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Kiyoshi Kurosawa Composes “Tokyo Sonata”

Kiyoshi Kurosawa Composes “Tokyo Sonata” (photo)

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There are plenty of scares in Kiyoshi Kurosawa’s “Tokyo Sonata,” but none of the serial killers or ghosts that have populated his earlier films like “Pulse” and “Cure.” Instead, in his latest film the director focuses on the effects of Japan’s long-term recession on a nuclear family. After being laid off, patriarch Ryuhei Sasaki (Teruyuki Kagawa) pretends that he’s still going to work, donning a suit and tie to hang out at the library and go to an open-air soup kitchen for free food. His wife (Kyoko Koizumi) and two sons are equally troubled. For once, Kurosawa has made a film that feels connected to earlier, more traditional Japanese cinema. His penchant for apocalyptic endings has come full circle — “Tokyo Sonata” is about what it feels like to live in a society undergoing massive, disorienting change. I spoke to him by phone during a recent visit to L.A.

Do you feel nostalgic at all for an older, more stable Japan?

I actually don’t feel any nostalgia for something like that, because I don’t remember that there has ever been an economically or socially stable time in Japan. There was a lot of economic growth, definitely, but no real stability in the past few decades.

You’ve cast Koji Yakusho in many of your films. What attracts you to his work?

Obviously, he’s a very talented actor, which can’t be underestimated. An important point is that he’s exactly the same age [53] as me. He’s not only easy to work with as an actor, but he’s very similar to me as a person. He has similar values and sensitivities. We’re from the same generation. That’s a big reason why I enjoy working with him on the set.

Do you feel much kinship with other Japanese directors of your generation?

I think my peers generally started making films in college on Super-8 and eventually moved into commercial filmmaking. I do feel some kinship with them, but the types of films we make are all over the map.

You honed the script of what would become your 1999 film “Charisma” at the Sundance Lab in 1992. How did the experience influence the final direction the film took?

It’s been a long time since I participated in it, so I don’t remember it clearly. I can say that participating in it was a very valuable experience for me. Up to that point, I had loved American films. I had watched many of them. The Lab made me realize that the ways of making films in America and Japan are very different. Even though I had harbored hopes of making a film in the U.S., I realized how difficult it would be.

“Tokyo Sonata” is the only one of your films that seems to have much connection to classic Japanese directors like Yasujiro Ozu. You’ve talked a lot about the influence of Robert Aldrich on your work, particularly “Charisma.” Do you feel you’ve been influenced more by American or Japanese cinema?

In the beginning, I idolized American films. I started off very influenced by American cinema, but I was always aware that I was going to be making Japanese films. After I started making my own films, I studied Japanese cinema. At this point, I’d say I’m also influenced by Japanese films.

03112009_tokyoSonata2.jpgWhat are your favorite of those?

There are many Japanese filmmakers I admire, but if I had to choose one, I’d pick Ozu.

Which film of yours would you describe as your most personal?

It’s difficult to answer. I would probably have to say that the student films I made on Super-8 are my most personal. I shot and edited them myself. Once I started making commercial films and working with a large cast, D.P. and crew, I’ve never felt that I could call any of the films I made in this format personal.

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Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at IFC.com

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Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…