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Odds: Thursday – The first gay superhero? And Dogme on Broadway.

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"This visage, no mere veneer of vanity, is it vestige of the vox populi..."
At Movie City News, Larry Gross posits:

l. V is about the gayest superhero of all time.

I mean he makes Batman look like Tarzan by comparison. An outcast who cannot be himself in the ultimate ways, he is at the same time a dedicated gourmand, lover of 40’s torch songs, a great dancer, an unrepentant high culture aesthete, an exceptional interior decorator and an enthusiast of 1930s black and white period costume tear-jerking swash bucklers – and maybe he’s just tomorrow’s with-it metro sexual – but given his lack of nostalgia for nuclear family or lost love, and given that he can only warm up physically to Natalie when she’s bald, it would seem to me that, well … you get where this is going.

At the Reverse Blog, clarencecarter wonders if, for all it’s sledgehammer-subtlety and silliness, "V For Vendetta" is more revolutionary than this year’s crop of Issue Films.

I’ll go out on a limb: packaging this kind of rhetoric in with a rip-roaring (or close to it) actioner is a more important and valuable gesture than the sum of Brokeback Mountain and Good Night and Good Luck. Are those films better? We can leave that up to personal preference (for my part: yes to Brokeback, possibly to GN&GL). But I think that the dissemination of the ideals that these films share may stand a better chance at long term success in the places where they really need to be heard when not worn so openly on the sleeve.

Tom O’Neil at the LA Times‘ Envelope reports that the hugely expensive "Lord of the Rings" musical opens onstage in Toronto today, while Joe Dziemianowicz at the New York Daily News makes us wonder what’s stranger: that anyone saw "The Celebration" and thought, "Now there’s something that deserves the Broadway treatment!" (not a musical, sadly), or that it stars Ali MacGraw.

And Roger Ebert revisits "Cat People":

Do the movies still work today, or are they too quiet? Depends on your tastes. Paul Schrader made a much more specific version of "Cat People" in 1982, which I admired for its own qualities, including the use of atmospheric New Orleans locations. But the 1942 movie gets under your skin. There is something subtly alarming about the oddly mannered good-girl behavior of Simone Simon, and the unearthly detachment of Kent Smith as her husband, and the rooms and streets that look not like places but like ideas of places. And something touching about Irena, who has never had a friend, and fears she will kill the only person she loves, and is told she is insane. At the end, Oliver pays her a simple tribute: "She never lied to us."

+ Is V for Vendetta A Drag? (Movie City News)
+ Where You Least Expect It (Reverse Blog)
+ Can ‘Lord of the Rings’ rule the Tonys someday? (LA Times)
+ B’way gains unlikely Ali (NY Daily News)
+ Cat People (1942) (

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The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at

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Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

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