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DID YOU READ

Do We Need Blu-rays?

Do We Need Blu-rays? (photo)

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Glenn Kenny poses a provocative question over at MUBI.com: “What, finally, is the point of the Blu-ray disc? Not just for cinephiles, but for anyone with a home entertainment setup?” This none-too-rhetorical query came on the heels of Kenny’s examination of a new set of Yasujiro Ozu Blu-rays from the British Film Institute. In Kenny’s words, the films “do not shimmer” the way many new ones do on BD (and the way many BD connoisseurs expect all films to on BD), largely because Ozu’s films weren’t filmed with shimmer in mind. In that case: what is the point? If you have a Criterion Collection DVD of “Tokyo Story,” do you need to buy it on Blu-ray as well?

It’s a question I’ve been pondering myself recently, having inherited my first HDTV from a friend and bought my first Blu-ray player just a few months ago. At about ten titles, my Blu collection is admittedly small. Do they look better than my DVDs? Abso-friggin’-lutely. To me, though, the real question isn’t “Do they look better?” it’s “How much better do they look?” And in some cases, the answer is “Significantly,” (“Snow White and the Seven Dwarves” on Blu-ray, for example, is absolutely mesmerizing) and in other cases the uncool but honest answer is “I don’t know.” Unless I had two televisions, and side-by-side DVD and Blu-ray rigs, how could I? Sites like DVD Beaver include comparative photographs of DVDs and Blu-rays in their reviews and the results are sometimes shocking: check out how much crisper and richer the images look on the upcoming Criterion Blu of “The Thin Red Line,” for example. But if I showed you the old Malick DVD images by themselves, would you know they were inferior? Probably not. Take a look at the image accompanying this post: is it a scan of the DVD or the Blu-ray?

In this world, looks can be deceiving. I was sent a screener of Kino’s Blu-ray of the 1951 movie “Pandora and the Flying Dutchman.” Watching the film for the very first time, I thought it looked gorgeous. For two hours, I was lost inside Jack Cardiff’s Technicolor visuals. I didn’t want the film to end. When it did, I went online to read what people who know more about this sort of thing than me thought of the disc, certain I’d find raves for one of the finest repertory titles of the year. Nope; turns out the disc is considered by many to be inadequate. Dave Kehr, the fine home video columnist for The New York Times, called the “Pandora” Blu-ray “slightly disappointing,” and added that “to capture… detail the new print seems to have been digitally bleached and brightened; the deep shadows and darkling skies of the old version now seem oppressively cheerful.” Jonathan Rosenbaum, a man who has forgotten more about film than I will ever know, agreed with that assessment, stating that his memory of the film from 1951 was closer to the old transfer than the restored Blu-ray. “It’s obvious that the restored version is superior in terms of definition, lighting, and color,” Rosenbaum wrote on his blog. “But rightly or wrongly, I remember the film in 1951 as being darker, at least in my mind’s eye — a film bathed in black more than auburn hues.”

Let’s ignore for the moment the ludicrousness of someone speaking authoritatively about the visual quality of a print they saw almost 60 years ago, and assume that Rosenbaum and Kehr are correct. When released to theaters as a motion picture projected from 35mm film in 1951, “Pandora and the Flying Dutchman” was a significantly darker looking movie than the one I watched on Blu-ray in 2010. Does that invalidate the joy I had in discovering it? Should I discard the Blu-ray in exchange for a more primative (but supposedly more accurate) older DVD?

This to me is the point where the argument becomes vaguely insane. How do we ever know how any movie really looks? And I’m not speaking in pothead pseudophilosophical “How do I know that what I see as orange isn’t what you see as red?” nonsense. I’m talking concretely. That new “Thin Red Line” Criterion Blu-ray boasts a “new, restored high-definition digital transfer, supervised and approved by director Terrence Malick and cinematographer John Toll.” But how I know if my television is calibrated to match the monitor Malick and Toll approved the transfer on? How can I be sure that Malick and Toll weren’t watching the film on a monitor that was slightly too dark? Or too light? Questions like this could drive a man to commit himself. Once they start, they never end.

Though I’m skeptical of Rosenbaum’s ability to remember how a movie looked when he saw it in 1951, I love that something he saw so long ago still resonates so powerfully for him. To me, that personal connection is what makes movies special. And that personal connection very rarely has anything to do with objectively “perfect” picture quality. I loved watching “Taxi Driver” on NYU’s faded, grainy 16mm print; the dirty, degraded image quality seemed to match Travis Bickle’s worldview of “the hell” of New York City better than any DVD or VHS copy I’d ever seen. But then watching a movie on film is always preferable to digital, right? Except when the film is projected in the wrong aspect ratio or the guy in front of you won’t stop texting. And so on.

I think we need Blu-rays, but I don’t know that we need to obsess over them quite so much, especially if that obsession gets in the way of our enjoyment. Because that, ultimately, should be the point.

Here’s a video comparing the old transfer of “Pandora and the Flying Dutchman” and the new restoration. Is it too light? Judge for yourself:

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The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Uncle-Buck

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…