This browser is supported only in Windows 10 and above.


A Heart-Stopping (Literally) Premiere

A Heart-Stopping (Literally) Premiere (photo)

Posted by on

In a horror film, it’s usually the audience that’s freaking out, but that wasn’t the case Saturday night at the Tribeca Film Festival, when Michael Cuesta’s “Tell Tale” made its world premiere. Right as the stylish retelling of Edgar Allan Poe’s “The Tell-Tale Heart” reached its climax, one audience member’s heart literally stopped, at least momentarily, as the film was suspended and an ambulance was called. (Though Cuesta initially suspected it might be a stunt on the part of Ridley Scott’s production company, Scott Free, the director was later told it was likely a fainting spell or a transient ischemic attack.) Apparently, it wasn’t the only breathtaking moment of the evening — though there were far less serious implications as Brian Cox gave a chilling rendition of Poe’s classic at the film’s afterparty.

Cuesta and Josh Lucas couldn’t stop talking about either of the two events when they sat down to chat about “Tell Tale,” which stars Lucas as a single father whose recent heart transplant has led to unfamiliar palpitations and an unexpected violent streak.

What’s as strange as what happened at the premiere is that I read you had to shoot a scene at an Amtrak station where a man is run over by a train only a week after someone had died there from exactly that. Did anyone feel like this film had an omen against it?

Josh Lucas: Someone said last night afterward that the ghost of Poe reared his head. [laughs] The production didn’t really have those issues. It’s one of those films I felt like there was an awareness enough to feel it around you to know that you needed to be protective of it. Last night, that was part of what was so uncomfortable too, that like something like that could go down, or something like the train incident as well.

Michael Cuesta: The production was very difficult in more of a logistical way, but [the train incident] happened and it was so upsetting and I remember thinking, shit, I hope the movie’s not cursed. Poor man, he was a train worker, he was killed [and] we all had to go to track school for a half a day and I lost a half-day shooting. Producers wouldn’t pony up another day — that’s a lot of money. So that was the first “oh shit.” [laugh]

JL: You are making an Edgar Allan Poe film. [MC laughs]

Since the horror genre in general has changed quite a bit since the days of Poe, I got a sense with this film that what’s old is new again since the storytelling is so nuanced — is it even appropriate to call “Tell Tale” a genre film?

JL: It’s alright to call it a genre film because in a sense, we all knew we were setting out to make one. The source material is Poe, so you automatically have an elegant literary depth. There’s a reason those stories can take hold of a society [so they can] still be told now.

MC: I approached it as a horror film. When I was making the film, I always referred to [the original story[ just for the inspiration. I co-write stuff — I’m not really a strong writer — and I looked at his prose and it’s so evocative that I would close my eyes and say “what would that look like?” That had a lot to do with the look of the film. And what do you feel when you read the “The Tell-Tale Heart”? It really does what I like to think happened last night a little bit. Josh’s performance is so intense, and it really hit me last night because it was the first time I saw it on a screen that big with an audience. He captured that Poe insanity — teetering on the brink from the get-go.

Josh, the characters you’ve been playing in recent years seem to have a quality of knowing all the answers — or at least they seem to think so — and here you’re playing a character where you have no answers for your actions or why you’re in this situation. Was there a different challenge for you with that kind of a role?

JL: I think I’m more interesting in playing a level of vulnerability, and what I really liked about this character is playing someone who’s intensely vulnerable, intensely out of control. The challenge of [playing] a man who’s doing monstrosities — violent, horrible acts — that are not of his [own making]. In watching some of those other movies [I’ve done recently], what I felt was lacking a bit was a vulnerability. That’s what attracted me to Michael’s filmmaking, and why I thought this was not going to be an obvious genre film. You have a director that deals in the abstracts, pieces that are not clear cut, and can take a movie like “L.I.E.” and have compassion for a monster.

Watch More

The Best Of The Last

Portlandia Goes Out With A Bang

Posted by on

The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at

Watch More

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

Posted by on

Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Watch More

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

Watch More