DID YOU READ

Carrie Brownstein tells us all about the third season of Portlandia

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As you have probably heard, the new season of Portlandia kicks off tonight at 10/9c with back-to-back episodes. We talked to Portlandia star, writer and creator Carrie Brownstein about what to expect this season:

Hi Carrie, as you embark on season three, did you ever think Portlandia would make it this far?

We didn’t go into season one with any expectations for the show We made one episode, one season at a time. It’s a pleasant surprise that people are responding positively to our creative effort.

Does the show get easier to write?

It’s just as challenging if not more challenging and, honestly, we never want it to feel easy. I’m always skeptical of things that feel too facile.

This time we were interested in season long narrative arcs, like what we were seeing in our favorite shows like Homeland and Game of Thrones. We wanted more conceptual entities, more story based ideas, more about ‘Who are these people?’ and then ‘Which of these scenarios do they lend themselves to?’ We spend a lot of more time being deliberate about endings and really making sure that there is a story. Those are all basic tenets of good story writing, but when you’re doing a sketch you can get wrapped up in improvising, so this season we really worked on having story arcs and endings in place. We focused on building an infrastructure in which we could improvise because the dialog is mostly improvised. There were some growing pains, but we all feel like it paid off. There’s more opening for the audience to relate.

Who else is in your writers’ room?

Along with Fred and Jonathan, there’s Bill Oakley, who writes and also produces. Last season we worked with Karey Dornetto who was at Community, but now she is writing for The New Normal. So then Chelsea Peretti came in as a consulting writer. We would love to have her as a regular contributors.

What’s the Portlandia writers’ room like?

It’s pretty traditional. There’s a bulletin board with index cards and we put everything up on it. Sometimes an idea will become a line in a different episode or show up as a character trait. Sometimes will come up with full-fledged sketches and have to determine which character that sketch is for. The room ends up covered in index cards and you think the season is written, but then you realize there are no endings, nothing is fleshed out. There are just momentary rewards. Then we start organizing things by episode, get wraparounds, going off and writing individual scripts. It’s very collaborative.

As someone who hasn’t written for other television shows before, what was the learning curve like for you?

The first year I was nervous. I knew what the process would involve pitching.
Being in a band and writing a riff has a some of that. The first year we had Alison Silverman working with us, she was a writer for The Daily Show and The Colbert Report, and I kind of operated under her tutelage that year and she was wonderful and supportive and Fred and I had a great rapport. Jonathan had done some writing but neither he nor Fred had really written for their own shows before, so while there was a learning curve, we were all on a similar kind of starting point. We weren’t trying to emulate another show we had worked on, because none of us had really done that before. There was no other set of rules or infrastructure.

What’s the difference in the creative process between being in a band vs writing for Portlandia?

It’s easier to describe the ways that they are analogous. One person comes up with an idea and someone says, “What if instead of …” and it goes from there. It’s like you have a song and you come up with an album. There really are more similarities than differences. The way you add on ideas is kind of similar. The main difference with Portlandia is that we don’t finish something until it’s shot. There’s so much improvisation that the sketch isn’t finalized until it’s shot.

You don’t write dialogue?

We write some as placeholders, but 90% of the show is improvised. When Fred and I go into a scheme we climb this scaffolding, we know where to end up in the scene. The first season we didn’t have that and we would get lost in the scene and they would build a story out of what was essentially us throwing words at the wall. Now there’s improvisation, but we have a goal in every scene. We spend a lot more time writing and being very deliberate about endings and really making sure that there is a story. What we have learned from each season to season is that the characters have to have a relationship within their setting. We can’t just be a situation or a concept. We have to have a goal. There has to be stakes.

After season one’s now ubiquitous Put A Bird On It! and season two produced “We Can Pickle That!” did you feel any pressure to come up with a catch phrase for season three?

Absolutely not. We are a television show not a marketing company. We leave that to the audience to use their imagination. Everybody has a different relationship to the show and it’s such an individual experience. You can’t try to guess or determine what people will be drawn to beforehand. To do that is to limit yourself and take less risks. It’s not our job to push an idea or a phrase onto the audience. I don’t know if this season has a catchphrase, but it’s always surprising what people relate to. We’ve really worked on that scaffolding within the scenes and within the story, so that we know where to go as we improvise.

What character do you most enjoy playing?

Nance, who was in the first season at the cult farm and in the motorcycle sketch in the second season with Peter. This season they open up a bed and breakfast. They are very syrupy unctuous couple. Everything is very comfortable and cozy with them, but there is always a small vibration of tension and underlying acrimony and every once in a while it oscillates so quickly. I like vacillating between those two extremes. They are a fun couple to play. You see so many couples like that, who are so benign on the surface. Then Fred came up with this very strange stutter. We love writing for them. We spend a lot of time as Peter and Nance.

Which costume do you enjoy wearing the most?

Toni from the feminist bookstore. I don’t understand clothes that feel like a small apartment. There’s so roomy and ridiculous and strange. As unattractive as they are, they are a much bolder sartorial choices than I make on my own.

Do you have a favorite sketch from this upcoming season?

The birthday episode. It’s one single sketch, one theme, one event. I don’t love playing Lance, but I love Fred as Nina. I loved exploring the adult birthday and how gratuitous and strange that is. Riding in on a horse was weird. There were balloons. Just a stream of ridiculousness that I liked.

Back in season one when Kumail Nanjiani came on the show for the first time as a clerk, did you immediately know you wanted to make him a permanent resident of Portlandia?

He was just so awesome we kept inviting him back. He’s brilliant and he’s an amazing improviser and we were completely fine with him playing these characters who have the same objective, which is to flummox and confound whoever he is up against. We want him back all the time. He crops up a few more times this season.

Do you consider yourself a comedian?

No, no I don’t. I consider myself a writer.

Want the latest news from Portlandia? Like them on Facebook and follow them on Twitter@ifcPortlandia and use the hashtag #portlandia.

Portlandia returns to IFC tonight at 10/9c

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Thank Azaria

Best. Characters. Ever.

Our favorite Hank Azaria characters.

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GIFs via Giphy

Hank Azaria may well be the most prolific voice and character actor of our time. The work he’s done for The Simpsons alone has earned him a permanent place in the pop culture zeitgeist. And now he’s bringing another character to the mainstream: a washed-up sports announcer named Jim Brockmire, in the aptly titled new series Brockmire.

We’re looking forward to it. So much so that we want to look backward, too, with a short-but-sweet retrospective of some of Azaria’s important characters. Shall we begin?

Half The Recurring Simpsons Characters

He’s Comic Book Guy. He’s Chief Wiggum. He’s Apu. He’s Cletus. He’s Snake. He’s Superintendent Chalmers. He’s the Sea Captain. He’s Kurt “Can I Borrow A Feeling” Van Houten. He’s Professor Frink. He’s Carl. And he’s many more. But most importantly he’s Moe Szyslak, the staple character Azaria has voiced since his very first audition for The Simpsons.

Oh, and He’s Frank Grimes

For all the regular Simpsons characters Azaria has played over the years, his most brilliant performance may have been a one-off: Frank Grimes, the scrappy bootstrapper who worked tirelessly all his life for honest, incremental, and easily-undermined success. Azaria’s portrayal of this character was nuanced, emotional, and simply magical.

Patches O’Houlihan

Dodgeball is a “sport of violence, exclusion and degradation.” as Hank Azaria generously points out in his brief but crucial cameo in Dodgeball. That’s sage wisdom. Try applying his “five D’s” to your life on and off the court and enjoy the results.

Harold Zoid

Of Futurama fame. The crazy uncle of Dr. Zoidberg, Harold Zoid was once a lion (or lobster) of the silver screen until Smell-o-vision forced him into retirement.

Agador

The Birdcage was significant for many reasons, and the comic genius of Hank Azaria’s character “Agador” sits somewhere towards the top of that list. If you haven’t seen this movie, shame on you.

Gargamel

Nobody else could make a live-action Gargamel possible.

Ed Cochran

From Ray Donovan. Great character, great last name [editorial note: the author of this article may be bias].

Kahmunra, The Thinker, Abe Lincoln

All in the Night At The Museum: Battle Of The Smithsonian, a file that let Azaria flex his voice acting and live-action muscles in one fell swoop.

The Blue Raja

Mystery Men has everything, including a fatal case of Smash Mouth. Azaria’s iconic superhero makes the shortlist of redeemable qualities, though.

Dr. Huff

Huff put Azaria in a leading role, and it was good. So good that there is no good gif of it. Internet? More like Inter-not.

Learn more about Hank Azaria’s newest claim to fame right here, and don’t miss the premiere of Brockmire April 5 at 10P on IFC.

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Flame Out

Brockmire and Other Public Implosions

Brockmire Premieres April 5 at 10P on IFC.

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There’s less than a month until the Brockmire premiere, and to say we’re excited would be an insulting understatement. It’s not just that it stars Hank Azaria, who can do no wrong (and yes, that’s including Mystery Men, which is only cringeworthy because of Smash Mouth). It’s that the whole backstory of the titular character, Jim Brockmire, is the stuff of legends. A one-time iconic sportscaster who won the hearts of fans and players alike, he fell from grace after an unfortunate personal event triggered a seriously public meltdown. See for yourself in the NSFW Funny or Die digital short that spawned the IFC series:

See? NSFW and spectacularly catastrophic in a way that could almost be real. Which got us thinking: What are some real-life sports fails that have nothing to do with botched athletics and everything to do with going tragically off script? The internet is a dark and dirty place, friends, but these three examples are pretty special and mostly safe for work…

Disgruntled Sports Reporter

His co-anchor went offsides and he called it like he saw it.

Jim Rome vs Jim “Not Chris” Everett

You just don’t heckle a professional athlete when you’re within striking distance. Common sense.

Carl Lewis’s National Anthem

He killed it! As in murdered. It’s dead.

To see more moments just like these, we recommend spending a day in your pajamas combing through the muckiness of the internet. But to see something that’s Brockmire-level funny without having to clear your browser history, check out the sneak peeks and extras here.

Don’t miss the premiere of Brockmire April 5 at 10P on IFC.

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Mirror, Mirror

Portlandia Season 7 In Hindsight

Portlandia Season 7 Now Available Online and on the IFC App.

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Another season of Portlandia is behind us, and oh what a season it was. We laughed. We cried. And we chuckled uncomfortably while glancing nervously around the room. Like every season before it, the latest Portlandia has held a mirror up to ridiculousness of modern American life, but more than ever that same mirror has reflected our social reality in ways that are at once hysterical and sneakily thought-provoking. Here are just a few of the issues they tackled:

Nationalism

So long, America, Portland is out! And yes, the idea of Portland seceding is still less ludicrous than building a wall.

Men’s Rights

We all saw this coming. Exit gracefully, dudes.

Protests

Whatever you stand for, stand for it together. Or with at least one other person.

Free Love

No matter who we are or how we love, deep down we all have the ability to get stalky.

Social Status

Modern self-esteem basically hinges on likes, so this isn’t really a stretch at all.

These moments are just the tip of the iceberg, and much more can be found in the full seventh season of #Portlandia, available right now #online and on the #IFC app.

via GIPHY

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