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The Delightfully Prickly Julian Sands

The Delightfully Prickly Julian Sands (photo)

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On the screen, Julian Sands is known for a wide spectrum of roles that make the most of his seemingly contradictory mixture of glowering, antihero intensity and ethereal leading man looks. On the telephone, he presents an equally formidable hybrid: Sands has got delightfully prickly down to an art. The British-born actor, who began his film career in “The Killing Fields” in 1984 and broke through the next year as George Emerson in “A Room With A View,” has worked steadily in film and television for the last 25 years, starring in cult classics like “Warlock” and working with directors like David Cronenberg, Mike Figgis and Dario Argento, and gaining a television following with roles on shows like “24.” Currently, Sands is starring as expat actor Reg Hunt in IFC’s upcoming miniseries “Bollywood Hero.” I spoke with him about his career, what sparks his interest in a role, and what audiences want from a golf movie.

What was it about the character of Reg Hunt that appealed to you?

Reg Hunt is a character actor on the run, always looking over his shoulder, like many actors do. All actors are on the run from some demon or other. Actors have a magic gene within them — I think they’re the finest descendants of rogues and vagabonds — and it’s all too easily forgotten what the acting legacy is. Acting has been gentrified. It’s become part of the bourgeoisie. But there was a time when it would be a great scandal if you announced you were going to be an actor.

I subscribe to that school of thespian — to be a wandering minstrel or traveling player, a thing of rags and patches, of ballads, songs and snatches. You know? That’s my idea of being actor, and that’s Reg Hunt’s idea of being actor. He has an eye for the ladies, not a bad thing to have, [that] keeps life interesting.

Within the story, he’s working in Mumbai and is described as the go-to Brit actor for what I call “mutton chops” roles — anything from the Victorian period. And Chris Kattan turns up for a role in this movie they’re shooting, and I’m to play his father, so go figure that. Chris Kattan, I have to say, was so compelling and funny and creature-like. I’d never seen his work. I’d never heard of him, to be honest.

Really!

No, and when they said Chris Kattan, I assumed he was an Indian because I had read in the script that the producer had gone to L.A. to find a Caucasian. Then of course, when I meet him, it was very clear. He was not a Hindu shaman. He was born in L.A. And he’s a brilliant man.

Was it all shot in Mumbai?

All of my sequences were shot in Mumbai –most of the series was. As soon as I got off the plane there, I felt entirely at home. So comfortable and happy and alive, you know? The thing about Mumbai is you go five yards and all of human existence is revealed. It’s an incredible cavalcade of life, and I love that. There wasn’t a market I didn’t go to, a temple I didn’t visit, a street I didn’t explore — the darker and the murkier, the more interesting. I can understand, though, how people might get freaked out by the intensity of it all.

08032009_juliansands2.jpgDid you get a better sense of the Bollywood industry? It’s number one now, and Hollywood is number three. Do you have any thoughts on what they might be doing differently or why their film culture is still so vital while ours has given way, at least comparatively, to television and other media?

Clearly, Bollywood still has a huge audience that likes to go to theaters, whereas in America so many people would rather see things at home. And I think there is an immense charm and humanity about the Bollywood structure, probably in the way there was about Hollywood film in the ’30s and ’40s. Somehow they were less distracted about hardware, and more about production values and people, you know?

The film culture in India seems much more focused on the audience and spectatorship — they have retained that innocence and wonder and fun about the communal cinematic experience.

Yeah, and it’s much more reflective of the audience too, in that there’s a sort of mutual embracing. Whereas I don’t think there’s that mutual embracing in Northwest European films or American films.

Has the television work that you’ve done brought you a broader or different audience, and how does your following from television compare, size- or ferocity-wise, with your cult film following?

I would say that if you do a walk-on cameo in some TV thing, it’s going to be seen by a billion times more people than if you do the interesting, arty films I like to do. And that’s both meaningless and gratifying, I suppose. Most of the films I work on, I just assume no one will see beyond the director and their family.

The most worthwhile film I just did in Oregon is called “Golf in the Kingdom,” which was a sort of cult book written in the early ’70s, a philosophical, spiritual treatise on the nature of golf. I could give two shits about the game of golf, but I read this script and it was so interesting and moving and transcendental, and I thought, “I definitely want to be in this.” But people who like golf want to see “Tin Cup,” they don’t want to see a bunch of people sitting around a table, like “My Dinner With Andre,” talking about the flight of the ball. But I digress.

[laughter] What was it like doing a comedy again?

I just love doing broader work — I always get asked to do fairly heavy-duty, intense dramas and interesting, psychologically intense characters. But you know [sigh], it’s nice to make people laugh sometimes.

“Bollywood Hero” airs August 6, 7 & 8 at 10 p.m.

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Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Uncle-Buck

Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…