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Jonathan Krisel talks about the new season of Portlandia

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Portlandia co-creator, writer and director Jonathan Krisel is most comfortable working behind-the-scenes to craft Fred Armisen’s and Carrie Brownstein’s ideas into what the sketches we see during each episode. Krisel started directing when he was working with Tim Heidecker and Eric Wareheim on their show “Tom Goes to the Mayor.” Then he segued into the role of director and co-exec producer of the “Tim and Eric Awesome Show, Great Job!” wearing many hats on the job, including editing, animating and writing. Jonathan went on to make acclaimed shorts for funnyordie.com, such as “Rich Dicks” and “Ed Hardy Boyz” with comedian Nick Kroll and also co-directed, co-exec produced and edited “Check it Out with Steve Brule” starring John C. Reilly. Jonathan then joined the staff of “Saturday Night Live” where he directed digital shorts such as “The Curse” starring Jon Hamm, and “Zach Drops By The Set” starring Zach Galifianakis. When Fred and Carrie were looking for a director to help take their sketch series Thunderant to the next level, Jonathan was a natural fit.

We talked to Jonathan about the new season of Portlandia, whether he’s about to break into acting and what it’s like directing Fred and Carrie:

So what’s it like directing Fred and Carrie?

It’s very exciting. The whole show is a collaboration between the three of us, from the writing to the character creation to coming up with wigs for all the other actors. So I’m not really directing them, I’m more of a collaborator. It could be a piece that Fred came up with and now it’s my mission for Fred to carry out. There is a looseness to comedy that makes it work and if it’s too structured, if it’s too packaged, it sometimes loses that spontaneity. I’m just telling everybody what to do to help them carry out their mission. The whole process of creating the show with them is one of the most fun things I’ve ever done. And we are all on the same page comedically and we’re not exactly thinking the same, but we’re always thinking similarly. We have the same cultural references. They are really good actors. There are a lot of funny people out there who are not good actors. There’s a lot of reality and grounded choices to their performances. A lot of the characters are very real. I think the three of us really like things that are very broad, but their acting choices are small and subtle which makes it funnier. As a director I’m always telling people to do less and they do that naturally.

How did you hook up with them?

They were doing Thunderant and I was working at SNL and they came in and said they were turning Thunderant into a show and wanted to know if I was interested in directing. I was a real legitimate Sleater-Kinney fan and …well, I knew Fred. The plan for the interview was that I had to pretend that I was cool on their level. And they went for it. Afterwards I just texted Fred and said maybe we should continue talking about this. There was no plan for the show at that time so I thought if I figured out what the show was about, maybe they would hire me. So I came up with the idea that the show would be sort of based on this Australian series called Summer Heights High that I was watching, but about Portland. I thought, you could do that show with Fred and Carrie and have them play all the characters. Then we did the pilot and it went really well. It’s so easy and natural. It just clicked. We have similar interests and ways of being and we just get along really well.

A huge part of making something work is getting along with people you work with. You want them to succeed; you want them to bring their ideas to life as much as possible. You could have a very small idea about someone dropping their phone and you want to bring it to life in a dramatic way, because it means a lot to the person who wrote it.

What’s it like moving in front of the camera?

Our budget is so low that we’re constantly trying having to cut roles. In the MTV takeover sketch, I was a VJ and the day of the shoot was one of the most chaotic days of the series. And I just thought I‘m going to do this myself. I just went to the wardrobe department and asked them, can you just make me look like Rob Dyrdek– who is one of the least charismatic people on earth. And they said, sure, we got it. As the producer of the show, I’m just problem solving. I’ll just jump in. One of my favorite things to do now is that when we’re shooting a scene and we had all these rolls for extras I just grab people who are there already. We were in an old folks home and they were like 90 and told them they had to talk. I just told this woman, “This is your line.” But, yeah, I had three roles this season.

Yeah, you’re breaking out!

As the director, you have it in your mind how you want the part done, how you want someone to do it, and so sometimes you just say why don’t I do it myself. So for a little role, I’ll just do it.

You have developed a good corps of actors that started in the first season of Portlandia and now appear throughout the show and its seasons.

There’s a good family of actors in Portlandia. It’s a small community with people who pop up again and again. The show’s a little weird show and you want to grow with the people who are in it, like Dana who plays the chicken waitress, and Ellen who was the adult babysitter. She’s great.

Directing-wise, how has it changed from season one to season three?

Once you’ve done things a bunch of times …well, in the beginning there was no expectation. Now we have a lot of takes we want to do things better. We start second guessing ourselves more. Things were so crazy and fun in the beginning, and as we’ve gotten bigger, there could be more pressure, so going into season three we have to keep things light and fun and not try think about getting bigger ratings. Not that I mind a little more pressure, but it’s good to remember to stay in a vacuum and do what made you laugh. Directing wise the tone is pretty consistent throughout. It owns it’s tone and as long as it’s me and Fred and Carrie it won’t change.

How hard is it to wear so many hats while you work?

It’s easy because it’s all in my head and I can just tell people what to do and how to do it.

Want the latest news from Portlandia? Like them on Facebook and follow them on Twitter@ifcPortlandia and use the hashtag #portlandia.

Portlandia airs on IFC on Fridays at 10/9c

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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