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DID YOU READ

The Portlandia Interview: DJ Douggpound

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Doug Lussenhop, a.k.a. DJ Douggpound, is a rare bird in the comedy world: part joke D.J., part real musician, part video editor, writer, performer, and all kinds of amazing on Twitter. He’s the go-to editor for the surrealist comedians Tim & Eric, and has lent his chops to Jon Benjamin Has a Van, Funny or Die Presents, and, of course, Portlandia. We caught up with him to chat about skateboarding in Portland, sound effects, and being a little guy.

Portlandia: In Season 2 of Portlandia, your characteristic editing style seems more in the forefront. Did you have more freedom?

Doug Lussenhop: Well, we actually had a few more editors this season, so I did less overall editing, the other guys (Daniel, Bill and Mike) ripped off my style. I’m just kidding! I can’t take credit for the complete style of the editing, we all take little tricks from each other. Jonathan Krisel (the director) and I worked together for many years on Tim and Eric, as did the other editors, so we all know what’s up. I wouldn’t say we have more freedom, we’ve always had it. This show is really fun because no one’s looking over our shoulder, they give us the footage and we go nuts and try to sneak as many jokes in as we can.

Portlandia: How did you get involved with Portlandia and what’s your approach to it, as an editor?

Doug Lussenhop: Several years ago when Fred was on Tim and Eric, we were having lunch and he mentioned that he was shooting these internet videos with Carrie and he needed an editor. I said I’d do it and so I edited a bunch of them. They were called “Thunderant” which eventually turned into Portlandia. My approach is always just to make it funny. And sometimes to not make them too long.

Portlandia: Didn’t you meet Fred in the 90s?

Doug Lussenhop: Yeah, this is a funny story. I met Fred one day when I was doing an internship at a music video production company in Chicago. This lady who I worked for introduced me to him and he said “Hey little guy!” and he treated me like a 5 year old and never broke character. Everyone was laughing hysterically but I was pissed! I HATED him! I looked really young for my age, so it probably was pretty funny. Anyway, a few years later I saw his SXSW video and I realized that he’s just hilarious. Then I became a huge fan and I used to bring my camera to shows and film him doing characters between bands. I have some old footage of him dressed as a girl that works at a coffee shop. There’s a sketch from season two called “I’m a Little Guy,” I was born to edit that!

Doug as DJ Douggpound.

Portlandia: How does your work as an editor affect the kind of comedy that you do?

Doug Lussenhop: I never really think about it that much, I just do what I think is funny.

Portlandia: Do you approach comedy as an editor, or editing as a comedian?

Doug Lussenhop: Both. Either way, there needs to be sound effects.

Portlandia: How is working on Portlandia different than working with Tim and Eric, or doing your own stuff?

Doug Lussenhop: I guess Portlandia is more scripted but other than that, not much different. Both shows are hilarious and I love them.

Portlandia: What’s your next major project?

Doug Lussenhop: Well, Tim and Eric’s Billion Dollar Movie is out now on demand and in theaters on March 2nd and season 2 of “Check it Out! with Dr. Steve Brule” will be on adult swim in March.

Portlandia: Did you spend any time in Portland this summer? What are your favorite things to do in Portland?

Doug Lussenhop: I LOVE Portland, we got to do the editing for season one there. Any excuse to go there, I go. There’s some great comedy in Portland like the Bridgetown Comedy Fest and Comedy is OK. Andrew and Mikey who run that show are great dudes, there’s a lot of great dudes in Portland. And great skateparks, riding my bike around and going to skateparks, that’s the life for me. Can I move there?

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.