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Coloring Outside the Lines

Coloring Outside the Lines (photo)

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Sometimes, there’s no pleasing critics and cinephiles — they’ll dreamily wish someone like Turkish arthouse force Nuri Bilge Ceylan would break his introspective paradigm and make a genre film, and then when he does, kinda, with “Three Monkeys,” everyone compliments it tamely with canned praise. “Suspenseful!” was a common pullquote, though “pulpy” was a term I didn’t expect to see but did, in the New York Times.

Pulpy? Ceylan’s movie is as elliptical and internalized and visually elusive as anything by Hou, but it’s as if actually having a story to tell automatically takes you down a notch or two. And the flavor of the tale defines what the film is for most critics, living as we do in a world still oversaturated in the aura of noir.

The trap of having a film about crime and fate labeled “neo-noir” may well be inescapable, even if the story per se has nothing to do with classic noir ideas, and has roots in Greek tragedy, Zola and the Middle Eastern traditions of family honor and retribution. For some reason, just calling “Three Monkeys” a Turkish noir reduces it, ghettoizes it as an Asian lift of themes that we ethnocentrically think are ours alone, or at least belong to American cinema by way of French fatalism and German style. (Funny, I don’t remember hearing “No Country for Old Men” cornered as a neo-noir — are we, critically speaking, caught up in Americianizing the world again here?)

I think the least we can say is that what most people think of as noir themes are as old as Aeschylus’ last papyrus scrap, and we probably should not define many millennia of human storytelling with a cool movie genre that lasted, technically, all of 25 years at best.

Typical of Ceylan, we come at the narrative gist sideways, by way of innocent witnesses, who stumble upon a body and a car on a night road — we see a man dash from the scene into the shadows, but they don’t. Soon thereafter, a politician up for re-election offers to pay his chauffeur Eyüp (Yavuz Bingol) to take the rap for him and spend a year in a jail, away from his son Ismail (Ahmet Rifat Şungar), an aimless, sleep-in student, and Hacer (Hatice Aslon), the boy’s sexy, nagging mother, both living in an Istanbul condo.

1212009_ThreeMonkeys3.jpgThe year begins to pass, the politico loses his contest, the mother and son decide to bargain for an advance on the money in order to buy a car, and things get horrifically complicated emotionally. The plot rolls downhill with a familiar momentum, but there are potholes and cliffs along the way that are less about genre and more about love and its propensity to devour itself.

Still, Ceylan’s movies are not conceptual — “Climates” (2006), his best film, is about a silently dissolving marriage, and that’s all — but textural. Virtually every hyperrealist scene is framed several degrees away from orthodoxy, most of the action happens off-frame or at a hypnotizing distance, and characters never reveal what they think is going on but are not sure about. It’s a syntax of anxiety, shot under steely, brooding Mediterranean skies, so we don’t need to be told that when the boiling Eyüp comes home, finally, there will be trouble of an irreparable sort, but we still don’t know what form it will take. Ceylan won Best Director at Cannes, his fourth award in five years there, and fittingly, “Three Monkeys” is best seen as an art film vision of modern life, not at all a genre piece.

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Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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