This browser is supported only in Windows 10 and above.

DID YOU READ

Mike Nichols, master of laughing though his heart is breaking.

Mike Nichols, master of laughing though his heart is breaking. (photo)

Posted by on

As his Wikipedia entry states, Mike Nichols “is one of only twelve people to have won an EGOT, all the major American entertainment awards: an Emmy, Grammy, Oscar, and Tony Award,” alongside such show-business immortals as Whoopi Goldberg and Audrey Hepburn.

To that unwieldy acronym (one that spawned a side story on “30 Rock”) Nichols tomorrow will add the AFI Life Achievement Award, joining an impressive list of recipients that all legitimately qualify as “legends”: John Ford, Gene Kelly, Jack Lemmon, Scorsese. Nichols will arguably be the most second most colorless showbiz force to receive one (after Robert Wise, the editor and director whose best work was studiously impersonal and well-crafted).

It’s not that Nichols doesn’t have a clear personality. As part of the Nichols & May team, he displayed a subversive, progressive feel for comedy that initially laos manifested itself in his work as a director. “Who’s Afraid of Virginia Woolf?” and “The Graduate” are puckish movies about unfunny subjects — alcoholism, disintegrating marriages and post-graduate malaise — and if “Woolf” is overdetermined, “The Graduate” remains ridiculously fresh, its jokes not at all expected. You can get a contact high from watching it.

06092010_working.jpgBut Nichols’ subsequent work has betrayed little individual stamp, though I have some ideas about how they work. His films tend to be set in America and about Americans; Nichols isn’t a Milos Forman-level satirist and observer, but he seems to see things in a heightened way.

“Silkwood” and “Working Girl” are immensely sympathetic, immersive looks at shitty American workplaces. For all its charm, “Working Girl” is only secondarily a romance; the key scene is when Joan Cusack accuses Melanie Griffith of trying to use work to get away from her horrible Staten Island life and friends — and she’s right, that’s exactly what Griffith is doing and pulls off by film’s end.

But Nichols is above all a supremely technical director. “Catch-22” opens with a scene of 16 planes taking off at the same time and climbing into formation in an uninterrupted take, a feat David Lean wouldn’t have disdained. Though his background is in comedy, Nichols’ comic work doesn’t scan that way based on how it’s shot or edited. “Charlie Wilson’s War” is hilarious, but if you watched on mute you’d think it was a drama. (This cuts both ways: “Closer” is also hilarious, but Nichols insisted if you laughed you missed the point. He was wrong.)

06092010_catch.jpgUnlike his ’60s and ’70s cohorts, Nichols crashed and burned several times — “Catch-22” was a huge flop, “The Day of the Dolphin” and “The Fortune” not big hits, and he’s never been as relevant or dominant as he was with “The Graduate” — but the somewhat colorless nature of his work obscures what a sharp and terrific director he can be when the material is good.

He’s never better than his scripts, but that’s a trick reserved for true masters. Nichols is something else: a bright technician whose fundamental curiosity about things can sometimes lead him to unexpectedly terrific work. A lifetime achievement award? Sure, why not.

[Photos: “Who’s Afraid of Virginia Woolf?,” Warner Bros., 1966; “Working Girl,” 20th Century Fox, 1988; “Catch-22,” Paramount, 1970]

IFC_Portlandia-S8_best-of-skits_subaru-blog

The Best Of The Last

Portlandia Goes Out With A Bang

Posted by on

The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

IFC_Portlandia-S8_pick-a-lane_subaru-blog

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

Posted by on

Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Uncle-Buck

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…