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DID YOU READ

You always adapt the ones you love.

You always adapt the ones you love. (photo)

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Is David Foster Wallace really as adaptation-proof as everyone’s always said? The mediocre reviews for John Krasinski’s “Brief Interviews with Hideous Men” aren’t exactly encouraging on that front. At the Guardian, Danny Leigh believes that the film’s problems lie partially in the book Krasinski chose, a short story collection that’s no place for novices to start, and the fact that turning it into a very literal adaptation (boiled down into condensed monologues) “risks presenting this most fiercely empathetic writer as somehow akin to the smug, tin-eared misanthropy of Neil LaBute.” He suggests Wallace’s hyper-verbal prose would best be served by being adapted imaginatively, springboarding off the plots rather than the language.

The truth, I think, is that DFW belongs firmly on the page rather than on-screen. It’s not that his work lacks for strong comic dialogue, just that what the language is actually doing is mapping out thought processes and internal struggles in a way that rob actors of their work. Mining the books for their plots seems kind of pointless. That said, as a fervent DFK fan, Krasinski’s film does work for me on several levels. It’s nicely filmed and has a free-floating structure reminiscent, at times, of Roy Andersson, even if ultimately the spark of the thing doesn’t get conveyed.

Most of all, “Brief Interviews with Hideous Men” is a doomed, defiantly uncommercial act of homage that anyone immersed in DFW’s work should find moving for the intensity of reverence Krasinski shows. In some ways, the expansions he brings act as successful annotations of the book. By grounding the monologues in the context of a grad student’s study, Krasinski reminds us how deeply Wallace (who completed not one but two senior theses, and who brought the academic footnote/endnote along with him to his work) was immersed in campus life — something implicit but almost never stated in his work.

While many of the monologues are clear acting 101 exercises, a few highlight often-forgotten traits in DFW’s work. See Bobby Cannavale as a man with one arm who exploits his ostensible weakness as a way to get women to pity and sleep with him; Cannavale (possibly our finest embodier of loud-talking mooks) absolutely nails Wallace’s oft-overlooked sensitivity and feel for the saltier kinds of lower-class vernacular. Then there’s Frankie Faison’s furious speech about his father’s career as a bathroom attendant. The staging’s a little wonky (bringing Faison into the imagined space of his father’s career brings about inadvertent flashbacks to “The Shining”‘s Overlook Hotel), but Faison’s delivery salvages it and reminds us that Wallace was as keenly attuned to the decidedly non-post-racial dynamics of white-black interaction in America. People focus on Wallace’s emphasis on depression and upper-middle-class white problems to an absurd degree; Krasinski reminds us how many voices are knocking around in there. As a movie, it may be a mess, but as a kind of cinematic marginalia for fans, it’s totally worthwhile.

[Photo: “Brief Interviews with Hideous Men,” IFC Films, 2009]

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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