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The Minoru Kawasaki Collection, “The General”

The Minoru Kawasaki Collection, “The General” (photo)

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I have to be honest: Japanese pop culture terrifies me. While American pop culture, with its adolescence fetish, prideful ignorance, superhero love and submergent video game fantasias, can merely make me queasy, what I see flowing out of Japan triggers a flight response: the cute cult, the schoolgirl obsession, the giant-penis-monster animated porn, the apocalyptic visions, the oceans of twisted-fairy-tale manga, the deification of inexplicable toys, the combinations of all of the above, and so on. It’s as if, by Western junk-culture standards in the last three or so decades, Japan is going joyfully, helplessly insane.

Which accounts, obviously, for the stuff’s worldwide popularity. I just can’t often get my head around it, or see the opportunity to try, or track what kind of creative idea spawned something like Pokémon or Sailor Moon or the tentacle-rape epic “Urotsukidoji” or Satoshi Kon’s “Paprika” or gold-plated poop-shaped cell-phone trinkets, or take you pick. I think Minoru Kawasaki, the cheapskate Japanese pulp satirist semi-extraordinaire, shares my bafflement, and has converted it into derision.

True, “Executive Koala” (2005) — a psycho-thriller in which the hero is a man-sized koala-cum-salaryman — all too closely falls in line with huge strands of Japanese stuffed-animal worship, which itself cannot be measured on conventional scales of self-reference and irony. But the other Kawasakis hitting disc, “The Rug Cop” and “The World Sinks Except Japan” (both 2006), are unmistakable, ripping farces. “Executive Koala” keeps a straight face (until, at least, the obligatory Kawasaki music video sequence, executed in an arch style that makes the first B-52s videos look slick), but its launching into teeth-gnashing drama and suspense are outrageous, at least because of the ludicrous gray-furred, huge-headed marsupial costume stuffed into that business suit. The koala-ness is acknowledged as such by the humans in the story, but not as something unusual; nor do the giant white bunny boss or giant frog grocery clerk cause a stir. (We see the koala’s zipper, in close-up; does anyone else?) Kawasaki’s narrative methods are pure Skid Row — using available office space and barely bothering to dress it, having scenes begin with characters walking into rooms, etc. — and the neurotic travails of his hero (he’s an axe murderer and doesn’t know it) are given just enough respect to make us wonder which scene or image is an outright joke, or a set-up, or, perhaps, none of the above.

11182008_worldsinksexceptjapan.jpg“The Rug Cop” also supports an elaborate fighting-the-terrorists plotline, but the police force handling the task include the titular toupee-winger, a weight-lifting midget, a seductive Don Juan (who interrogates only women), and a secret-weapon-bearing officer named Big Dick. Still, “The World Sinks Except Japan,” while coming equipped with the drollest title of the decade, might be Kawasaki’s crowning achievement so far (in a busy career that has also given the world “The Calamari Wrestler” and a new film with a subtitle that’s been translated as “Attack the G8 Summit!”). Global warming literally drowns every scrap of land on Earth except Japan, a titanic cascade of events Kawasaki depicts with cheaply animated maps, cheaply exploding model cities and a roster of cynical characters hanging out in bars and watching social upheavals on the street (as in, police beating on “foreigners” trying to get away with stolen daikon radishes). The wave of refugees that swamps Japan includes world leaders (trying to curry the Prime Minister’s favor while out drinking) and surviving American movie stars (one named “Jerry Cruising”), but Kawasaki’s taste for low-ball mockery is universal, and Nippon nationalism is chided as mercilessly as the Bushian idiot president and Kim Jong Il are. As doomsday scenarios go, it’s the new compliment to Roger Corman’s “Gas!” and twice as shabby.

11182008_thegeneral.jpgBuster Keaton’s “The General” (1927) has few rivals as untouchable canon-classic comedy, and the new Kino DVD is long overdue, supplemented by a second disc of filming location tours, vintage intros (Orson Welles, Gloria Swanson), Keaton home movie footage, a montage of Keaton’s career-long series of train stunts, and three new scores to pick from. No reevaluation is necessary, however — it’s a perfect film, visually breathtaking, so confident and deft in its mise-en-scène that rewinding is mandatory, to see if what you thought just happened in real time actually did. Keaton’s “Sherlock Jr.” may be a more insightful metafictional creation, but “The General” is twice that film’s weight in physical wonder and heartbreaking heroism. There is this, however — why hasn’t anyone, in this age of historical hyper-revisionism, pointed out that Keaton’s film demonizes the Union forces and heroizes, in a single-minded Hollywood way, the Confederacy and, implicitly, its defense of slavery? No one could suggest that Keaton, a Kansas-spawned vaudevillian born 30 years after the Civil War, was a slavery-nostalgic secessionist, could they? What would you say the film endorses, politically? Could even “The General,” that most harmless and beautiful of film culture chestnuts, be stretched on the rack of historico-cultural correctness, especially in ObamaWorld? I ask you: if not…why not?

[Photos: “The World Sinks Except Japan,” Klock Worx, 2006; “The General,” United Artists, 1927]

The Minoru Kawasaki Collection (Synapse Films) and “The General” (Kino Video) are now available on DVD.

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IFC_Portlandia-S8_pick-a-lane_subaru-blog

Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Uncle-Buck

Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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IFC_Portlandia-AORewind-blog

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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