie resists his nosy speech therapist’s attempts to act like his psychotherapist.

Firth and Rush are brilliant together. Neither has an easy role. Firth has to make us sympathize with a guy who is rich, powerful, and never had to work a day in his life. The “heavy is the head that wears the crown” routine is an old one, but something about Firth’s performance feels fresh: his Bertie is far more human than his collection of sad royal stereotypes would imply. Firth’s incredibly convincing with the stuttering, too. Even when Bertie does improve, we still see Firth struggling against himself every step of the way. When he’s not stuttering, even his face is glacially calm, Firth manages to suggest the torrent of stammering waiting to erupt at any moment. As the straight man and second fiddle, Rush spends most of his time in reaction shots, but he moves emotional mountains with gestures and subtle twitches of that face which is blessedly free of Botoxian meddling.

As part of our podcast this week I watched a lot of movies about royalty, many of them showcases for great actors like “The King’s Speech.” Too many of these kinds of movies are as restrained visually as their subjects are emotionally, made by directors content to coast along on good performances and source material. Thankfully director Tom Hooper is much more willing to experiment. Where most royalty movies are stiff, “The King’s Speech” is nimble. The camera is always leading or following Firth through the hallways of power in a manner (and to an effect) that recalls Darren Aronofsky’s “The Wrestler.” Rather than dramatizing the enormity of the conflict with high angles and wide-shots, Hooper keeps the camera pinned to Firth, emphasizing the flawed, nervous person in the midst of extraordinary circumstances. Hooper also uses a subtle fish eye lens in some crowd scenes, which cleverly enhances the intimidating nature of Bertie’s surroundings by exaggerating their monstrous size. In the therapy sessions, he films Firth and Rush at rigid, perpendicular angles (to reinforce the tension between these men who are often at loggerheads) and often pushes them to the sides of the frame (to suggest Bertie feels disconnected from the world around him).

Screenwriter David Seidler makes a mistake with a needless and cheap third act twist designed to inject some false jeopardy into Bertie and Logue’s relationship. But the rest of his screenplay is filled with tart, tangy dialogue and an empathetic ear for character, and grows both leads into men we truly care for. Even the schmaltzy finale, in which one of the characters receives a veritable curtain call from an entire nation, strikes the right note between restraint and sentimentality. “The King’s Speech” probably will be your mom’s favorite movie of the year. But it’s so damn well-made it could make your top ten list too.

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Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…