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Toronto 2010: “Stone,” Reviewed

Toronto 2010: “Stone,” Reviewed (photo)

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Reviewed at the 2010 Toronto Film Festival.

To say “Stone” requires faith – both from its audience and as a recurring theme – would be an incredible understatement. That it made this agnostic care would be another.

Already established to some as the “Edward Norton in cornrows” movie, it’s a serious drama that I entered with understandable skepticism, whether it’s seeing the Millenium/Nu Image logo and wondering if this was just another paycheck job for Robert De Niro or if Milla Jovovich can play someone of this earth – the answer to those questions is no, and sort of, but then that’s where “Stone” becomes something special.

It’s during Jack Mabry’s (De Niro) first interview with prospective parolee Gerald “Stone” Creeson (Norton) that Jovovich’s Lucetta is called an “alien” by her lover Creeson and despite not appearing onscreen until later, one might agree knowing “The Fifth Element” actress is playing the part. Weeks from retirement, Mabry appears to think Creeson’s cornrows are pulled to tight, yet learns himself the strange power Lucetta holds when she injects herself into his life on the outside, pleading on him to release her husband on countless voicemails, in the prison parking lot, and ultimately, when Mabry succumbs to her advances, her apartment.

09052010_DeNiroStone1.jpgLucetta is indeed an other, one who takes immense pleasure in the pursuit, but has little interest in the end result, something both Mabry and Creeson know very little of since they’re both serving out life sentences in different ways. Mabry chose his incarceration in the country with a wife (Frances Conroy) that doesn’t love him and going into the city only for a thankless job that rarely holds surprises; the film shows early how Mabry sunk himself into this rut, but it is a rare opening scene that sends shockwaves through the rest of “Stone,” so I won’t spoil it here. Creeson, on the other hand, came by his time in prison the old fashioned way, helping to burn down his grandparents’ house while they were inside.

However, Creeson embraces spirituality in the pen, which isn’t necessarily the key to an early release, but the start of a search for something more profound that actually complicates matters as Lucetta pleads for her husband’s parole while her husband begins to question his culpability. Like an angel and a devil sitting on his shoulder, Lucetta and Creeson plunge Mabry into a moral quandary and if “Stone” were simply about whether prison actually has the ability to rehabilitate its denizens, it would be a thoughtful examination.

Yet director John Curran and writer Angus MacLachlan are after something far more elusive in meditating on the nature of evil in a way that would make it compelling bookend with “No Country for Old Men,” reversing that film’s emphasis on the crimes to the perspective of the punishment received. “Stone” may not be considered quite as accomplished as the Coen brothers’ effort, but that likely depends on whether you appreciate Curran and MacLachlan being more overt in asking the question

Certainly, it is no less provocative, thanks in large part to its trio of actors. Contrary to what the poster reads, Jovovich is the film’s main attraction, putting her husky voice and withering frame to use as a slippery slope of ethical backpedaling for De Niro’s Mabry. She is one of the most memorable femme fatales in some time, made all the more interesting by the fact Jovovich’s slinky charms have rarely been tapped in such a way.

09052010_DeNiroJovovichStone.jpgDe Niro, meanwhile, is gifted with a character with a rich inner life that so many of his recent films haven’t allowed for. He remains a curmudgeon here, but one that has earned it not by holding vomiting babies a tad too close or dealing with an unwanted in-law, but by being asked to be something more than a dispassionate observer and De Niro comes alive in the role, with his considerable gravitas used for far more than selling the prestige of the movie.

As for Norton, he plays the title character of the film, but it’s a part that largely resembles a MacGuffin. In spite of his southern-fried accent and prison yard swagger, Norton impressively takes an outwardly ostentatious character and lets him fade into the background slightly as the man whose fate is being debated, but is only a part of a far larger debate. “Stone” isn’t just interested in spurring that discussion, it deserves it.

“Stone” opens wide on October 8th.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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