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Judd Apatow’s David Gordon Green

Judd Apatow’s David Gordon Green (photo)

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Though critics may be divided over “Pineapple Express” — at the time of this writing, it weighs in at 57% on Rotten Tomatoes’ Tomatometer — there is a consensus about at least one aspect of the Judd Apatow-produced stoner comedy: surprise over the choice of David Gordon Green as director. As Roger Ebert puts it in his positive review of the film, Green, “that poet of the cinema, is the last person you’d expect to find directing a male-buddy comedy about two potheads who start a drug war.” Based on some of his own past comments, Green might be inclined to agree with him; when promoting his debut film “George Washington” a few years ago, Green told Charlie Rose, “I’m interested in any movie that’s not like other movies. Growing up, I wasn’t so much a ‘Star Wars’ or ‘Raiders’ kind of kid. I was a guy who’d watch ‘Walkabout.'”

“Pineapple Express,” like most Apatow productions, isn’t just like other movies, it’s about other movies. Potheads Dale (Seth Rogen) and Saul (James Franco) belong in the tradition of Cheech & Chong and Harold & Kumar. Their comedic misadventures place “Pineapple” somewhere in the vicinity of “Lethal Weapon” or “Tango & Cash” in the way it satirizes the action genre’s rigorously observed rules and clichés, while its consistent blend of humor and mayhem puts it in a smaller category with Shane Black’s “Kiss Kiss Bang Bang” and Edgar Wright’s “Hot Fuzz.” Apatow’s characters speak to one another in a language of pop culture quotations (“Hey Crockett, how’s Tubbs doing?”) and, in keeping with that habit, “Pineapple Express” even has a prominent “Star Wars” rancor gag, regardless of Green’s childhood viewing habits.

In contrast, the pop culture that informs most of Green’s work isn’t particularly popular in the mainstream sense; Nicholas Roeg, of course, and also Terrence Malick, whose lyrical visual style was a major influence even before he became a producer of Green’s third feature, “Undertow” (2004). That film, like its two predecessors, “George Washington” (2000) and “All the Real Girls” (2003), is set amongst the decaying ruins of America’s industrial South (which, as Green himself put it in an interview with The Believer, appears in his trilogy as “a wasteland where man met nature and nature kicked its ass”). Their plots, such as they are, linger in the mind less than the images from that landscape Green deploys in their service: children walking on train tracks that stretch to the horizon, young lovers in a strained embrace in the middle of an empty bowling alley, gold coins drifting down into a watery abyss. Young love is a frequent theme; so are single parents and generational conflicts. So is spitting.

Green’s last feature, “Snow Angels,” was the first to transplant the director north of the Mason-Dixon line. Initially hired to adapt Stewart O’Nan’s novel for another filmmaker, he eventually assumed the director’s chair himself and took the project well outside his established comfort zone: heavier on plot and narrative, and set in the snowy climate of Western Pennsylvania. “Snow Angels” contains more humor than Green’s previous efforts (which wasn’t terribly difficult), but it still ends with a brutal murder-suicide.

So how the hell did Green come to direct a studio comedy with a not-entirely-ironic Huey Lewis & the News theme song? Pragmatically, the credit belongs to Danny McBride, who was Green’s neighbor in college and recommended him for the gig after getting cast in “Pineapple Express” himself. Brought on to the set of last year’s “Knocked Up” to observe how they do things over in Apatown, Green discovered a like-minded production process that bridged the seemingly disparate styles of movies. Both preferred working with friends and longtime collaborators, both aren’t afraid to take chances on unknown or even untrained actors in crucial roles. And both tend to view screenplays as unfinished sketches rather than sacrosanct texts.


Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at


Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.


Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…