DID YOU READ

The Portlandia Interview: DJ Douggpound

douggpound

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Doug Lussenhop, a.k.a. DJ Douggpound, is a rare bird in the comedy world: part joke D.J., part real musician, part video editor, writer, performer, and all kinds of amazing on Twitter. He’s the go-to editor for the surrealist comedians Tim & Eric, and has lent his chops to Jon Benjamin Has a Van, Funny or Die Presents, and, of course, Portlandia. We caught up with him to chat about skateboarding in Portland, sound effects, and being a little guy.

Portlandia: In Season 2 of Portlandia, your characteristic editing style seems more in the forefront. Did you have more freedom?

Doug Lussenhop: Well, we actually had a few more editors this season, so I did less overall editing, the other guys (Daniel, Bill and Mike) ripped off my style. I’m just kidding! I can’t take credit for the complete style of the editing, we all take little tricks from each other. Jonathan Krisel (the director) and I worked together for many years on Tim and Eric, as did the other editors, so we all know what’s up. I wouldn’t say we have more freedom, we’ve always had it. This show is really fun because no one’s looking over our shoulder, they give us the footage and we go nuts and try to sneak as many jokes in as we can.

Portlandia: How did you get involved with Portlandia and what’s your approach to it, as an editor?

Doug Lussenhop: Several years ago when Fred was on Tim and Eric, we were having lunch and he mentioned that he was shooting these internet videos with Carrie and he needed an editor. I said I’d do it and so I edited a bunch of them. They were called “Thunderant” which eventually turned into Portlandia. My approach is always just to make it funny. And sometimes to not make them too long.

Portlandia: Didn’t you meet Fred in the 90s?

Doug Lussenhop: Yeah, this is a funny story. I met Fred one day when I was doing an internship at a music video production company in Chicago. This lady who I worked for introduced me to him and he said “Hey little guy!” and he treated me like a 5 year old and never broke character. Everyone was laughing hysterically but I was pissed! I HATED him! I looked really young for my age, so it probably was pretty funny. Anyway, a few years later I saw his SXSW video and I realized that he’s just hilarious. Then I became a huge fan and I used to bring my camera to shows and film him doing characters between bands. I have some old footage of him dressed as a girl that works at a coffee shop. There’s a sketch from season two called “I’m a Little Guy,” I was born to edit that!

Doug as DJ Douggpound.

Portlandia: How does your work as an editor affect the kind of comedy that you do?

Doug Lussenhop: I never really think about it that much, I just do what I think is funny.

Portlandia: Do you approach comedy as an editor, or editing as a comedian?

Doug Lussenhop: Both. Either way, there needs to be sound effects.

Portlandia: How is working on Portlandia different than working with Tim and Eric, or doing your own stuff?

Doug Lussenhop: I guess Portlandia is more scripted but other than that, not much different. Both shows are hilarious and I love them.

Portlandia: What’s your next major project?

Doug Lussenhop: Well, Tim and Eric’s Billion Dollar Movie is out now on demand and in theaters on March 2nd and season 2 of “Check it Out! with Dr. Steve Brule” will be on adult swim in March.

Portlandia: Did you spend any time in Portland this summer? What are your favorite things to do in Portland?

Doug Lussenhop: I LOVE Portland, we got to do the editing for season one there. Any excuse to go there, I go. There’s some great comedy in Portland like the Bridgetown Comedy Fest and Comedy is OK. Andrew and Mikey who run that show are great dudes, there’s a lot of great dudes in Portland. And great skateparks, riding my bike around and going to skateparks, that’s the life for me. Can I move there?

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Southern Fried SNL

Watch Fred Armisen and Carrie Brownstein in SNL’s Southern Rock Supergroup

Fred and Carrie kept it mellow on the SNL season finale.

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Photo Credit: Saturday Night Live / NBC Universal

It was a veritable “band from comedy heaven” this weekend as a myriad of comedians assembled for a feel-good musical sketch in the Saturday Night Live season finale. Guest host Fred Armisen was joined by Portlandia cohort Carrie Brownstein as well as Maya Rudolph, Andy Samberg, Jason Sudeikis, Larry David, and members of the SNL cast to form faux-southern-rock supergroup The Harkin Brothers — a band whose members managed to outnumber its audience.

If The Harkin Brothers’ smooth vocal stylings remind you of The Blue Jean Committee from Documentary Now!, that’s probably not a coincidence. The BJC first appeared in a different, more regionally-specific form in a SNL sketch with Sudeikis on drums.

Watch an all-star SNL cast perform a mellow tribute to Arkansas called “Summertime in Fayetteville” in the video below.

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Farewell Mr. Fred

5 Funniest Sketches From Fred Armisen’s SNL Season Finale

Is "Farewell, Mr. Bunting" the best SNL sketch of the season?

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Photo Credit: Saturday Night Live / NBC Universal

The 41st season of Saturday Night Live drew to a close this past weekend, and star of Portlandia and Documentary Now! Fred Armisen hosted the occasion. A former SNL player himself, this homecoming allowed Fred to show off the comedy chops and character skills he’s honed since leaving Studio 8H.

Here are the 5 funniest sketches from the season finale of Saturday Night Live hosted by Fred Armisen.

1. Farewell, Mr. Bunting

What appears to be a straightforward take on the maudlin climax of the 1989 Robin Williams classic Dead Poets Society takes quite an unexpected turn. But if you’re really watching, you’ll realize it’s completely organic and integral to the plot.


2. Fred’s Monologue and One-Man Show

Actor, writer, producer, musician, impressionist — Fred can do it all. So tackling the many characters in the story of his life is a cakewalk for such a talent. Here, Fred takes us on the emotional journey through the day he got the job at SNL and luckily he leaves no detail, however minor or insignificant, out of the performance.


3. New Girlfriend

We were wondering what characters Fred would bring back, but we didn’t predict Regine. Fellow SNL alum Jason Sudeikis appears in this sketch as Regine’s new boyfriend, who introduces his pals to his snarky, raunchy lady. Watch Aidy Bryant try not to crack up at Fred/Regine’s joygasms.


4. Expedition

Three of the biggest stars in American colonialism are Meriwether Lewis, William Clark, and Sacagawea. But what most history books choose to omit is the simmering sexual tension between the three explorers. Fortunately, a group of community players illustrate the historical figures’ lustful dynamic to a high school class in graphic detail.


5. Escape Pod

As an interstellar ship begins breaking apart, Fred plays the lucky member of the space crew who wins access to the last escape pod. But a heartfelt goodbye is mitigated by the pod’s virtual assistant ensuring all the luxuries and pampering are to the occupant’s liking.

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The Crying Game

10 Things You Didn’t Know About A League of Their Own

Batter up for A League of Their Own this month on IFC.

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Photo Credit: Columbia Pictures/Everett Collection

While there may be no crying in baseball, lots of blood, sweat, and tears went into the making of A League of Their Own. From sweltering July heat to concussions to the Material Girl causing trouble, making the hit film wasn’t exactly a homerun. Before you catch A League of Their Own on IFC, check out some dirt on the making of this sports movie classic. Hear that call! The time has come for one and all to play ball!

1. The cast really had to play baseball.

League of Their Own Quotes
Columbia Pictures

Director Penny Marshall was adamant that all of the actresses cast in the film could really play baseball. Prior to the start of filming, the cast (even Madonna!) trained eight hours a day, six days a week for over seven months to hone their skills and bond as a team. They initially practiced sliding using a Slip ‘N Slide, but that method was abandoned when both Tracy Reiner and Megan Cavanagh suffered concussions.


2. Geena Davis auditioned in Penny Marshall’s backyard.

Geena Davis
Columbia Pictures

The Fly and Beetlejuice star was the last person cast in the film after several other prominent actresses like Debra Winger, Laura Dern, Jennifer Jason Leigh, and Demi Moore passed. Davis had never played baseball but won Marshall over through a game of catch in her backyard. A natural athlete, Davis was outplaying most of the other actresses on the film. (Though she did use a double for the sliding portion of her infamous catch in the splits.)


3. Tom Hanks entertained the extras with puppet shows.

Tom Hanks
Columbia Pictures

Over 1,700 extras were used throughout the shoot, enduring long hours and occasionally extreme 100+ degree summer heat while on location in Indiana. To keep them entertained in between shots and scenery changes, members of the cast performed. Tom Hanks did puppet shows behind the dugout while Rosie O’Donnell would perform stand-up. Madonna reportedly refused to perform (what a shocker!), leaving the rest of the cast to perform imitations of her. Geena Davis suggested they perform “Bohemian Rhapsody” and songs from the musical Jesus Christ Superstar, assigning Tom Hanks the role of Caiaphas.


4. Madonna wasn’t exactly a team player.

Madonna Bosoms
Columbia Pictures

To say the Material Girl was a bit of a handful during the shoot is an understatement. In addition to refusing to perform for the extras and ignoring requests for autographs, she often complained about coming into the film a star but being relegated to the background. According to costar and friend Rosie O’Donnell, Madonna brought a boombox to set the first day and warned everybody that if they broke it, they’d have to buy her another one. She also wrote a somewhat scathing letter about her experiences to a friend, calling Geena Davis a “Barbie Doll” and lamenting the lack of “beautiful men” in Chicago.


5. All of the injuries in the film were real.

Bruise League of their Own
Columbia Pictures

The real women of the All American Girls Pro Baseball League were tough, but their onscreen counterparts were equally as tenacious on the field. Penny Marshall had the actresses play a lot of real games with multiple cameras set up in order to get enough footage for montages, and they didn’t go easy on one another, jamming their shoulders, spraining fingers, and nearly breaking noses. The giant strawberry bruise Alice gets while sliding into base was a real injury actress Renee Coleman sustained during filming, and it lasted for well over a year.  Ouch.


6. Lori Petty and Rosie O’Donnell were the real most valuable players.

Rosie O'Donnell
Columbia Pictures

Though Geena Davis showed natural ability and was supposed to be the “best player in the league,” on-set coach William E. Hughes was most impressed by Lori Petty and Rosie O’Donnell. Petty could actually outrun Davis, so she was forced to slow her pace during the scene where the two race so as not to appear faster than Davis. She wound up throwing more pitches during filming than most Major League Baseball pitchers do in a full season. O’Donnell had actually played Little League baseball with her brothers growing up, so she excelled during training camp, learning how to throw two balls at once from one of the real AAGPBL players on set. O’Donnell and Petty often had hitting competitions and could hit the fences at Major League parks with little difficulty.


7. Even Tom Hanks didn’t know how long he would pee in the locker room scene.

One of the most memorable moments in A League of Their Own occurs when Jimmy Dugan introduces himself by bursting into the locker room in a drunken stupor and relieving himself in front of the rest of the Peaches while Mae times him. To keep both Hanks and the actresses on their toes, Penny Marshall stood in a stall off camera and made the noises with a hose and a bucket for maximum comedic effect. The actual length of Dugan’s epic #1 is an impressive 53 seconds!


8. Jimmy and Dottie had a romantic subplot that was cut from the film.

A League of Their Own Spit

The initial cut of the film clocked in around four hours before being cut down to its more slender two hours and eight minutes. Among the footage left on the cutting room floor were scenes depicting a growing romantic relationship between Dugan and star player Dottie. The conversation on the bus left in the final cut of the film hints at tension, but in a deleted scene the pair shared a passionate kiss late one night on the field which is what originally led to the scene with Dottie telling Lowenstein she was going home.


9. Jon Lovitz was almost upstaged by a cow.

In the scene where Lovitz’s character, baseball scout Ernie Capadino (a role specifically written for the SNL star), visits Dottie and Kit at their family dairy farm, the girls are seen milking cows. Unbeknownst to Lovitz, one of the cows off-screen was giving birth and mooing loudly, causing him to ad lib the line “WILL YOU SHUT UP?!” It was only after they finished filming that Lovitz found out a calf had been born, which the farm named Penny after director Penny Marshall.


10. Some of the cast reprised their roles on the A League of Their Own TV Show.

CBS aired a TV version of A League of Their Own for a brief period in 1993. Cast members Megan Cavanagh, Tracy Reiner and Jon Lovitz reprised their roles, with former “Bond Girl” Cary Lowell in the Dottie role and Sam McMurray channeling Hanks as Jimmy. As you can imagine, it only lasted five episodes.

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