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Un-Beales-lievable

5 Things You Didn’t Know About the Classic Documentary Grey Gardens

Grey Gardens

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The Maysles Brothers are some of the most influential documentarians to ever step behind the camera. So it’s no wonder that their iconic 1975 documentary (which inspired a Broadway musical and a HBO film), is one of the films that Bill Hader, Fred Armisen and Seth Meyers chose to pay tribute to on their new IFC series Documentary Now!.

The Maysles’ approach to their subjects was unconventional when they began making films in the 1960s, choosing to let the action play out naturally as opposed to coming into a project with a pre­set narrative in mind. Nowhere is this more apparent than in Grey Gardens, where the brothers put a camera into the lives of the two Edith Beales, a pair of reclusive women related to former First Lady Jacqueline Kennedy Onassis who lived together in a decaying manse in East Hampton. Surrounded by scions of wealth and power, the Beales spiraled into a bizarre insular existence that’s fascinating to observe. Even if you’ve watched the flick as many times as we have, there’s still plenty to discover in Grey Gardens. Here are five fascinating facts that may be new to you.

1. The Beales were not the original subject of the movie.

Albert and David Maysles didn’t set out to document Grey Gardens. The duo were actually in the pre-­production stages of a movie about Jackie O and her sister Lee Radziwill and their childhood growing up in the Bouvier family. Radziwill gave the Maysles access to her whole family, but after they shot for two weeks, they realized that the Beales alone would be more than enough for a feature. Needless to say, Lee wasn’t too happy about this decision. Because she’d footed the bill for the project, the film was hers. About an hour-and-a-half of footage of the Beales had been shot, which she confiscated and has never seen the light of day. A year later, the Maysles went back to Grey Gardens and pitched a new film to Big Edie and Little Edie, and the rest is film history.


2. Little Edie had a nightclub cabaret show after the movie.

Everett Collection

Everett Collection

When Big Edie passed on in 1977, Little Edie’s inheritance was quickly gobbled up by taxes and fees. Although she still received help from her wealthy family, it wasn’t making ends meet. So she finally had the chance at age 60 to fulfill a lifelong dream and sing for her supper, being booked into a residency at Greenwich Village club Reno Sweeney. For eight nights, Edie danced and sang a variety of tunes (she of course did “Tea for Two” for the Grey Gardens fans), including two originals she had written. The performances were given an additional air of oddness due to Edie’s eyepatch ­(she had cataract surgery just two weeks before her run started and was medically required to wear it) and the costume she claimed to have made from her late mother’s wardrobe. After the shows, Little Edie went back to Grey Gardens and lived there for another two years before finally selling the famed property.


3. A man died in the kitchen.

Everett Collection

Everett Collection

Both Beales talk extensively about ghosts during Grey Gardens, claiming that several unsettled spirits haunt the creaky old house. Big Edie’s tales of a sea captain are probably nonsense, but at least one person did pass on to the other side in the house during the Beales’ life there. Tom “Tex” Logan was one of many East Hampton locals hired by the Edies to take care of things around the house, working at Grey Gardens from 1955 to 1964. The Beales met him in Montauk where he was playing steel guitar at the Sea Spray Inn and drew him into their vortex of madness. Many people report that Logan had a thing for Big Edie and took the position to try and get closer to her. Logan wasn’t the most reliable handyman, and would go on drinking binges and hitchhike out of town, showing up weeks or months later as the house fell into disrepair. The final time he vanished, he came back with a brutal case of pneumonia that ended his life in the kitchen of Grey Gardens.


4. The filmmakers had to wear flea collars.

 Everett Digital

Everett Digital

As seen in the film, Grey Gardens fell into disrepair over time. Big Edie refused to sell the mansion, which was subject to a number of health inspections and much media coverage. Besides the many stray cats that lived with the Beales, the property was overrun by raccoons, possums and fleas. (Little Edie even comments on the flea problem in the film.) Sally Quinn, who purchased the property in 1979 with her husband Ben Bradlee of the Washington Post, said, “you had to have flea collars on” to even enter the house. This proved true for the filmmakers and crew as well, who had to wear flea collars around their ankles while filming to avoid scratching themselves constantly during takes.


5. You can stay in Grey Gardens.

Corcoran Group

Corcoran Group

Ben Bradlee and Sally Quinn put a great deal of work into Grey Gardens after purchasing it from Little Edie in 1979. When they first visited, Little Edie pitched the property by saying “All it needs is a little paint!” Obviously, the repairs turned out to be much more involved. Bradlee discovered dozens of dead cats on the premises, and many of the interior walls were rotten to the point of no return. The floor was completely ripped out and replaced and the kitchen was gutted and combined with another room. Amazingly, much of the original furniture in the attic was salvageable and restored. The Bradlees typically spent August of every year at Grey Gardens, as is Hamptons tradition, but after Ben died, Sally put the property up as a summer rental. If you’ve got a spare $250,000, you could spend a summer living like the Beales. Well, maybe without all the stray cats.

Watch Documentary Now!’s take on Grey Gardens.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.