This browser is supported only in Windows 10 and above.


Throwing Out the Book

Posted by on

By Dan Persons

IFC News

[Photo: “Yaji + Kita: Midnight Pilgrims,” Media Blasters, 2006]

“You know,” editor Alison Willmore said to me when I told her about “Yaji + Kita: Midnight Pilgrims,” the self-proclaimed “gay samurai biker” film that had a nanosecond-long release in New York and is now available for your pleasure and befuddlement on DVD, “that’s actually based on a classic Edo-era story.”

No, actually, I didn’t know that, but keen as I am on Japanese culture, my knowledge of source materials is spotty — particularly if that material doesn’t somewhere incorporate a teenage girl in a tight uniform. No surprise, then, that “Tokaidochu Hizakurige,” the actual inspiration for director Kankuro Kudo’s manically comic adaptation, was way beneath my radar.

The original novel, written in the early 1800s, follows the comic adventures of two rogues avoiding their wives, debts and responsibility by taking off for a trip down the main road between Edo and Tokyo. Kudo grabbed author Jippensha Ikku’s ball and pushed toward the end zone, turning the travelers into gay lovers; plunking them on a motorcycle; peppering the proceedings with song and dance numbers; throwing in references to video games, dinner theater, and cocktail lounges; and breaking the fourth, fifth, and sixth walls in his narrative (at one point, one of the characters winds up in a screening room complaining about the very story he’s participating in).

At 124 minutes, it’s almost too much weirdness, but Kudo’s zeal in breaking past the constraints of his inspiration is infectious. Faithfulness may be fine for human relations, but it’s generally murder for films — there’s no point in adapting a work if the adapter can’t bring his/her own insights, skills and outright quirks to the proceedings. People steadfastly attached to a book have the book, after all — why shouldn’t they get out of the way of those who might turn the material into something bigger than the original and better suited for the screen? (Here’s looking at you, J.K. Rowling.)

A filmmaker boldly following his/her muse can be a good or a bad thing, but it at least makes for lively conversation as the closing credits roll. Consider:

“Forbidden Planet” (1956): Well, if you’re going to do “The Tempest,” why not recast Miranda with Anne Francis (she talks to animals!), get your Caliban courtesy of Walt Disney, and turn Ariel into the coolest damn robot what ever clumped across the silver screen? Turns out the Bard cozies up quite comfortably with 1950s spaceships and ray guns, even if the ending speaks more about Cold War anxieties than Elizbethan fantasy.

“Zatoichi” (2003): Original actor Shintaro Katsu turned the adventures of a blind, yet quite lethal, Edo-era traveling masseur into a franchise as dependable (and predictable) as a Big Mac. When Takeshi Kitano took over both acting and directing chores, it was to turn the project into a tightrope act that salted a standard, Ichi-cleans-house scenario with transvestite geishas, a half-naked samurai wannabe, and liberal doses of Three Stooges mayhem. Hang in for the last half hour, when Kitano completely throws caution to the wind, unraveling a key element of the Ichi mythology, intercutting the final defenestrations with a way-anachronous tap-dance number, and orchestrating a final pratfall for the noble warrior.

“The Legend of Bagger Vance” (2000): Hard to tell whether director Robert Redford was being too respectful to the original novel by Steven Pressfield, or just wanted to forget that the tale of a depression-era Southern golfer counseled by a mystical, black caddie was actually based on Hindu text the “Bhagavad Gita” (the DVD’s supplemental material, which consistently references a generic mythology, suggests the latter). But if Redford had engaged one-tenth the wit that Pressfield did in naming his protagonist Rannulph Junah (R. Junah — get it?), this film might have risen above its crushing sentimentality to become the golfing movie that even non-golfers could groove on and meditate over.

“The Company of Wolves” (1984): It isn’t as if director/co-writer Neil Jordan and writer Angela Carter were the first to discover the psycho-sexual aspects of “Little Red Riding Hood” (you think Tex Avery and Friz Freleng kept dipping into that well because kids would like it?), they just dared to lay it all out in its nocturnal, bestial glory. Setting a fairy tale within a werewolf myth within a fever dream, Jordan just keeps pushing the unhinged imagery (a wizard shows up in a Rolls Royce; bird eggs crack open to reveal tiny, weeping, stone fetuses) until it all seems as wild and instinctual as the adolescent urges the film seeking to portray.

“Yojimbo” (1961) Kurosawa always claimed that his story of a canny samurai pitting two crime clans against each other to deadly results was based on the film version of Dashell Hammett’s “The Glass Key.” You can’t convince me (and many others), that he wasn’t also lifting liberally from Hammett’s “Red Harvest,” which tells almost the same story with a private detective as its protagonist and rum-runners as his targets. Kurosawa was the master of throwing source material into medieval contexts, showing how everything from Shakespearian treachery to hard-boiled violence could easily balance upon a katana blade. There’s not a motorcycle or cocktail lounge in sight, but in the cross-fertilization of periods and ideas, the director managed, as do all those who successfully dare to reach beyond the bonds of their inspirations, to show how universal and pertinent a story can become.

Watch More

The Best Of The Last

Portlandia Goes Out With A Bang

Posted by on

The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at

Watch More

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

Posted by on

Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

Watch More

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

Watch More