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Eric Idle’s Very Naughty “Messiah”

Eric Idle’s Very Naughty “Messiah” (photo)

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On October 23, 2009, The Royal Albert Hall in London hosted an oratorio, a night of singing and orchestral music from a choir, symphony, and soloists. The performers were in their formal wear. The conductor wore tails. The house was packed. It was like a scene from an especially tony episode of PBS’ “Great Performances.” Or, at least, it was… until a man strode onto the Albert Hall stage in full drag, wig and pearls, to introduce and narrate the evening’s entertainment: a one-night-only performance of “Not the Messiah (He’s a Very Naughty Boy),” a spoof of Handel’s “The Messiah” based on Monty Python’s “Life of Brian.” The man in drag was one of those Pythons, Michael Palin. The “Baritonish” soloist to his left was fellow Python alum Eric Idle, who wrote “Not the Messiah” with his longtime musical collaborator John Du Prez.

Idle has the sort of career that makes him seem ill-suited to his last name. He’s spent the years since Python’s dissolution in the early 1980s not only acting, but writing (most famously the Broadway musical “Spamalot” with Du Prez, but also several novels and non-fiction books) and touring (with shows like “Eric Idle Exploits Monty Python”) as well.

Though Idle and Du Prez had already performed “Not the Messiah” in more than a dozen times all over the world, last fall’s concert at the Albert Hall, documented in the new DVD of the same name, was special, publicly reuniting four of the five surviving Pythons — Idle, Palin, Terry Jones, and Terry Gilliam — for the first time in years. I spoke with Idle about the origin of the project, setting Python to music, and why he’s glad “Flying Circus”‘s success in the United States came after the series had already ended in England.

05312010_ericidle2.jpgYou said on the recent Monty Python documentary series “Almost the Truth” that the origins of “Life of Brian” came on the “Holy Grail” press tour, when a journalist asked you what was next for Python and you responded, “Jesus Christ: Lust for Glory.” Did something similar happen for “Not the Messiah” while you were doing press for “Spamalot”?

No it came about because my cousin, Peter Oundjian, who’s the principal conductor of the Toronto Symphony Orchestra, wanted us to work together on some kind of comedy that could bring people back into the symphony hall, especially young people. I thought that was a nice idea but I didn’t know what it should be. When I thought about it, I realized, “My gosh, ‘The Messiah’ — what about ‘Not the Messiah?’ It’ll be really perfect. We’ll tell the story of Brian and we’ll treat it as if it were a grand oratorio with real singers and opera people. That will add to the mock heroic quality and make it funnier.”

This seems like a much more challenging endeavor than just making “Brian” into “Spamalot 2” on Broadway.

Oh yeah, it’s much more musical. We had 240 musicians. And it’s always challenging whenever we do it, because you usually just get one day with the orchestra to practice the whole thing, this complex piece of music. Normally you’d have three or four days, and the choir would have rehearsed it, and the soloists have rehearsed it. But each place we go — if we go to Washington, we have to get the Washington Symphony Orchestra. We go to Houston, we have to get the Houston Symphony Orchestra. Each time is a huge, new job. It’s not like a musical that you can just tour.

Did you re-watch “Life of Brian” as you were writing the libretto?

05312010_ericidle3.jpgNot really, because I tried to think about “The Messiah,” not the movie. In England they also have this thing called the Nine Carols service where the head shepherds announce things and tell the story; that was also in my mind as being similar to the structure of what we’re doing here, telling a story about a woman who gets knocked up by a Roman centurion and gives birth to Brian in a cowshed and then the tragedy of him being mistaken for a messiah.

Were you a “Messiah” fan?

I love “The Messiah.” It’s the most wonderful piece of music. But it’s been bizarre because we’ve gone to places where they’ve done ten nights of “The Messiah” and we were on the last night as “Not The Messiah.” [laughs]

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Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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