This browser is supported only in Windows 10 and above.


Movie marketing in post-Obama America.

Movie marketing in post-Obama America. (photo)

Posted by on

“Death at a Funeral,” which opens tomorrow, does not appear to be bringing out the finest in post-Obama, “post-racial” language. In an odd article at the Los Angeles Times, John Horn fixates over the tracking numbers for the film, which predict a $20 million opening weekend, “with some appeal for non-black moviegoers, although not as much as Screen Gems had hoped.”

The story tells us that “hiring LaBute was part of Screen Gems’ effort to expand the “Death at a Funeral” audience,” and — more revealingly — gives us a list of reasons why white people should want to show up: “In addition to being directed by a white man and costarring [James] Marsden, ‘Death at a Funeral’ also features Luke Wilson and Peter Dinklage (reprising his role from the first film).” Screen Gems President Clint Culpepper frets: “”The trailer killed with white audiences, and yet you have to ask yourself… why is the tracking reflecting what it is reflecting? We need to wind up [as a nation] where we have no black stories and no white stories. There are just stories.”

Ah, yes, the “white people love Luke Wilson” factor: the levels of racial fretting must be off the charts if we’re counting on a guy whose highest profile gigs lately have been in AT&T commercial to bring in audiences. The reminder — twice! — that LaBute is a white director is even weirder. No matter how many big studio films he makes — especially if those films are, say, “The Wicker Man” and “Lakeview Terrace” — he’s never going to be a name-brand director to mass audiences. Only people who remember him from his breakout independent work (and theater geeks) will know that he’s white. That’s a bizarre justification, one I’ve never seen pulled before. Like, “Next Friday” was an “urban comedy” and it was directed by the lily-white Steve Carr; 2007’s “Who’s Your Caddy” was directed by the three-first-named white Don Michael Paul.

04152010_obsessed.jpgLast year’s “Obsessed” — noted in the article as a crossover hit, with 30% of its audience being white — wasn’t just directed by a white guy, but a British one no less (Steve Shill), information theater-goers no doubt carefully checked before purchasing their tickets. (You could argue that “Obsessed” — with its nasty little subtext of crazy white bitch vs. upper-middle-class black family, one surprisingly unexploited and silent in the movie — prospered because it called allegedly “post-racial” America on the nonsense of that wishful thinking.)

It’s nice to fantasize about a post-racial America that patently isn’t here in our national cultural life. It’s another thing entirely to annex the self-righteous language of “no black or white stories, only stories” to, you know, a movie with diarrhea jokes and gay dwarf escorts. It seems unnecessarily grandiose. Wondering why white audiences won’t come to a movie with a crossover star like Chris Rock? Maybe that’s because he has a bad track record in film, and the rest of the cast isn’t exactly crossover name-brand (as fine an actress as Loretta Devine is), and Peter Dinklage isn’t a star, and movies with predominantly black casts tend to be marketed that way. Don’t blame the audience; that’s just precedent.

[Photos: “Death At A Funeral,” Screen Gems, 2010; “Obsessed,” Screen Gems, 2009]

Watch More

Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

Watch More

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More