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DID YOU READ

Infinite Loop

Infinite Loop (photo)

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What is cinema? André Bazin published a book of essays that tried to answer that question. But if somebody asked me for the short answer, I’d advise them to visit EternalMoonwalk.com. Seriously.

On first glance, the site seems little more than a poignant goof: a tribute to the late Michael Jackson that draws its inspiration from the John F. Kennedy memorial in Washington, D.C., with its eternal flame — but instead of a flame that never goes out, it’s a video loop featuring variations on the Gloved One’s signature move.

But it’s more than that. In addition to being diabolically mesmerizing — between the array of clips and the faintly “Billie Jean”-like backbeat, one tends to lose track of time staring at the damned thing — Eternal Moonwalk is also an incidental tutorial in the basic properties of cinema. It returns motion pictures to their origin point, when the medium’s core appeal was the chance to watch strangers performing, their bodies moving from Point A to Point B, their familiar or amusing actions serving as an emotional connection point, a reminder that we’re members of the same species inhabiting the same small world.

The format is ingeniously simple. The page shows a horizontal row of images that move from screen left to screen right, like a strip of film being manually threaded through projector gears. All the clips share certain core characteristics: they start out devoid of people, then a person or object enters frame right and exits frame left. Most of the clips are live-action — simple profile shots of people dancing, their motion framed head-to-toe, but there are some wild card images as well. When the snippets are butted up against each other — sliding along the horizontal strip from frame right to frame left — the moonwalking people, animals or objects seamlessly join at the edges of the frame. The process creates the illusion of continuous motion — continuous metamorphosis. One thing becomes another, one person becomes another. It’s not just diverting. It’s lovely.

But how is it cinematic? Let me count the ways. For one thing, it illustrates the democratizing potential of movies better than any number of earnest, micro-budget indie dramas. Anyone with a video camera can contribute, and dance talent isn’t just optional, it’s beside the point. Context is everything here. As you watch the strip of images flicker across your computer screen (and I repeat, don’t visit this site unless you’re ready to give up way more time than you anticipated), you come across some fine, even superb dancers. But their skill truly pops (in a way that it wouldn’t if you were seeing stand-alone clips on YouTube) when it’s juxtaposed with the other people who are just shuffling or loping or hopping through the frame. Conversely, the amateurs’ efforts seem more touching, even beautiful, when they’re joined (via editing) to more graceful performers.

07222009_eternalmoonwalk5.jpgThe sum total reminds us that dancing (as practiced in life) isn’t a contest, that there are no prizes for awesomeness; it’s just a means of self-expression that reveals one’s personality and life history as plainly as clothes or accents. All the performers are united by unselfconscious joy. If you’re a person who doesn’t dance for fear of being laughed at, this site might (temporarily) cure you of it.

The site also demonstrates how malleable raw footage can be. If one designs shots carefully enough — choosing the contents of the frame, the camera’s distance from the subject and the screen direction for certain aesthetic reasons — one can combine the resulting shots in any order and still express a film’s central idea. Eternal Moonwalk shuffles the shots at random, yet they always fit together perfectly, in a harmonious parade of motion.

Just as strikingly, Eternal Moonwalk affirms the infinite expressive possibilities of art. No, seriously, hear me out. Every contributor must satisfy the same criteria: the frame starts and finishes “empty”; objects or people “moonwalk” from screen right to screen left; the clip can’t last longer than ten seconds; the file size can’t exceed three megabytes. Beyond that, anything goes. And the sheer diversity of submissions is stunning. The non-live performances include shots of stuffed animals, dolls, action figures, simple household objects and toys (including a Mr. Potato Head R2-D2), all of which appear to moonwalk via stop-motion photography. There are cartoons (3-D and 2-D computer animation, and seemingly hand-drawn stuff); cannily chosen images from video games (including a bit showing the Incredible Hulk tromping across a landscape, his movements reversed so that he seems to be busting Michael’s move) and images of animals (also reversed) including a mounted horse, a stag beetle and a housecat.

07222009_eternalmoonwalk2.jpgThe live action performances (some by people dressed like Michael, most by folks in street clothes, each clip stamped with an ID number and the city and country of origin) include moonwalks by a clown, a chef and a motorcycle cop; a dad dragging a baby through the frame, followed by a toddler walking; conga lines of students, families and retail employees; a woman gliding across a beach; a teenage girl shimmying through a dimly lit, cluttered suburban house, and so forth. The participants hail from every conceivable nation, race and ethnicity, both genders and many age groups. The seamless fusion of people, situations and ideas evokes the 1991 video for Jackson’s “Black or White,” which used lateral screen movements, clever transitions and then-revolutionary “morphing” effects to affirm commonality. In its splendid, bare-bones way, Eternal Moonwalk accomplishes the same feat. The full spectrum of humanity is arrayed before you, and it’s dancing.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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