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Minor Tinkering

Minor Tinkering (photo)

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You’ve heard it already, how Wes Anderson’s model railroad-making and Tinker Toy-like narrative constructions, emotionally unmediated characters, pleasure with antiqued surfaces and visual tableaux-love would’ve led him eventually to making an animated film, more probably a stop motion animation, and thus we have “Fantastic Mr. Fox,” a frame-by-frame expression of the single man’s passion for particular detail that’s no less obsessive than your average Jan Švankmajer. So, Andersonites will kvell, and those on whom the filmmaker’s whimsical vision has been lost or squandered will wonder what in hell their children are supposed to make of the thing.

I belong to a third borderland camp, never convinced that Anderson’s bric-a-brac notionalism has yet produced a masterpiece, but nevertheless thankful for the presence of his personality in my head, seething with the joy to be had in hyper-devising human terrariums that reek faintly of yesteryear and pulse with gentle irony. I’m also not worried for my children, who know irony and obsession and vice, all Anderson axioms, like a dog knows fleas, thanks not so much to me, but to SpongeBob SquarePants.

“Fox” is of course a terrarium — a Roald Dahl-derived moon-landing recon of the formidable land known as childhood, and because it is buoyant and life-force-loving and fierce, like a healthy child, it is twice the film of “Where the Wild Things Are,” which mistook the mopiness of personal nostalgia for the affection and brio of nostalgia rooted in our shared history. Anderson makes no such mistake — his film is a fast-talking, zesty riot, in which the George Clooney-voiced egomaniac hero jeopardizes his tabletop country’s animal denizens by stepping outside of his tamed middle-class life and succumbing to his essential fox-ness, looting the local corporate farmers’ hen houses and cider bins for sheer fun and thereby inviting the full wrath of angry human profit-privilege to lay siege.

Anderson and co-writer Noah Baumbach have, of course, added in Fox’s inner conflict (Dahl’s book was simply about stealing food to survive), and though the character arc is pleasantly dark for an animated film, it’s also rather routine and eventually, predictably, consumes the movie’s latter section with rescue-plot contrivance (and action-movie farce).

Pills mixed into the porridge are standard, but the rest of Anderson’s concoction is not, and as long as it’s inventing furry character tics or roving-shot mini-panoramas or droll animal conversations or meta-cricket sports rules or Rube Goldberg story cascades, we’re comfortably in the realm of the inspired. That’s one thing that’s easy to overlook about “Fox,” particularly for those that have seen most or all of the recent digital kid features — it’s a film that remembers and does not mourn childhood, in all of its cobbled-together, dirt-digging, plan-hatching dizziness. The supply of high spirits, in the characters’ miniature world and in Anderson’s creative play, cannot be corked, and with its rambunctious mix of Brit and American modes and its deliberately unpolished animation, it evokes the actual afternoon daydream of an old-school third-grader far more distinctly than any American film in recent memory.

11112009_FantasticMrFox2.jpgWhich is to say, if movies are only experiences for you, and not objects, and if the antiquarian buzz to be had from attic rummagings like Anderson’s don’t ring your bell (a quiz: was “Sky Captain” a bookplate swoon for you or a strange old-hat snooze?), then “Fox” might seem to be merely a self-conscious exercise masquerading as a kids’ film. With choppy animation, yet. We will leave such impatient and forgetful perspectives with their petulant owners, and note that movies themselves are, at their moviest, cubes of frozen time, elegies for what is taken away from us, every day, as the sub-seconds tick by. Nostalgia is a dirty word these days, but human culture has no now, only a departed then — and cinema is that passage’s most vivid capture system. “Fox” straddles the divide, implicitly engaging in both the everlasting present of children, and the respect for vintage children’s culture like Dahl’s and the very different (and more interesting) world in which it once thrived.

Painted the colors of leaves you notice only if you’re close to the October ground, “Fox” is, for all that, something of a trifle, a candy corn and not a Marathon bar, because ambition and scope wouldn’t make sense in this universe. It harbors statements about human greed, family life, domestication (of men, not just animals), parenthood and heroism, but they’re never serious matters, at least compared to the dry yocks to be had from a possum’s petrified stare of incomprehension.

The actors, from Clooney to badger Bill Murray and petulant teen fox Jason Schwartzman, are all jacked into Anderson’s trademarked deadpan delivery style, but perhaps they didn’t even need to be, given the beguiling physicality of the film — it’s made of toys more convincing than those of the sheeny “Toy Story” films, and evokes most of all the landscape of the old Lutheran TV show “Davey and Goliath,” watched by my generation for its Lilliputian topography and not its message, on very early Saturday mornings before the grown-ups woke up. Again, there’s that “old” thing. “Fox” may escape the attention span of a consumer population acclimated from infancy to plasma TV, Xbox and “Idol” nowness, but it made me want to build a treehouse.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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