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Shyamalan’s Latest Twist Strangles “The Last Airbender”

Shyamalan’s Latest Twist Strangles “The Last Airbender”  (photo)

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M. Night Shyamalan’s new film “The Last Airbender” arrives in theaters groaning under the weight of several potentially handicapping burdens. First and foremost, the first season of Michael Dante DiMartino and Bryan Konietzko’s “Avatar: The Last Airbender” (shorn to avoid confusion with James Cameron’s otherwise unrelated film), the 2005 Nickelodeon animated series upon which the live action film is based, is simply terrific.

Smart, tough, compassionate, dynamic, visionary, and funny, the show ranks among those precious and few surprise TV discoveries like HBO’s “Sopranos” and SyFy Channel’s “Battlestar Galactica” reboot that can reaffirm your faith in mainstream genre storytelling.

DiMartino and Konietzko devised a mythical small-screen world in which four human kingdoms — named after the elements Water, Air, Earth and Fire — have been put out of balance by the warring ways of the Fire Nation. A hundred years of Fire Nation strife has marginalized the Water Tribes into two camps, one at either pole, all but exterminated the Air Nomads, and forced the Earth Kingdom into slavery.

Members of each race have the ability to manipulate or “bend” the elements their nations are named for, and scrolls, omens and legends foretell of the return of a benevolent, all-powerful mystic “Avatar,” who can bend each substance with equal skill and unite the four nations in peaceful co-existence.

06302010_LastAirbender2.jpgThe key figures in this exotic but well-organized and well-rendered story canvas include a young waterbender named Katara (Nicola Peltz in the film), her brother Sokka (Jackson Rathbone), and Aang (Noah Ringer) the reluctant boy-who-would-be-messiah.

As the story begins, Aang arrives a hundred years late for his date with destiny when he is broken out of an iceberg prison by Katara and Sokka. Both season one of the series and Shyamalan’s feature-length reduction bring the trio into conflict with the Fire Nation’s ruthless leader Fire Lord Ozai (Cliff Curtis), his estranged son Prince Zuko (“Slumdog Millionaire’s” Dev Patel) Zuko’s benevolent and grief-stricken Uncle Iroh (Shaun Toub), the ambitious Commander Zhao (Aasif Mandvi from “The Daily Show”) and a deep bench of allies, turncoats and the spiritually and corporally repressed.

Entertainment as habit-forming as the TV “Airbender” (a bona fide marketing phenomenon with both children and adult fans) is a tough act to follow, let alone repurpose. Nothing short of a miracle would be required to successfully transform 480 minutes of hang time with the gracefully evolving characters, cleverly parsed out rules of the imaginary world they inhabit and scrupulously maintained mosaic of dramatic stakes into under two hours of equally coherent and engaging.

06302010_LastAirbender3.jpgThen there’s the 3D. Though shot with conventional 2D camera technology, “The Last Airbender” received a post-production 3D conversion to cash in on its current popularity. While Shyamalan’s film can be seen with or without glasses, it was screened for critics in 3D, and the smudgy, dark characteristics of an after-market retrofit added precious little to the experience of the film itself.

However, 3D’s selective focus and loss of brightness are the least of “The Last Airbender’s” many shortcomings. The two fatal casualties of Shyamalan’s distillation of the series’ 20-minute servings of fizzy, exuberant pop-mythology are the humor and clarity that helped make the show go down so sweetly. Instead of the engaging sibling wisecrack exchanges between Katara and Sokka, we get ceaselessly clunky oaths and somber exposition recaps.

Though they’re portrayed by flesh and blood actors (and saddled with additional physical gravity courtesy of 3D), Katara and Sokka have lost much of their depth and nuance in translation, like the rest of the characters in the feature-length outing. This extends to Aang, whose ingratiating man-child nervous energy in the first season of the show has been replaced with a kind of action movie furrowed-brow paralysis and a performance by Ringer that offers the same scowl for every dramatic occasion.

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Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…