DID YOU READ

Jonathan Krisel talks about the new season of Portlandia

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Portlandia co-creator, writer and director Jonathan Krisel is most comfortable working behind-the-scenes to craft Fred Armisen’s and Carrie Brownstein’s ideas into what the sketches we see during each episode. Krisel started directing when he was working with Tim Heidecker and Eric Wareheim on their show “Tom Goes to the Mayor.” Then he segued into the role of director and co-exec producer of the “Tim and Eric Awesome Show, Great Job!” wearing many hats on the job, including editing, animating and writing. Jonathan went on to make acclaimed shorts for funnyordie.com, such as “Rich Dicks” and “Ed Hardy Boyz” with comedian Nick Kroll and also co-directed, co-exec produced and edited “Check it Out with Steve Brule” starring John C. Reilly. Jonathan then joined the staff of “Saturday Night Live” where he directed digital shorts such as “The Curse” starring Jon Hamm, and “Zach Drops By The Set” starring Zach Galifianakis. When Fred and Carrie were looking for a director to help take their sketch series Thunderant to the next level, Jonathan was a natural fit.

We talked to Jonathan about the new season of Portlandia, whether he’s about to break into acting and what it’s like directing Fred and Carrie:

So what’s it like directing Fred and Carrie?

It’s very exciting. The whole show is a collaboration between the three of us, from the writing to the character creation to coming up with wigs for all the other actors. So I’m not really directing them, I’m more of a collaborator. It could be a piece that Fred came up with and now it’s my mission for Fred to carry out. There is a looseness to comedy that makes it work and if it’s too structured, if it’s too packaged, it sometimes loses that spontaneity. I’m just telling everybody what to do to help them carry out their mission. The whole process of creating the show with them is one of the most fun things I’ve ever done. And we are all on the same page comedically and we’re not exactly thinking the same, but we’re always thinking similarly. We have the same cultural references. They are really good actors. There are a lot of funny people out there who are not good actors. There’s a lot of reality and grounded choices to their performances. A lot of the characters are very real. I think the three of us really like things that are very broad, but their acting choices are small and subtle which makes it funnier. As a director I’m always telling people to do less and they do that naturally.

How did you hook up with them?

They were doing Thunderant and I was working at SNL and they came in and said they were turning Thunderant into a show and wanted to know if I was interested in directing. I was a real legitimate Sleater-Kinney fan and …well, I knew Fred. The plan for the interview was that I had to pretend that I was cool on their level. And they went for it. Afterwards I just texted Fred and said maybe we should continue talking about this. There was no plan for the show at that time so I thought if I figured out what the show was about, maybe they would hire me. So I came up with the idea that the show would be sort of based on this Australian series called Summer Heights High that I was watching, but about Portland. I thought, you could do that show with Fred and Carrie and have them play all the characters. Then we did the pilot and it went really well. It’s so easy and natural. It just clicked. We have similar interests and ways of being and we just get along really well.

A huge part of making something work is getting along with people you work with. You want them to succeed; you want them to bring their ideas to life as much as possible. You could have a very small idea about someone dropping their phone and you want to bring it to life in a dramatic way, because it means a lot to the person who wrote it.

What’s it like moving in front of the camera?

Our budget is so low that we’re constantly trying having to cut roles. In the MTV takeover sketch, I was a VJ and the day of the shoot was one of the most chaotic days of the series. And I just thought I‘m going to do this myself. I just went to the wardrobe department and asked them, can you just make me look like Rob Dyrdek– who is one of the least charismatic people on earth. And they said, sure, we got it. As the producer of the show, I’m just problem solving. I’ll just jump in. One of my favorite things to do now is that when we’re shooting a scene and we had all these rolls for extras I just grab people who are there already. We were in an old folks home and they were like 90 and told them they had to talk. I just told this woman, “This is your line.” But, yeah, I had three roles this season.

Yeah, you’re breaking out!

As the director, you have it in your mind how you want the part done, how you want someone to do it, and so sometimes you just say why don’t I do it myself. So for a little role, I’ll just do it.

You have developed a good corps of actors that started in the first season of Portlandia and now appear throughout the show and its seasons.

There’s a good family of actors in Portlandia. It’s a small community with people who pop up again and again. The show’s a little weird show and you want to grow with the people who are in it, like Dana who plays the chicken waitress, and Ellen who was the adult babysitter. She’s great.

Directing-wise, how has it changed from season one to season three?

Once you’ve done things a bunch of times …well, in the beginning there was no expectation. Now we have a lot of takes we want to do things better. We start second guessing ourselves more. Things were so crazy and fun in the beginning, and as we’ve gotten bigger, there could be more pressure, so going into season three we have to keep things light and fun and not try think about getting bigger ratings. Not that I mind a little more pressure, but it’s good to remember to stay in a vacuum and do what made you laugh. Directing wise the tone is pretty consistent throughout. It owns it’s tone and as long as it’s me and Fred and Carrie it won’t change.

How hard is it to wear so many hats while you work?

It’s easy because it’s all in my head and I can just tell people what to do and how to do it.

Want the latest news from Portlandia? Like them on Facebook and follow them on Twitter@ifcPortlandia and use the hashtag #portlandia.

Portlandia airs on IFC on Fridays at 10/9c

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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