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DID YOU READ

Portland, How Did We Get Here?

Young-Portlandian

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When I was a kid (see above), Portland held no cultural currency. The “Northwest,” to most people, basically just meant Seattle. I distinctly remember the phrase my family tossed out to explain where we lived to people we met when we traveled: “Oregon? It’s between California and Seattle.”

These days, everyone I meet on the road has a story about Portland, even—often especially—if they’ve never been there. I got a tattoo in Los Angeles last week and the artist practically teared up recounting to me a lost weekend he recently spent in Portland. “I found some really great gutter punks,” he recalled softly. Hundreds of the flight seat buddies, hairdressers, chatty tellers, and otherwise conversational humans I’ve crossed paths with over the years have shared with me some variant. Or, simply, with the vague confidence of secondhand knowledge, have asserted to me that it “seems so nice” out in Portland.

(Meanwhile, everyone in the country called it “Ory-GON” until, like, five years ago.)

I don’t say this because I’m trying to garner cred as a local (there’s nothing less credible, to a lifelong Portlander, than bragging about one’s origins, anyway) but because it’s genuinely incredible how rapidly this city’s cachet has skyrocketed. Sometimes, as an intellectual exercise, I try to remember when it happened. Was it Stumptown coffee? Was it the Dandy Warohls? Which fawning New York Times profile of a Portland farm-to-table organic restaurant catalyzed us into the mainstream?

‘Cause we’re definitely mainstream: a show like Portlandia could only exist in a nation that has an awareness of, or obsession with, Portland. Of course, part of the genius of Portlandia is that the show doesn’t just trade in Portland-specific stereotype sketches; rather, it’s made the (very smart) decision to build a fictionalized universe of characters, with a social physics that is both a riff on the real Portland and its own invention. Still, it couldn’t have made it past the boardroom if Portland, and what it represents, wasn’t already surfing the crest of American cultural consciousness.

Portlandia‘s Portland is sweeter, dreamier, and infinitely more hospitable than the actual city (for one, it never rains in the show). In a sense, it’s what people imagine it to be, rather than what it actually is. Which is the crux of its success, and totally indicative of the national idea of Portland, I believe. A major reason for Portland’s success, why out-of-towners navigate the city limits in gaping awe, perpetually commenting on its residents’ ease of life, why Portlandia charms so many, is because of this:

People like the idea of a place that is still OK!

The Portland of Portlandia—and, to an only slightly diminished extent, the real Portland—is young America’s Shangri-La. Regardless of whether or not they have, or ever plan to, visit Portland, the city has come to represent a life unencumbered by harsh political reality, economic duress, or career hustling. For Angelenos who dream of torching their cars, New Yorkers who are tired of city living’s various indignities, Portland is an escape. Portland reassures.

Portland is more than just “where young people go to retire;” it seems to be an entire generation’s backup plan. One could move to Portland, start making jewelry or manning a farm stand, and life would be easier. Of course, most people don’t relocate, but still: the thought of a clean, pleasant, eco-conscious enclave in this increasingly demoralizing world keeps people sane.

In fact, I might argue a mathematical relationship between Portland’s moment as a media darling-cum-cultural symbol and the darkening of a general socio-political, environmental mood in the country. Encountering overzealous vegetable picklers, buying the wrong artisanal knot, or forgetting your grocery bag seem like the most gentle of ordeals compared to economic upheaval and riot cops.

Of course, that’s a little insane, too. And Portlandia makes us laugh, because it both debunks this myth and lovingly perpetuates it.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.