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DID YOU READ

Giving Audiences the War They Want

Giving Audiences the War They Want (photo)

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Americans soldiers, weighted down with backpacks and machine guns, rush up a hill in the remote mountains of Afghanistan. We follow them closely through the underbrush as bullets whiz past their heads, then voices call out — a man is down, one of theirs. A grieving soldier goes into shock, breathing heavily, on the verge of breakdown, as his comrades try to steady him. It’s utter chaos — in short, this is war.

But this is a very specific representation of war — as chronicled in new documentaries like Tim Hetherington and Sebastian Junger’s “Restrepo,” the Danish Cannes winner “Armadillo” and photojournalist Danfung Dennis’ work-in-progress “Hell and Back Again.” Visceral, alarming and in-your-face, these Afghanistan docs offer a depiction of war that isn’t exactly new in the mediascape, but it stands in striking contrast to the images we’ve seen coming out of Iraq for the last several years.

Because the bulk of Iraq docs focused on political controversies (“Standard Operating Procedure,” “No End in Sight”) and the war’s impact on U.S. soldiers (“Gunner Palace,” “The War Tapes”) and Iraqi civilians (“Iraq in Fragments,” “My Country, My Country”), the films lacked a key ingredient that we’ve come to associate with war: combat.

06142010_GunnerPalace.jpgAs “Gunner Palace” director Michael Tucker puts it, “Iraq was a really dirty, ugly, horrific, incredibly boring hot thing, where it’s driving, driving, driving, and then ‘boom,’ suddenly people die. But Afghanistan looks like Khe Sanh: it’s got Chinooks; it’s not in the middle of the city; it’s easier for people to process.”

“They’re entirely different conflicts,” agrees Danfung Dennis, who is the middle of cutting down 80 hours of footage of his film, “Hell and Back Again,” which follows a U.S. soldier in Afghanistan and back home in North Carolina. “They are different insurgent groups and different tactics. Iraq is about IEDs; not so much small arms’ fire. Iraq is urban; Afghanistan is mostly rural. And the fighting is very localized in Afghanistan to a number of districts. If you find out where those areas are, you can capture these combat scenes that are more accessible to audiences.”

Indeed, the filmmakers behind “Restrepo,” “Armadillo” and “Hell and Back Again” all have similar aims: to capture a “you are there” immediacy that filmed combat can so bracingly convey. And because of the nature of the war in Afghanistan, and its many differences to the more diffuse battlefront in Iraq — in addition to the use of intimate shooting techniques — they’ve been able to evoke the kinetic horrors of war in a much more palpable way.

06152010_obamaswar1.jpg“Visceral, immersive and honest” are the words Dennis uses to convey what he is trying to capture. Embedded with a company in Southern Afghanistan for three weeks, Dennis loaned some of his footage for the opening sequences of the recent Frontline documentary “Obama’s War.” And like “Restrepo,” we see soldiers caught in “What the Fuck!” screaming fits, firing machine guns crazily into a dusty haze, and yes, taking casualties.

Shot with the Canon 5D Mark II, which looks like a standard still camera, and mounted on a lightweight stabilizing system with custom-made aluminum “wings,” Dennis’ scenes have a kind of gut-wrenching quality that echoes the violent landscapes we’ve come to associate with previous war imagery, whether the jungles of Vietnam or the beaches of Normandy, whether their fictional representations, from “Apocalypse Now” to “Saving Private Ryan” to those from news footage.

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Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…