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DID YOU READ

“Lake of Fire”

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By Matt Singer

IFC News

[Photo: “Lake of Fire,” ThinkFilm, 2007]

The subject of “Lake of Fire” — the decades-long debate over abortion — is exactly the kind of thing we typically go to the movies to escape from. Director Tony Kaye knows this, and he has no interest in making any concessions to the audience: his is one of the most defiantly uncommercial films ever made. It wasn’t enough for Kaye to make a documentary on abortion, and it wasn’t enough to make it three hours long. It wasn’t even enough to film it in black and white. Brashest of all, he’s dared to make the film even handed; to treat both sides equally and honestly. If he’d presented either side in a particularly positive or negative light, he might have had an easier road to travel, financially. It’s easy to make money preaching to one choir or another. Instead, he ignored all of that on the way to crafting an authoritative and possible definitive portrait of one of the most controversial issues of our time.

Kaye’s been shooting the film, often with his own money and a skeletal crew, for over a decade: the earliest footage we see in the film dates to an anti-abortion rally in January of 1993. “Lake of Fire” follows a loose timeline (and includes graphic footage from real abortions) but the film is largely concerned with letting critics on both sides of the issue expound on their positions. The discussions run the gamut from illuminating to disturbing to infuriating. Your feelings about abortion may not change, but it’s virtually impossible to walk out of the film with anything less than a great deal more information on the issue than when you walked in.

For me, the largest revelation involved understanding more fully than I ever had before how abortion sits at the nexus of so many different issues: from the right to access to birth control, to the belief in the death penalty, to race, to religion, to gender. Abortion draws “true believers” from all sides who want to trade in absolutes while discussing enormous moral, ethical and spiritual issues that are based in the fundamental unknowns of life on earth. Watching “Lake of Fire,” you begin to see this enormous tapestry of the human condition; we all experience things differently yet we try to make ourselves believe we are all exactly the same.

There are many interesting speakers and a range of viewpoints in the film (it’s hard to conceive of any that Kaye doesn’t air at least once), but the most provocative may be the one espoused by The Village Voice‘s Nat Hentoff, a pro-life liberal who argues that abortion is almost certainly murder, and that someone who is truly pro-life is someone who is also anti-murder, and thus also anti-war, anti-death penalty and anti-poverty. As Kaye’s film shows, this is rarely the case.


It’s unfathomable to consider how many choices Kaye must have had to make over the course of shooting and editing his 152-minute opus, and indeed how many of them were the right one, including the decision to shoot in black and white, which not only adds an unsettling dimension to the scenes inside abortion clinics, but also gives the film a timeless look amidst all the ridiculous 90s haircuts, not to mention the air of a historical document. Those who prefer a distanced documentarian with at least the appearance of impartiality will approve of the way Kaye becomes almost invisible within his own film, never seen on camera and rarely heard off it.

The film ends with a sober and non-judgmental account of a woman having an abortion, one who is clearly unfit to raise a child (on her own, after her relationship with an abusive spouse has ended) but who finishes her message of happiness to Kaye’s camera by breaking down in tears about what she’s done. While discussing the abortion with her clinic’s caretakers, she worries that she is “scared of the uncertain” for her unborn baby. Aren’t we all.

“Lake of Fire” opens in limited release October 3rd (official site).

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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