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The Naughts: The Buddy Pair of the ’00s

The Naughts: The Buddy Pair of the ’00s (photo)

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Nobody in the film business has had as good a decade as the folks at Pixar Animation Studios. They released seven films in ten years, all of them box office hits, all of them critical successes. Four of them won Academy Awards for Best Animated Feature (and the past summer’s “Up” stands a good chance to make it five).

Because of the studio’s incredible run of creativity, Pixar filmmakers are often asked to explain the secret of the company’s success. In an interview with Movie City News‘ David Poland, “Finding Nemo” and “WALL-E” director Andrew Stanton cited a meeting the company’s brain trust held shortly after the release of “Toy Story” to assess exactly what went right that time so that they could be sure to repeat that formula in the future. As Stanton explained it, “We felt that it was a weird, perfect symbiotic combination of there [being] one visionary and it was John [Lasseter]… but conversely, John was incredibly open to [asking] ‘What does everybody think?’ and created about the most egalitarian atmosphere that you could with a system that needs a dictator.”

In other words, Pixar movies are the product of a singular artistic vision supported and refined through teamwork. And without coincidence, most Pixar films are testaments to the power of the team. They’re stories of singular characters learning to work in a group and to improve themselves through collaboration with others. Typically, a self-obsessed main character encounters a situation they can’t conquer alone; only by learning the value of friendship and cooperation can ultimate success and happiness be achieved. “Up”‘s grumpy Carl Fredricksen fulfills his dream only when he learns to appreciate the companionship of Russell. In “The Incredibles,” Mr. Incredible resurrects his moribund superhero career and family life when he stops going on secret adventures and starts including his loved ones on his masked escapades. In essence, Pixar makes movies that validate the way that Pixar makes movies.

Pixar’s greatest financial success to date (and, arguably, their most complete artistic achievement as well) is Stanton’s “Finding Nemo,” the studio’s most affectionate portrait of friendship and its most effective paean to the power of teamwork. After losing his wife and the rest of his children to a barracuda attack, clownfish Marlin (Albert Brooks) lives in a constant state of fear about what could happen to his son Nemo (Alexander Gould). After Nemo is captured by a scuba diver, Marlin leaves his coral reef home and ventures out into the open ocean to rescue him. Early in his journey, he bumps into a forgetful regal tang named Dory (Ellen DeGeneres). Together. they brave shark attacks, jellyfish swarms and fishermen to reach Sydney, Australia and, as the title promises, find Nemo.

11302009_FindingNemo2.jpgBefore Marlin meets and learns from Dory, he’s ill-equipped for such a search and rescue operation. As Stanton eloquently explains on the “Nemo” DVD commentary, the Marlin at the start of the film is so obsessed with his sad past and so terrified about his uncertain future that he’s entirely incapable of living in the present. This makes Dory, the fish whose bad memory means she can only live in the present, the perfect companion and tutor on this voyage. Marlin is afraid of every obstacle; Dory doesn’t know enough to be scared. Marlin sees a whale’s mouth half-empty with water; Dory sees it as half-full. Her fearless, endlessly positive attitude gets the pair into trouble, but it’s also a big reason why Marlin can teach Nemo.

In the world of classic Disney animation, opposites commonly attract each other in a romantic way. That’s the core of the chemistry in Disney films from “Cinderella” to “The Little Mermaid” or “Aladdin.” In the world of Pixar, opposites like Marlin and Dory attract in a platonic way, as seemingly mismatched friends who have very different but very complimentary skills, and though “Finding Nemo” is ultimately a story about fathers and sons, the film’s most emotionally devastating moments are the ones that test the bonds between great friends. In the one that always makes me cry — yeah, you heard me, I cry at the cartoon fish; at least I’m not dead inside — Marlin mistakenly believes Nemo is lost for good and tells Dory to stop following him around. In a heart-wrenching monologue, Dory pleads with Marlin in a beautiful ode to the power of friendship. “I remember things better with you!” she says. “I remember it, I do. It’s there, I know it is, because when I look at you, I can feel it. And I look at you, and I… and I’m home.”

So much of “Finding Nemo” is about the process of helping others, and it’s not limited to Marlin and Dory’s storyline. In an Australian dentist’s aquarium, Nemo learns about life from the other tank’s denizens, particularly a fearless fish named Gill (Willem Dafoe) with a physical impediment that mirrors Nemo’s own. To reach Nemo, Marlin and Dory need the advice, directions and support of some sea turtles, a whale and a pelican. And in the film’s big climax, when Marlin allows Nemo to place himself back into danger in order to save Dory from a fishing net, success can only be achieved as a group working in unison toward a common goal (i.e. everyone swimming down against the net to snap the cord connecting it to the fishing boat). Dory’s previously naïve-sounding slogan — “Just keep swimming, just keep swimming!” — becomes the rallying cry that saves everyone.

11302009_FindingNemo3.jpgA Pixar movie takes several years and several hundred people years to make. In the case of “Nemo,” Stanton began writing material six years prior to the film’s release, and later spent a full two years tinkering with the screenplay. But he wasn’t working by himself; he was collaborating with his co-director [Lee Unkrich], co-screenwriters [Bob Peterson and David Reynolds] and the Pixar story department. Later, the animators were brought in to bring the first team’s vision to life, by bringing their own ideas and creativity to the project. Working toward a common goal, swimming together, they made something very special.

This feature is part of the Naughts Project.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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