This browser is supported only in Windows 10 and above.


Opening This Week: A doc on beauty culture and an acclaimed Sundance drama

Posted by on

07282008_americathebeautiful.jpgBy Neil Pedley

This week’s offerings find twilight twenty-somethings longing for love in Los Angeles, “The Mummy” franchise heading East and a gruesome subway slasher trying very hard not to scare people clean out of the theater, at least not before the movie actually starts.

“America the Beautiful”
At 12, Gerren Taylor was a bright young model who strolled the catwalk of Fashion Week in Los Angeles. By 13, she was considered a has-been. Director Darryl Roberts traces Taylor’s early entrance and exit from the runway to paint a far larger picture of the inner workings of the fashion industry, examining the class system of models and the advertisers and designers who relentlessly manufacture a feeling of negative self-image among consumers and then prey upon it to get us to dip into our wallets. Through interviews with fashion industry experts, the first-time documentarian learns that beauty isn’t skin deep — it’s retouched, glossed over and as a business, just plain dangerous.
Opens in limited release.

“Back to Normandy”
French director Nicolas Philibert embarks on a romantic, nostalgic quest to find his filmmaking roots by returning to the beautiful, bucolic heartland of Normandy where his career began some 30 years previous as an assistant director on his first industry gig, the historical murder-mystery thriller “Moi, Pierre Rivière.” Searching out the village locals who helped serve as cast and crew on the film, Philibert encounters old friends and colleagues who recount how the project touched them in different ways and their unique experiences since. In French with subtitles.
Opens in limited release.

“Frozen River”
Having scooped a Grand Jury Prize for Drama at Sundance earlier this year, writer/director Courtney Hunt’s debut actually began life as a short film whose run at the 2004 New York Film Festival impressed enough people that she was able to secure financing to adapt it into a feature. Shifting the plot from simple cigarette smuggling to the current hot button issue of illegal immigration, the film offers a rare leading role to Melissa Leo as a desperate mother forced to turn to Misty Upham’s wily border runner for some quick paying jobs after her deadbeat husband gambles away the house payments.
Opens in limited release.

“In Search of a Midnight Kiss”
Taking the old adage of writing what you know, “In Search of a Midnight Kiss” is another semi-autobiographical slice of life from writer/director Alex Holdridge charting the journey of Wilson (Scoot McNairy), a listless screenwriter who searches for love in the lonely wilderness of Los Angeles on New Year’s Eve. Desperate to find companionship to help offset a terrible year, Wilson turns to Craig’s List where he discovers Vivian (Sara Simmonds), a caustic misanthrope who grants him until midnight to prove to her he is worthy of her time.
Opens in New York.

“Love and Honor”
After a hugely successful stint on the Asian festival circuit, the final installment of Yôji Yamada’s intimate and graceful samurai trilogy arrives following the director’s acclaimed “The Twilight Samurai” and “The Hidden Blade.” Again returning to his familiar themes of duty and sacrifice, Yamada’s story follows the lowly samurai Shinnojo Mimura (Takuya Kimura), the shogun poison taster whose dreams of opening a casteless samurai dojo are shattered after a careless mistake leaves him blind, forcing his wife to take certain steps to ensure their survival. In Japanese with subtitles.
Opens in New York.

“Midnight Meat Train”
Japanese horror director Ryuhei Kitamura’s first English language foray into gore gleefully cobbles together some really horrific and terrifying elements, and we’re not just talking about Vinnie Jones’ acting. Jones stars as a crazed butcher who stalks the subways in New York for passengers, including a freelance photographer (Bradley Cooper) who tries tracking down the killer for an upcoming gallery exhibition. The only thing more bloody than the butcher’s thrill kills has been the battle behind the scenes to give the film a proper release — Barker sent an open letter to fans to inundate Lionsgate with e-mails and phone calls after the film was rumored to be going direct to DVD.
Opens in limited release.

“The Mummy: Tomb of the Dragon Emperor”
With its thunder somewhat stolen by the very franchise that was its inspiration, the summer’s second most eagerly anticipated archaeological adventure arrives in theaters. Brendan Frasier returns as swashbuckling explorer Rick O’Connell, this time aided by his fast-growing son (Luke Ford), as well as series regulars, Jonathan (John Hannah) and O’Connell’s feisty wife, Evelyn (Maria Bello, stepping in for Rachel Weisz, as Matt Singer chronicled here). Though nowhere near the 19 years it took Indiana Jones to dust off his fedora, “The Mummy” is attempting a reboot of its own by shifting focus and location from the pharaohs of Egypt to the warlords of China where Jet Li’s entombed tyrant is mistakenly awakened and our heroes’ only chance to defeat him lies with Michelle Yeoh’s ancient sorceress and her army of the undead slaves.
Opens wide.

“Profit motive and the whispering wind”
Loosely inspired by historian Howard Zinn’s celebrated book “A People’s History of the United States,” this poetic concept film comes from Emerson College professor-turned-director John Gianvito. Billed as a visual meditation on our progressive history, the documentary silently tours cemeteries and monuments, including the headstones of Malcolm X and César Chávez, as Gianvito spans 400 years of history in less than an hour, but nonetheless marks the hardship and sacrifice this nation was built on.
Opens in New York.

“Sixty Six”
Brendan Fraser isn’t the only one double-dipping this summer. Following rom-com “Made of Honor,” Brit director Paul Weiland’s rite-of-passage yarn comes stateside to offer something of a mutual cultural exchange, as — let’s be honest — British audiences are about as in tune with family-based Jewish comedy as their U.S. counterparts are with soccer. Ably propelled by historical ironies, this good-natured comedy finds young Bernie Rubens (newcomer Gregg Sulkin) employing everything from panicked plots to voodoo rituals to combat soccer fever as he tries to prevent the scheduling of his bar mitzvah on the same day the 1966 British team play in the World Cup final. Helena Bonham Carter and Eddie Marsan star as Bernie’s exasperated parents.
Opens in limited release.

“Swing Vote”
The idea of the reluctant but incorruptible everyman suddenly finding himself with his hands on the nation’s highest levels of power is an American cinematic tradition dating all the way back to Frank Capra and Mr. Smith. Yet Capra probably never would’ve envisioned the ill-tempered, apathetic single dad, played by Kevin Costner, who suddenly finds himself the center of a worldwide media frenzy as he’s courted by the presidential candidates from both parties (Kelsey Grammer and Dennis Hopper) when the election comes down to his single deciding vote. Besides Nathan Lane and Stanley Tucci as dueling campaign managers, everyone from Arianna Huffington to Tucker Carlson weighs in during the satire that might not seem so funny come November.
Opens wide.

[Photo: Model Gerren Taylor in “America the Beautiful,” First Independent Pictures, 2008]

Watch More

The Best Of The Last

Portlandia Goes Out With A Bang

Posted by on

The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at

Watch More

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

Posted by on

Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Watch More

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

Watch More