Bob Odenkirk and David Cross in Mr. Show With Bob and David.

Best of Mr. Show

10 Mr. Show Sketches That Were Ahead of Their Time

David Cross returns as Todd Margaret January 7th at 10P on IFC.

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Photo Credit: HBO/Brillstein-Grey

Proving the old adage that anything is possible if you wish hard enough, this month marked the return of comedy pioneers Bob Odenkirk and David Cross to the TV sketch arena with their new Netflix show W/ Bob and David. Featuring many of the writers and cast members (including Comedy Bang! Bang! host Scott Aukerman) who made the ’90s sketch program Mr. Show such an indelible cult classic, the long-awaited follow-up possesses the same sharp, satirical eye as its predecessor.

But in case you’re unfamiliar with Mr. Show and how culturally significant its comedy still is two decades later, here are the 10 most important sketches the series produced. And for more David Cross, be sure to catch the return of Todd Margaret on IFC beginning January 7th at 10P ET/PT.

10. GloboChem

For every faceless, multinational, multi-billion-dollar conglomerate, there are countless daily meetings just like this one: corporate pitchmen and bottomliners brainstorming ways to humanize their company’s image while tapping as many markets and demos as possible. And who better to accomplish this herculean task than a magical, pansexual, non-threatening spokesthing named Pit Pat?


9. The Mr. Show Water Cooler

Not too long ago, CNN was a trusted news source, Fox News languished in cable obscurity, and non-substantive political commentary based on monologue jokes and stand-up bits was relegated to variety shows like Politically Incorrect. But in the years since this sketch aired, comedy news outlets like The Daily Show, The Onion, and Last Week Tonight have become far more in-depth than our current cable news offerings and, according to multiple studies, they command a much more knowledgeable audience. Today, the “Mr. Show Water Cooler” sketch is more of an indictment of the “uninformed, unrehearsed political jam sessions” from the mainstream media than the satirical news shows that skewer them.


8. The Story of Everest

Lanky Jay Johnston undercuts his triumph of scaling Mount Everest by repeatedly falling against two racks of his mother’s thimbles in a mesmerizing display of physical comedy. And the fact there’s not much more to the scene makes it incredible. The overall simplicity of the premise, the realistic bewilderment and frustration of the parents, and how the basic tenets of comedy — timing, heightening, misdirection, etc. — are warped or outright abandoned makes this sketch a fascinating study of subtlety within slapstick.


7. Fairsley Foods

Without the financial resources, tax loopholes, and teams of lawyers that your average retail giant maintains, small family-run shops don’t stand a chance in most free market scenarios. So when a humble local supermarket chain is put in the sights of a mega-mart’s cutthroat smear campaign, there’s not much to do but close down locations and spend a fortune on child-sized tracking collars. The satire of mom & pop’s losing ground to mega-chains is just another example of Mr. Show eerily predicting the future.


6. The Prenatal Pageant

Years before Toddlers and Tiaras and Honey Boo-Boo popularized the alien world of child pageants and pushed the lowest-common denominator to record lows, a sketch like “Prenatal Pageant” seemed like a farfetched (albeit hilariously astute) portrayal of pageant families. But with 21st-century hindsight, Bob and David weren’t too far off from how those starry-eyed, reality show parents would treat a potential embryonic meal ticket.


5. Ronnie Dobbs

Once again, Mr. Show — the satirical prognosticator that it was — anticipated the precipitous decline of our celebrity tabloid culture. Ronnie Dobbs, the oft-arrested redneck who’s had brushes with the law in every state, achieves fame and fortune by simply being a petty criminal on a Cops-like reality show. And honestly, is that really different from today’s reality stars who get ample airtime and exorbitant per-episode paychecks?


4. Mr. Show Boys’ Club

In this biting take on the swinging-’60s sexism that predates Mad Men and is still present in many institutions, “Mr. Show Object” Jill Talley discovers that the Mr. Show Boys’ Club not only parades women around in skimpy outfits and deer antlers (a thinly veiled dig at the Playboy Club), but also offers meager concessions to its young female members. At a time when women are still fighting for equal pay and adequate health care, the sketch is sadly still very relevant.


3. The Teardrop Awards

As a stand-up, David Cross has railed against the cynical marketing in the wake of a tragedy. (Check out his thoughts on American flags post-9/11.) And playing a singer-songwriter who lost his five-year-old son a year prior, Cross explores similar exploitative territory with jubilant acceptance speeches after winning awards for his commemorative songs. A cathartic sketch for anyone who has felt gross after seeing suffering and misfortune capitalized on in the age of knee-jerk social media reactions.


2. The Last American Indian

The last living descendent of an ancient tribe is close to death as government agents watch over him and wait to take his land. All that’s left of his rich and storied culture is the foggy memories of a man in his twilight years — ones that could be confusing history with the film Billy Jack. It’s an incredibly dark and poignant reminder of the civilizations that have been lost and forgotten in the annals of war and subjugation.


1. Pre-Taped Call-In Show and The Audition

While these two sketches may not have the satirical edge of other Mr. Show scenes, they’re both master lessons on sketch writing that have inspired countless comedians. Both penned by Dino Stamatopoulos of Community and Moral Orel fame, “Pre-Taped Call-In Show” and “Audition” feature multiple layers of meta-comedy and gut-busting rage that stems from casually benign misunderstandings. To make a diehard fan out of a person unfamiliar with Mr. Show, simply show them these two sketches that continue to influence everything from Adult Swim to IFC’s own Comedy Bang! Bang!.

Want more comedy from the mind of David Cross? Check out the trailer for the return of Todd Margaret

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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