The Portlandia Interview: DJ Douggpound


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Doug Lussenhop, a.k.a. DJ Douggpound, is a rare bird in the comedy world: part joke D.J., part real musician, part video editor, writer, performer, and all kinds of amazing on Twitter. He’s the go-to editor for the surrealist comedians Tim & Eric, and has lent his chops to Jon Benjamin Has a Van, Funny or Die Presents, and, of course, Portlandia. We caught up with him to chat about skateboarding in Portland, sound effects, and being a little guy.

Portlandia: In Season 2 of Portlandia, your characteristic editing style seems more in the forefront. Did you have more freedom?

Doug Lussenhop: Well, we actually had a few more editors this season, so I did less overall editing, the other guys (Daniel, Bill and Mike) ripped off my style. I’m just kidding! I can’t take credit for the complete style of the editing, we all take little tricks from each other. Jonathan Krisel (the director) and I worked together for many years on Tim and Eric, as did the other editors, so we all know what’s up. I wouldn’t say we have more freedom, we’ve always had it. This show is really fun because no one’s looking over our shoulder, they give us the footage and we go nuts and try to sneak as many jokes in as we can.

Portlandia: How did you get involved with Portlandia and what’s your approach to it, as an editor?

Doug Lussenhop: Several years ago when Fred was on Tim and Eric, we were having lunch and he mentioned that he was shooting these internet videos with Carrie and he needed an editor. I said I’d do it and so I edited a bunch of them. They were called “Thunderant” which eventually turned into Portlandia. My approach is always just to make it funny. And sometimes to not make them too long.

Portlandia: Didn’t you meet Fred in the 90s?

Doug Lussenhop: Yeah, this is a funny story. I met Fred one day when I was doing an internship at a music video production company in Chicago. This lady who I worked for introduced me to him and he said “Hey little guy!” and he treated me like a 5 year old and never broke character. Everyone was laughing hysterically but I was pissed! I HATED him! I looked really young for my age, so it probably was pretty funny. Anyway, a few years later I saw his SXSW video and I realized that he’s just hilarious. Then I became a huge fan and I used to bring my camera to shows and film him doing characters between bands. I have some old footage of him dressed as a girl that works at a coffee shop. There’s a sketch from season two called “I’m a Little Guy,” I was born to edit that!

Doug as DJ Douggpound.

Portlandia: How does your work as an editor affect the kind of comedy that you do?

Doug Lussenhop: I never really think about it that much, I just do what I think is funny.

Portlandia: Do you approach comedy as an editor, or editing as a comedian?

Doug Lussenhop: Both. Either way, there needs to be sound effects.

Portlandia: How is working on Portlandia different than working with Tim and Eric, or doing your own stuff?

Doug Lussenhop: I guess Portlandia is more scripted but other than that, not much different. Both shows are hilarious and I love them.

Portlandia: What’s your next major project?

Doug Lussenhop: Well, Tim and Eric’s Billion Dollar Movie is out now on demand and in theaters on March 2nd and season 2 of “Check it Out! with Dr. Steve Brule” will be on adult swim in March.

Portlandia: Did you spend any time in Portland this summer? What are your favorite things to do in Portland?

Doug Lussenhop: I LOVE Portland, we got to do the editing for season one there. Any excuse to go there, I go. There’s some great comedy in Portland like the Bridgetown Comedy Fest and Comedy is OK. Andrew and Mikey who run that show are great dudes, there’s a lot of great dudes in Portland. And great skateparks, riding my bike around and going to skateparks, that’s the life for me. Can I move there?

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Weird Roles

Anthony Michael Hall’s Most Rotten Movies

Catch Anthony Michael Hall in Weird Science on Friday at 8P on IFC.

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Photo Credit: Universal/Everett Collection

Anthony Michael Hall was the quintessential ’80s nerd. We love him in classics like The Breakfast Club and National Lampoon’s Vacation. But even the brainiest among us has his weak spots. In honor of Weird Science airing this Rotten Friday, we analyze Hall’s worst movies.

Weird Science (1985) 56%

A low point for John Hughes, Weird Science is way too wacky for its own good. Anthony Michael Hall’s Gary and his pal Wyatt (Ilan Mitchell-Smith) create the “perfect woman.” Supernatural chaos ensues. The film costars a young Bill Paxton, floppy disks, and a general disconnect from all reality.

The Caveman’s Valentine (2001) 46%

This ambitious drama starring Samuel L. Jackson couldn’t live up to its rich premise. Jackson plays Romulus, a Juilliard-educated, paranoid schizophrenic who lives in a cave. Hall co-stars as Bob, a rich man, who wants to see Romulus play the piano. The plot centers around Romulus investigating a murder, but with so much going on, the movie never quite finds its rhythm.

All About the Benjamins (2002) 30%

Ice Cube plays a bounty hunter who teams up with Mike Epps’ con man to catch diamond thieves. Hall plays Lil J, a small-time drug dealer. It’s definitely a role we’ve never seen Hall in, but overall the movie isn’t funny or original enough to justify its violence.

Freddy Got Fingered (2001) 11%

This showcase for Tom Green’s goofy gross-out comedy is often hailed as one of the worst films of all time. Green plays Gord, a 20-something slacker, who dreams of having his own animated series. Hall is Dave Davidson, a CEO of an animation studio who eventually helps Gord find success. Too bad Tom Green wasn’t so lucky.

Johnny Be Good (1988) 0%

Hall plays against type as Johnny Walker, a star quarterback. Robert Downey Jr. is his best friend and Uma Thurman plays his devoted girlfriend. Despite the support of a future A-list cast, the movie lacks central conflict and charm. Or, as TV Guide put it, “Johnny be worthless.” Ouch.

Catch the “Too Rotten to Miss” Weird Science this Friday at 8P on IFC.

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Season 6: Episode 1: Pickathon

Binge Fest

Portlandia Season 6 Now Available On DVD

The perfect addition to your locally-sourced, artisanal DVD collection.

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End of summer got you feeling like:

Portlandia Toni Screaming GIF

Ease into fall with Portlandia‘s sixth season. Relive the latest exploits of Fred Armisen and Carrie Brownstein’s cast of characters, including Doug and Claire’s poignant breakup, Lance’s foray into intellectual society, and the terrifying rampage of a tsukemen Noodle Monster! Plus, guest stars The Flaming Lips, Glenn Danzig, Louis C.K., Kevin Corrigan, Zoë Kravitz, and more stop by to experience what Portlandia is all about.

Pick up a copy of the DVD today, or watch full episodes and series extras now on IFC.com and the IFC app.

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Byrning Down the House

Everything You Need to Know About the Film That Inspired “Final Transmission”

Documentary Now! pays tribute to "Stop Making Sense" this Wednesday at 10P on IFC.

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Photo Credit: Cinecom/courtesy Everett Collection

This week Documentary Now! is with the band. For everyone who’s ever wanted to be a roadie without leaving the couch, “Final Transmission” pulls back the curtain on experimental rock group Test Pattern’s final concert. Before you tune in Wednesday at 10P on IFC, plug your amp into this guide for Stop Making Sense, the acclaimed 1984 Talking Heads concert documentary.

Put on Your Dancing Shoes

Hailed as one of the best concert films ever created, director Jonathan Demme (Silence of the Lambs) captured the energy and eccentricities of a band known for pushing the limits of music and performance.

Make an Entrance

Lead singer David Byrne treats the concert like a story: He enters an empty stage with a boom box and sings the first song on the setlist solo, then welcomes the other members of the group to the stage one song at a time.

Steal the Spotlight

David Byrne Dancing
Cinecom/Everett Collection

Always a physical performer, Byrne infuses the stage and the film with contagious joy — jogging in place, dancing with lamps, and generally carrying the show’s high energy on his shoulders.

Suit Yourself

Byrne makes a splash in his “big suit,” a boxy business suit that grows with each song until he looks like a boy who raided his father’s closet. Don’t overthink it; on the DVD, the singer explains, “Music is very physical, and often the body understands it before the head.”

View from the Front Row

Stop Making Sense Band On Stage
Cinecom/Everett Collection

Demme (who also helmed 1987’s Swimming to Cambodia, the inspiration for this season’s Documentary Now! episode “Parker Gail’s Location is Everything”) films the show by putting viewers in the audience’s shoes. The camera rarely shows the crowd and never cuts to interviews or talking heads — except the ones onstage.

Let’s Get Digital

Tina Weymouth Keyboard
Cinecom/Everett Collection

Stop Making Sense isn’t just a good time — it’s also the first rock movie to be recorded entirely using digital audio techniques. The sound holds up more than 30 years later.

Out of Pocket

Talk about investing in your art: Talking Heads drummer Chris Frantz told Rolling Stone that the members of the band “basically put [their] life savings” into the movie, and they didn’t regret it.

Catch Documentary Now!’s tribute to Stop Making Sense when “Final Transmission” premieres Wednesday, October 12 at 10P on IFC.

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