This browser is supported only in Windows 10 and above.


“49 Up,” “Pocket Money”

Posted by on

By Michael Atkinson

IFC News

[Photo: “49 Up,” First Run Features]

Recent studies have demonstrated that no, your entire body does not get “renewed” on a cellular level every seven years (skin cells get batched every few days, while some brain cells never change). But Michael Apted’s famous and beloved “Up” films, which have chronicled the lives of 12 Brits since they were precocious second-graders, keeps returning to these cross-sectioned citizens every seven years as if to see if they are in fact the same people. They are and they aren’t — people age, lose the fire of their youthful ambitions, marry, spawn, grow more peaceful and complacent, fatten, settle into routines.

Almost by definition, this epic project — “49 Up” is the seventh in the string, stretching over more than four decades — keeps getting larger, more expansive and more profound with each entry. And yet, nothing cataclysmic happens. Apted’s 12 subjects (two of the original 14 dropped out in their 20s) sit for the camera, disclosing the details of their lives (or some of them, anyway), and Apted continues, as he always has, cutting to the older footage, as if daring us to think we know these people after having seen them grow up from tykes into adults looking at the business-end of middle age. A class-consciousness notion was in place in the first 1964 film, but preexisting agendas couldn’t survive the films’ real-time historical reach — life takes over, in all of its banality, private pleasures, employment struggle and divorce hurt.

Of course, with age, the relationship between the interviewee and the project they’d signed on for in their naive youth becomes more complex. The cabbie, the housewife, the librarian, the lawyer, the physicist, the near-homeless outcast — all are used to the invasion of filmmaking crews into their homes, but today they’re no longer entertained by the quasi-celebrity and tend to bridle and rebel. Approaching 50 now, several of them understandably bellyache about being forced again and again to evaluate their lives for an international audience. Here’s both the original model for and the antidote to contemporary reality television.

Will Apted (or his associates) press on until they’re all dead? Even if they don’t, the films have acquired an existential chill. The 12 participants move in the blink of the eye from being fresh-faced schoolkids to being weathered dinosaurs, typically beset by obesity, alcohol, emotional erosion, bad English dentistry and the savagery of time. It can get only scarier with subsequent entries, by which time the series may be the most thorough and leveling portrait of ordinary humankind ever committed to film.

Reality took other shapes in the American New Wave of the 60s and 70s, and here comes a forgotten honey: Stuart Rosenberg’s “Pocket Money” (1972), a conscientiously low-key dawdle written by “Terry” Malick and featuring Paul Newman as an unapologetically dopey and penniless Arizona livestock freelancer who accepts a shady deal to buy Mexican cattle and march them up across the border. Helping him is boozy, hedonistic negotiator Lee Marvin, in a filthy suit jacket and leather gloves; together, they spend most of the movie driving around in a shellshocked T-bird, wondering why the world doesn’t understand them. Sometimes the movie is so faithful to the characters’ reality that it loses track of its plot, but the Nixon-era, south-of-the-border sun-scorch is palpable, and the actors are clearly having a royal ball (you envy Newman, sharing a lazy film shoot in Mexico with Marvin).

Remembered today only for “Cool Hand Luke,” Rosenberg was awake to the New Wave’s gritty, symbolic possibilities, and remains underrated. (He and Newman made a total of four films together.) “Pocket Money” comes in Warner’s Paul Newman Collection, one of those ubiquitous studio crate-releases designed to maximize the lesser titles in a longtime star’s library (here, that means 1958’s “The Left-Handed Gun,” 1959’s “The Young Philadelphians” and 1975’s “The Drowning Pool”). But the box, packed with audio tracks and featurettes, also includes the seminal neo-noir “Harper” (1966) and the boxing biopic “Somebody Up There Likes Me” (1956), the commentary on which features Newman, co-star Robert Loggia, director Robert Wise, and all-around gabber Martin Scorsese.

“49 Up” (First Run Features) and “Pocket Money” (part of Warner Home Video’s “The Paul Newman Collection”) are both available on DVD on November 14th.

Watch More

Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

Posted by on
GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

Watch More

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More