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Odds: Wednesday – Lhomme and “The Long Goodbye.”

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"It is a cult film known by the happy few, but not the happy many."
At our own IFC News, Dan Persons talks with "Army of Shadows" cinematographer Pierre Lhomme (who also supervised restoration of the new 35mm print currently playing at Film Forum) about returning to the film and about working with director Jean-Pierre Melville:

He said, "Mr. Lhomme, would you please come into the car?" So I went into the car, and he then he drove me to his home, just like in a thriller. And he immediately spoke to me of cinema. He was fond of cinema; he was speaking always of cinema, nothing else. And he spoke to me mostly of skin tone. I was so surprised. He told me, "I appreciated a lot the skin tone of your last film." No one had told me that before! But I understood afterwards that the skin tone was extremely important to him in this film, that he wanted pale, he would reject all those warm colors on the skin.

At, Ebert discusses Robert Altman‘s "The Long Goodbye," our favorite Chandler adaptation because it’s so brilliantly off (though we love the kitsch value of "Lady in the Lake" too — "M*G*M presents a Revolutionary motion picture; the most amazing since Talkies began! YOU and ROBERT MONTGOMERY solve a murder mystery together!").

Samantha Culp has a dispatch and images from the Hong Kong International Film Festival (including one of a tragically orange Louis Koo) at her blog.

At Kaiju Shakedown, Grady Hendrix offers up more of this year’s New York Asian Film Festival line-up — yes! "Ski Jumping Pairs: Road to Torino 2006"!

At the Guardian, Stewart Lee pens an ode to the truly terrible film:

The fact is that truly bad films, like undercover SAS men, hide in plain sight. In the 1950s and 60s we knew them by their bad plotting, bad dialogue, bad acting and low production values. Now those same faults are concealed by big budgets, professional production values, star names and skillful marketing campaigns. Peter Biskind, in his book "Easy Riders, Raging Bulls," cites "Jaws" as the moment where B-movie aesthetics went overground on major motion picture budgets.

Via Gina Keating at Reuters, the AMC theater chain has announced that it will be devoting 72 screens in 39 domestic markets to art-house fare:

AMC, the No. 2 U.S. movie theater chain, said at least one screen in dedicated theaters would show only art house and specialty films under a program dubbed "AMC Select" starting this weekend.

Among the first titles to be offered are the Al Gore documentary "An Inconvenient Truth"; "Little Miss Sunshine," starring Steve Carell and Greg Kinnear; and "A Prairie Home Companion" with Lindsay Lohan.

Well, what’d you expect, "Sátántangó"?

At Wired News, Jason Silverman chats with Daniel Clowes about "Art School Confidential."

And at The Age, Hassan Fattah reports on "Keif al-Hal ( How’s It Going?)," the first feature film from Saudi Arabia, a country where there are no legal movie theaters.

+ Q&A: Pierre Lhomme Returns to "Army of Shadows" (IFC News)
+ The Long Goodbye (1973) (
+ Dihnyingjit
(New Territories)
+ Give me Godzilla any day (Guardian)
+ AMC to devote some screens to art-house films (Reuters)
+ Daniel Clowes Talks Confidential (Wired News)
+ First Saudi film shows real-life drama (The Age)

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The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at

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Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

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