SXSW 2009: New World Order
Gomez at the 2009 IFC Crossroads Party at SXSW
Gomez performs, "Love is Better Than a Warm Trombone" at the IFC Crossroads Party at SXSW....
The Decemberists at the 2009 IFC Crossroads Party at SXSW
The Decemberists perform, "Days of Elaine" at the 2009 IFC Crossroads Party at SXSW....
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IFC.com takes you to the clubs of Austin to see the bands that rocked the 2009 SXSW Music Festival.
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Festivals
SXSW 2009: "How Did We Get Away With That?"
A guide to breaking the rules from Haynes, Linklater and the "Observe and Report" crew.
The Daily
Wrapping SXSW 09: Beats, Lone Star + Midnight.
One last round of coverage of the coverage of this year's SXSW; earlier: features competitions, Emerging Visions and spotlights and specials. 24 Beats Per Second At the AV Club, Leonard Pierce notes that "All Tomorrow's Parties" (site) is "actually 'directed' by fans, bands, event organizers, participants, and anyone else who...
Indie Eye
Joe Swanberg doesn't stop.
I had a good half-hour talk with Joe Swanberg at SXSW, two days after the world premiere of his latest film "Alexander the Last" and a few days before my laptop hard drive failed, taking with it my audio files and transcripts. I'm slowly getting everything back, and while this...
Greg Mottola's Best Worst Summer Job
The "Superbad" director on vomit, first love and letting down Brian Setzer.
Wrapping SXSW 09: Spotlights + Specials.
A third round of coverage of the coverage with one more to go. Earlier: rounds 1 and 2. Spotlight Premieres "500 Days of Summer": Site; reviews from Sundance. And Stephen Saito talks with Joseph Gordon-Levitt and director Marc Webb. "Adventureland": Site; reviews from Sundance. "Alexander the Last": Site; Daily. "Beeswax":...
Wrapping SXSW 09: Visions + Global.
Following yesterday's roundup of coverage of the coverage of the features in competition at SXSW a couple of weeks ago, here's more in the same vein on two more sections. Emerging Visions "'Awaydays' [site] - adapted by Kevin Sampson from his 1999 novel - utterly submerges the audience in every...
