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The Always Drool-Worthy Laura Harring

The Always Drool-Worthy Laura Harring (photo)

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Now that the film critic intelligentsia has fully weighed in on the last decade, Mexican-American actress Laura Harring should (and does) feel proud to have played an intoxicating part in David Lynch’s Möbius strip of a Hollyweird noir “Mulholland Dr.,” pegged by the biggest polls as the Best Film of the ’00s. As the mysterious amnesiac who stumbles into the life and arms of an aspiring actress (Naomi Watts) before nightmare logic fractures the narrative altogether, Harring received career-launching acclaim, which is not to dismiss her previous screen credits or having been the first Hispanic woman to be crowned Miss USA some years before. Anyone should be so lucky.

Harring can next be seen in writer-director Nancy Kissam’s feature debut “Drool,” a transgressive comedy (in the vein of John Waters) which screened at Slamdance and Outfest. Harring plays Anora, a Southern housewife and mother of two whose abusive, racist husband (Oded Fehr) is pushing her over the edge. With the arrival of new neighbor Imogene (Jill Marie Jones), a bubbly African-American beauty in whom Anora finds solace and inexplicable sexual attraction, both of their lives take a peculiar turn which includes domestic murder and an eye-opening road trip for the restructured family. I spoke with Harring by phone to discuss “Drool,” her reflections on starring in the last decade’s masterpiece, surviving a bullet wound to the head, and why she’s big in Korea.

“Drool” is unusual in that it features at least three gay relationships, but at its heart is the story of this mistreated woman trying to find happiness, which plays out as tragicomedy. What’s your take on the film, and how did you get involved with first-timer Kassam?

I just thought it was an interesting script — very funny, dark humor. I felt sorry for Anora, and when I feel such compassion for a character, I always feel like it’s the right character to play. Nancy immediately saw that I could play Anora, and I think it came about a year later. It hadn’t finished getting its financing, so it was a little miracle film. The filming conditions were difficult because of the humid August weather in Louisiana. There was no air conditioner on set, no quiet place to sit. But it’s a very funny film. People have responded really favorably to it.

01202010_lauraharring3.jpgI don’t need to tell a former Miss USA that she’s a very beautiful woman. What do you get out of playing against preconceived notions in a frumpier role?

I feel fortunate that I’m able to play diverse roles. I don’t think everybody in Hollywood gets the opportunity to do that. When I became an actor, my thing wasn’t to become famous. It was to do exactly what I’m doing, which is not just playing “leading lady” but all kinds of characters: abused, abusive, repressed, outgoing. When I was little, I was told I was a chameleon, and I feel really fortunate that directors see me that way also.

Do you think there’s enough progressiveness in the film industry in the way of great women’s roles, or is it still as much of a struggle as it always has been?

It goes up and down like a roller coaster. There are openings where women are getting stronger roles, more stories focused on women. And then, for a couple years, you see mostly male-driven stories. But I do believe those windows of opportunity are there, they do open, and they’re changing at a rapid rate. For me, it’s hard to keep up with trends. I just go for the roles and movies that I feel I could add value to, or contribute to, that I feel I could portray.

In the film, your son is accidentally shot in the head and survives. You were about the same age when you survived a similar injury in a drive-by shooting. Was that element of the script a coincidence?

Total coincidence. I forget that part of my life all the time. When I go back to that, when I was 12 and got shot on the right side of my head with a .45, I remember everything being in slow motion — the guzzling of the blood in my head like a fountain, my mother pressing [on it], and hearing the blub-blub of the blood gurgling. What I remember the most is feeling a crazy sense of peace. I could hear my thoughts really loudly, and among those thoughts were, “This is it?” [laughs] I couldn’t believe that that would be the end. When I survived that entire scenario about 24 hours later, and they stitched me up, the doctor said I was one of the full survivors of a .45. I was in a daze for a couple months.

01202010_lauraharring2.jpgIt changed my life forever, because I really make an effort to experience everyday in the present, be grateful for everything that comes, and try not to resist too much — because we resist what’s happening in us, whether it’s good or bad, and you tend to suffer more. When I recall that memory, I feel very fortunate. I feel like I’m living more fully because I’m more in the present and less worried about the future or the past.

Wow. Well, we’ve just wrapped a decade, and several prominent critics’ polls placed “Mulholland Dr.” as the Best Film of the Oughts. I’d love to know what the film means to you both personally and professionally, and if you could reflect back on when this project was just a rejected TV pilot.

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The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at

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Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

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