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IFC News: Late career moves, profanity.

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This week on IFC News:

Inspired (and impressed) by Manoel de Oliveira turning out the fine "Belle Toujours" at a spritely age 98, we take a look at how some of our favorite auteurs fared in their autumn years here. To avoid the excessive morbidness —  which seems an impossibility now that we’re trying to sum up this piece — of forcing a blurby career retrospective on someone still around, we stuck to directors who were already dead. Huzzah! Here, on Samuel Fuller:

Though "The Big Red One" was hacked down to just 113 minutes, this version got a release and even played the Cannes Film Festival in 1980. Things went far worse for Fuller’s next project, "White Dog" the story of a German Shepherd who has been trained to attack African-Americans, and the man who tries to cure him. After protests from the NAACP, Paramount Pictures shelved the film completely. No one saw the movie for a decade. Fuller was devastated. In his autobiography, "A Third Face," Fuller described the experience of losing his film. "It’s like someone putting your newborn baby in a goddamned maximum-security prison forever," he wrote.

Reeling from the creative defeat, Fuller accepted an offer to work in Europe and pretty much left the country for good. He made a few films in Europe, including his last theatrical feature, "Street of No Return" in 1989, and kept busy making TV movies and writing "A Third Face." After his death in 1997, Fuller’s work returned to the spotlight. In 2004, film critic Richard Schickel oversaw a restoration of "The Big Red One" that included over a half-hour of new footage, and came, in Schieckel’s words, as close to recapturing Fuller’s original vision as was humanly possible. "The Big Red One" played Cannes again, to even greater acclaim.

Here is the complete line-up of the "31 Days of Movie Profanity" list that ran on the site all last month.

Michael Atkinson covers Wisit Sasanatieng‘s "Tears of the Black Tiger" and some re-released Fernando Arrabal. On "Tears":

The story is a pretzel of a hundred movies — star-crossed lovers, embittered gunmen, a maiden facing an arranged marriage, tragic misunderstandings, bloodbrother betrayals, shoot-outs and corrupt villains. Frankly, Wisit’s cast is rarely up to the screenplay’s demands in any serious way, but they’re not asked to be: the drama, posed and mannered, is as rabidly earnest and drolly ironic as any film by Douglas Sirk, R.W. Fassbinder or Guy Maddin. (Here, when two gunfighters pledge loyalty to each other, they don’t just shake on it — they bleed into each others’ glasses of tequila, drink up and then dance.) It’s a one-of-a-kind movie, even (reportedly) for Thailand, a freaky gout of self-conscious retro-style.

On the podcast, we suggest some counter-programming for a few of this summer’s bleaker-looking blockbusters.

Matt Singer reviews "La Vie en Rose" ("Like most biopics of this ilk — those about tremendously famous individuals who did great things — the focus remains on big dramatic story beats rather than a coherent narrative as a whole") here and "Ocean’s Thirteen" here.

And Christopher Bonet has the line-up of what’s new in theater.

+ IFC News

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The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at

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Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

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