IFC News (well, Matt and our humble self) will be doing live (wooo!) webcasts from the New York Film Festival starting Friday and going on through the 5th (or possibly the 7th, depending on how well they go and sick of each other we get). They’ll live here.
Elsewhere at IFC News this week:
Habitually measured, pensive and beautiful, Lee’s films subscribe to an approach that might best be described as graceful, innocuous stateliness, the director’s penchant for visual and sonic elegance likely responsible for his well-regarded critical reputation in the U.S., and yet matched by an atmospheric remove that frustrates any sense of passion. Lee is an able craftsman whose reserved techniques are tailor-made for Oscar season, in which tastefulness and thoughtfulness are, generally speaking, the preferred storytelling modes. So how to explain his latest, "Lust, Caution," a fiery WWII espionage drama (recent recipient of the Golden Lion, aka Best Picture, at the Venice International Film Festival) that, despite a predictable fascination with facades and containment, is so sexually explicit that it garnered the doggedly middle-of-the-road director an NC-17 rating?
It’s savagely clever down to the sound of the copy machine, and suggests yet again that von Trier’s yen for experimental penitence may be merely the smoke of his sideshow, obscuring his real achievements in storytelling and directing actors (there hasn’t been a misjudged performance in a von Trier film in the two decades since "Medea," and there’s been a wealth of world-beaters). Has anyone told him?
And Chris Bonet has what’s new in theaters.