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Mumblecore is dead. Long live mumblecore.

Mumblecore is dead. Long live mumblecore. (photo)

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Following the same principle that dictates that any band that jumps from the underground to the mainstream loses its street cred, it’s safe to say that “mumblecore” — an initially jokey tag subsequently attached to a series of movies that really did have something in common for a while — is all but dead.

The past few weeks have seen articles about everything from A.O. Scott’s claim that Greta Gerwig is the most representative actress of her generation to an odd rant in Slate about the concept of “mumblecore nudity.” If punk exploded into post-punk the moment anyone wanted to write about it, then it seems safe to say mumblecore’s historical moment is dead (not least because no one could clearly define it).

Mumblecore was both real (a group of twentysomething filmmakers recording the minute emotional dilemmas of twentysomethings with a near-pathlogical fearlessness that could be confused with narcissism) and unreal (i.e., many of the collaboratory directors had very different ways of going about it). That Jessica Grose could categorize a particular type of nudity as “mumblecore” (when many of the films involved were mostly sexless, and criticized for that) speaks to the confusion attendant in summarizing a whole genre that didn’t really exist.

Forgetting all that noise for a minute, what’s interesting about “mumblecore” is that it did focus around a certain age cohort — demographically slimmed down to the white, young and post-collegiate, to be sure, if that’s something to be apologetic about — in a way that hadn’t been done before. Independent films up to that point had treated youth in a somewhat abstract and/or self-ghettoizing fashion: Jim Jarmusch’s hipsters (by any other name, but what else to call someone striding through the neighborhood to the self-broadcasted tune of Screamin’ Jay Hawkins), Richard Linklater’s abstracted slackers, Kevin Smith’s self-aggrandizing men of low expectations. (Or, to go back even further, the proletarians of your average Cassavetes film — seemingly naturalistic, but always portrayed by self-conscious actors and self-consciously operatic.)

04092010_hannah.jpgWhat “mumblecore” insisted upon (quietly, of course) was that a whole new group of kids were out there who’d never been taught to socialize had the right to exist that way — not to learn to speak with assurance and ease, but to negotiate the terms of how they addressed each other, whether that looked sub-adult or not. Point being there’s a whole generational rift that still persists from the ’60s — not about “progressive politics” or so on, but about what it means to be an adult now, and at what point you can have a mature income/home and still conduct yourself in a way that isn’t putatively “adult.”

That’s what mattered: to have people telling stories about others their own age without pathologizing it or insisting upon a generational crisis. The most unnerving revelation? Passive-aggressive, evasive patterns of expression are normal now for whatever reason (Douglas Coupland will surely have an answer soon). The hostility towards mumblecore — one that will persist long after the term encompasses such a diffuse group of movies that it’s even more meaningless than it is now — has more to do with that revelation than the value of the movies themselves.

[Photos: “Mutual Appreciation,” Image Entertainment, 2005; “Hannah Takes The Stairs,” IFC, 2007]

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Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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