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Christopher Nolan: No 3D, no cell phone, lots of diagrams.

Christopher Nolan: No 3D, no cell phone, lots of diagrams. (photo)

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“I don’t have e-mail, a cell phone…it gives me more time to think,” said Christopher Nolan, which might’ve been the greatest revelation from his appearance at this weekend’s inaugural Los Angeles Times Hero Complex Film Festival. His admission came in response to a question about online chatter concerning his films, though it was evident others are keeping track of his tight schedule, as he stopped by for a 45-minute chat with the Times’ Geoff Boucher during a break from the dub stage for “Inception.”

Although the talk was sandwiched between a double bill of “Insomnia” and “The Dark Knight,” the subject quickly turned to his latest film. There was a wave of excitement when the end credits of “Insomnia” led directly into an MPAA green band, which proved to be the beginning of “Inception” trailer #3, which is available online. Shortly after, Nolan was greeted with a standing ovation as he made his way to the stage and after a question about Robin Williams’ performance in “Insomnia” — which the director called “flawless” and considered himself lucky that it came out before “One Hour Photo,” even though “Insomnia” was shot later — Boucher started in with questions about this summer’s most anticipated film.

06122010_Inception.jpg“I’ve wanted to make a film about dreams since I was a kid,” Nolan told the audience and mentioned that he pitched the film to Warner Brothers right after finishing “Insomnia.” He gave a basic synopsis that largely resembled his recent comments to Empire magazine, about a team of extractors that can steal information from the mind. “I thought it would take months, but it took me 10 years,” said Nolan about the writing process that followed.

While he conceived of “Inception” as a heist film, he couldn’t complete it since he felt “heist films tend to be deliberately superficial,” a problem he knew was solved by the casting of Leonardo DiCaprio, of whom he likened to Guy Pearce in “Memento” with his ability to “find the emotional truth of the character.” (When Boucher brought up that six of the eight actors whose names appear on “Inception”‘s poster had been nominated for Oscars, Nolan got a laugh when he shrugged, ” I hadn’t noticed actually…it’s an incredible cast.” He also got a rise out of the audience when he said he screened “Pink Floyd’s The Wall” for cast and crew right before shooting for inspiration and “it was shocking to everybody”; he’s presenting the film next week at the L.A. Film Festival.)

But Nolan didn’t have a hard time winning over the discerning fanboy crowd. He championed practical effects, which he used extensively in concert with CG for “Inception,” explaining that he learned on “Batman Begins” that effects artists need something to start out with. After doing tests with a digital Batman, he thought most of the audience could be fooled, but he wasn’t. (“I could tell. [The artists] weren’t real happy, but it was incredibly close.”) He continued, “If you can photograph something real…they’re able to do much, much better work.”

Nolan also appeared disinterested in discussing 3D, though he couldn’t help but give a well-reasoned response to why “Inception” is one of the rare summer blockbusters to elude the treatment. “I’m not a huge fan of 3D,” said Nolan to the cheers of the audience before mentioning that he did tests with post-conversion. “They looked good, but they wouldn’t have the time to get up to my standards.” Taken out of context, those comments might appear that he was flirting with the process, but he continued, “I find the dimness of the image extremely alienating” when projecting a 3D film and mentioned the “enormous compromises” he would have to make like shooting on video first to accommodate the 3D process. He left a door open when he said “post-conversion would be the future” for him personally, if he were to make a 3D film, and acknowledged that “audiences will decide” 3D’s fate, but seemingly shut it when he said in a later answer, “I find it impossible as a viewer to forget I’m watching a movie [in 3D].”

06122010_TheDarkKnight.jpgHe also took questions about his involvement in “Superman” (“I thought [David Goyer’s] pitch was terrific and I didn’t want it to not get done,” but stressed he was only a producer on the project) and dished a little on “The Dark Knight,” saying there was a direct connection to Richard Donner’s “Superman” to his take on Batman: “I wanted to make the Batman film that would’ve been made in ’78, ’79…[Warner Brothers] never did the Dick Donner version of an extraordinary person in an ordinary world” with an esteemed cast filling out the supporting roles. Boucher also prodded Nolan to talk about his favorite scene of “The Dark Knight” — the Joker’s interrogation sequence, which he made distinctive with bright lighting and wanted near the beginning of the film — and its incredible financial success in comparison to “Batman Begins,” which Nolan believed “suffered from a lot of suspicion of the franchise” with audiences at first, but allowed for “the massive benefit of showing what you can do with the character.”

Comic book writer Ed Brubaker was in the audience and asked Nolan about his writing process and whether how much he outlines his screenplays, to which Nolan responded he doesn’t use outlines, but “I draw a lot of diagrams. It all gets a bit ‘Beautiful Mind.'” He also writes in a linear fashion and always plans to do rewrites later to “make it flow.” “It’s almost like you write a bunch of dailies and edit it into a more comprehensible form.”

[Photos: “Inception,” Warner Bros., 2010; “The Dark Knight,” Warner Bros., 2007]

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Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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