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Six Studio Journeymen We Wish Would Return to Their Indie Roots

Six Studio Journeymen We Wish Would Return to Their Indie Roots (photo)

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There was a reason to feel queasy after watching the trailer for “The Hannah Montana Movie,” and it wasn’t just the sight of Miley Cyrus fighting off Tyra Banks for a pair of garish high heels. No, it was seeing the end credits that read “Directed by Peter Chelsom.” That name may not mean much to most, but for those who discovered Chelsom during the mid-’90s by way of his trilogy of Blackpool-set showbiz dramedies — the short “Treacle,” 1992’s “Hear My Song” and his best, the 1995 Jerry Lewis-Oliver Platt father-son vaudeville comedy “Funny Bones” — an adaptation of a Disney Channel show is nothing short of a crushing disappointment.

Now, times are tough and filmmakers have to eat. And perhaps such disappointment comes as a result of investing too much in the auteur theory, but there is a class of filmmakers whose careers haven’t gone the way we thought they would after displaying a unique voice in their earlier work. These aren’t directors whose careers have been endlessly dissected by fanboys or film critics, but in recent years they’ve become strictly hired hands.

Of course, it happens every generation — though he still has an indie streak, Brian DePalma directed “Sisters” for AIP and later was responsible for “Mission to Mars;” Penelope Spheeris went from helming punk pieces like the “Decline of Western Civilization” doc series and “Suburbia” to the much-maligned “The Beverly Hillbillies.” More recently, Neil LaBute’s mainstream “Wicker Man” remake was about as painful to watch as the two misogynists who tortured their female coworker in his explosive “In the Company of Men” nearly a decade earlier. Here’s the current crop of filmmakers who seem like they should have had better things to work on this year than what they ultimately ended up making:

03302009_PeterChelsom.jpgPeter Chelsom
First Directorial Feature: “Hear My Song” (1991)
What He’s Doing Now: “The Hannah Montana Movie”

It isn’t the first time Disney has made an unconventional choice for one of their prized franchises. Jim Fall’s penchant for bright, swirly visuals was the only obvious explanation for how the director of the 1999 gay satire “Trick” landed the gig for 2003’s “The Lizzie McGuire Movie.” But the selection of Chelsom is pretty much the final nail in the coffin of a long, dark chug of a career once filled with enormous potential. It was likely Chelsom’s light touch with magical realism and sly sense of humor that attracted such talent to his films once he arrived in Hollywood during the mid-’90s. It was just as likely those same sensibilities that saw his first major big-budget productions, “The Mighty” and the notorious “Town & Country,” get re-edited by the Weinsteins and Warren Beatty, respectively, and bomb anyway.

Traces of Chelsom’s eccentricity can still be seen — Beatty has a surreal scene in “Country” where he’s dressed as a polar bear and fools around with Jenna Elfman’s Marilyn Monroe in the snowy forest as his children watch, and Chelsom’s follow-up “Serendipity” wouldn’t have worked without the director’s whimsy — but his remake of “Shall We Dance?” marked the end of any sense that the director’s quirks were more intriguing than annoying. Now, with “The Hannah Montana Movie,” he’s gone from working with leading men like Beatty and John Cusack to Billy Ray Cyrus and the only “Achy Breaky Heart” here is ours.

03302009_MarkWaters.jpgMark Waters
First Directorial Feature: “The House of Yes” (1997)
What He’s Doing Now: “Ghosts of Girlfriends Past”

Incidentally, it was Mark Waters’ work for Disney that afforded a second act to his career, which was floundering after he made a splash at Sundance with the bold (and slightly incestuous) “The House of Yes” and then directed the romantic comedy, “Head Over Heels,” which featured Monica Potter as a mousy restoration artist who falls for Freddie Prinze, Jr., before realizing he might be a serial killer. Needless to say, it didn’t make a killing, but Waters’ re-do of “Freaky Friday” for the Mouse House suggested that he could marry his quirky, often macabre sense of humor with formulaic studio comedies to wonderful effect. His encore with “Friday” star Lindsay Lohan, “Mean Girls,” confirmed that.

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The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…