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NYFF: “I’m Not There.”

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"I'm sorry for everything I've done and I hope to remedy it soon."
We’re barely literate in Bob Dylanese, so a fair amount of Todd Haynes"I’m Not There" went over our head, or dodged past us when we weren’t looking, or bulldozed us and left us for dead. It’s a tricky beast, Haynes’ fractured biopic, which tries to present a glimpse of the elusive Dylan through the prisms of different personas but ends up being, as you might expect, more revealing about Haynes himself. Given that most of the storylines refer only obliquely to periods and themes in Dylan’s life, non-Dylan devotees may sometimes feel like they’re watching a French sitcom in a room full of chuckling Francophones with only a few years of high school Spanish with which to decipher what’s going on. Still, for the most part, "I’m Not There" is just fine, an uneven, ambitious, flawed attempt at circumventing all of the conventions of putting someone’s life onto the screen.

The Dylans are, in approximate order of importance: Jude (Cate Blanchett), "Dont Look Back"-era Dylan going electric at the "New England Jazz and Folk Festival" and dueling with reporters while on tour in England; Billy (Richard Gere), formerly "the Kid," whiling away his days in hiding in rural and presumably early 1900s Missouri; Robbie (Heath Ledger), an actor who finds fame from his role in a biopic of a vanished folk singer named Jack; Woody (Marcus Carl Franklin), an improbable musical prodigy living the life of a ’30s hobo despite it being the late ’50s; Jack himself (Christian Bale), seen through the lens of an investigative documentary style; and Arthur Rimbaud (Ben Whishaw), a poet under interrogation. Blanchett’s gotten the most attention, and it’s all deserved — she’s riveting as Dylan at his most iconic, a chain-smoking, hopped-up, charismatic mess who’s sometimes a right bastard and other times tremblingly vulnerable, muttering "I’ve just got to clean up a little bit, and I’ll be fine." The film’s a billion times more alive in the Jude segments than it is elsewhere, maybe because it’s the storyline that directly engages in Haynes’ treasured topics of fame and the cultivated persona. Jude, fending off betrayed fans who stare down the camera in anguish, trailing after and then chasing away an Edie Sedgwick character (Michelle Williams), verbally disemboweling a friend at a party just because he can, always threatened to shake apart with the effort of remaining in the limelight, particularly when a certain BBC reporter (Bruce Greenwood) thinks he has Jude pinned. But there’s no solving a person (something we’re reminded when Greenwood turns up again as a failed, old Pat Garrett to Gere’s supposedly slain Billy), and "I’m Not There" also refuses to pin Dylan down, leaving the film with a strange central absence. The other Dylan figures are just ideas, the worst — Billy — an awkward, embarrassing, half-formed metaphor. Robbie is the only other one to stand out. His story is a straightforward if not clichéd one of a marriage crumbling (the most inexplicable — a summation of Dylan’s treatment of the women in his life?), but flashbacks to scenes set in Greenwich Village in the ’60s are aglow with melancholy nostalgia. It’s clear what era, scene and section of his subject’s life Haynes is most attracted to, and just as clear that he felt the need to diffuse that energy into other concepts that just don’t work when put on screen, all for the sake of this "Thirteen Ways of Looking at a Musical Icon" conceit. It’s a great conceit, but it’s better in theory than in practice, and better in "Velvet Goldmine" than here, alas.

"I’m Not There" screens October 4 at 8:30pm and October 6 at 10am at Frederick
P. Rose Hall. It opens November 16th in limited release from Magnolia.

+ "I’m Not There" (FilmLinc)
+ "I’m Not There" (IMDb)

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Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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