Weird Al – Comedy Bang Bang

Behind the Music

“Weird Al” Shares the Stories Behind “Eat It,” “Word Crimes” and More Hit Songs

Catch "Weird Al" on the 100th episode of Comedy Bang! Bang! Friday, July 1st starting at 11P on IFC.

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With a career spanning five decades and one that encompasses music, film, television, live shows, and the occasional podcast, “Weird Al” Yankovic has the very definition of a storied history. The performer has 14 albums under his belt — four of which went gold, six went platinum — and has amassed four Grammy Awards and several generations of diehard fans. We were curious about some of the stories “Weird Al” had behind a few of his hit singles, so we asked for a tiny glimpse at the making of these beloved tunes.

In celebration of his triumphant first season as Comedy Bang! Bang!‘s new bandleader, here’s the story behind five “Weird Al” songs as told by the singer himself. (Click here to read Al’s thoughts on joining Comedy Bang! Bang!, his new tour and more.)

1. “My Bologna”

Weird Al: I did [“My Bologna”] when I was 19 years old. I was going into my senior year in college at California Polytechnic State University in San Luis Obispo. I was doing a summer shift at the college campus radio station, and The Knack was huge that summer — “My Sharona” being by far the most requested song at the radio station. And I just had the most obvious, stupid idea for a parody: “My Bologna.” So I brought my accordion into the bathroom across the hall because the tiled walls gave off a nice reverb sound. And I recorded “My Bologna,” sent it to Dr. Demento, and he played it on his radio show in Los Angeles where it became a hit. In fact, I got a postcard from him saying “My Bologna” was number one on the “Funny Five” for two weeks in a row. And I couldn’t believe it. [Laughs] I thought to myself, “Well, it’s never gonna get any better than this.”

IFC: Did you shoot a music video for “My Bologna”?

Weird Al: Well, it’d be generous to call it a music video. A friend of mine Randy Kerdoon, who was also a DJ at the radio station, had to do a video as part of his senior project. We shot it at a nearby community college, and it was a no-budget shoot. It was me pretending to play the accordion and singing. But it was recorded! It exists! [Laughs] And it wound up being an Easter egg on one of my DVDs.


2. “Eat It”

Weird Al: “Eat It” was my first really big hit. I had a couple minor hits before then, “Another One Rides the Bus” and “Ricky,” but “Eat It” kinda turned me into a household name as a known character, I guess. Before that, nobody would’ve recognized me on the street. But after I did “Eat It,” it went into heavy rotation on MTV and got played six times a day. I became a literal overnight celebrity, and all of a sudden, my anonymity was gone. I’d be in line at a fast food restaurant and somebody would say, “Hey! There’s the ‘Eat It’ Guy!” So that was very dramatic and odd. [Laughs]

IFC: Did you use the original set from Michael Jackson’s “Beat It” video?

Weird Al: No, that didn’t really exist anymore. We tried to find out where they shot the original stuff, but those sets were gone and the locations looked completely different. So we basically did everything from scratch. We recreated the pool hall and the outdoor scenes on a soundstage in LA very, very quickly. I’m surprised we were able to finish the video. It was a very haphazard shoot. [Laughs] But it all came together. And that video, more than anything else in my career, had an enormous effect.


3. “Smells Like Nirvana”

Weird Al: I think we actually shot that on the same soundstage as Nirvana shot [“Smells Like Teen Spirit”]. It wasn’t an actual basketball court, of course. We got the same janitor, a bunch of the same cheerleaders, and some of the same audience members. We were driving more for authenticity on this one, so we got a lot of the same characters. I could be wrong, but I think it was all done in one day — one very long shoot — which is crazy. We didn’t know that we were going to get [Eight is Enough star] Dick Van Patten, but we knew we needed some random celebrity. So we went down the list to see who we could get, and somebody said, “Hey, I have a friend who knows Dick Van Patten.” We said, “Perfect!” And he showed up and he killed it.


4. “Amish Paradise”

Weird Al: Pretty sure that was a two-day shoot. That was a pretty complicated shoot because we wanted to shoot in Lancaster — again, for authenticity — but we found out very quickly that we couldn’t transport everybody across the country to go to Pennsylvania. So we had to shoot that in Southern California. And Lancaster’s very flat, and where we shot was very hilly. So we had to camouflage that there were hills everywhere. [Laughs] I got a lot of my family members in the video to play Amish people.

There’s a set piece at the end where we filmed an entire shot backwards, and I had to learn the chorus phonetically backwards, which was a real challenge. Of course, Florence Henderson’s there because, you know, when Michelle Pfeiffer can’t be in the video, Florence Henderson’s always available. [Laughs] She was amazing, and again it was a lot of fun. I think that was around the time that MTV stopped playing music videos. And it was a very popular video, but it was moot because MTV was just starting to say, “Yeah, we’re not so much a music video channel anymore.” [Laughs]


5. “Word Crimes”

Weird Al: That was basically a lyrics video done with kinetic typography, and I’m a big fan of that style of animation. And I was looking online to try to figure out who I wanted to actually do it, talent scouting on the Internet. [Laughs] And I saw a Jonathan Coulton video called “Shop Vac,” which was done by Jarrett Heather.

I saw in [Jarrett’s] work a sense of humor and a consummate level of skill, and I just liked his timing and the fact that he knew how to work with comedy. But I had checked all of his social media, and it was like he dropped off the face of the earth. His Twitter account had been inactive for a couple of years, and I thought, “Did this guy die?” [Laughs] So I emailed Jonathan Coulton and I tracked Jarrett down. He was working at his day job and just hadn’t been doing too much of that kind of work in his free time. And I said, “Hey, I really love the ‘Shop Vac’ video. Would you be interested in doing a video for my new album?” And he was thrilled and he did an amazing job. He spent over 500 hours working on the “Word Crimes” video, just basically him and his laptop. And he would go back and forth with me — I’d be giving him notes and he’d come back with these amazing ideas. And it was the song that ended up being the Top 40 single on the album, putting me in rare company of being one of three artists to have a Top 40 single in each of the last four decades.

Watch a clip of Weird Al’s diabolical twin from this week’s brand new Comedy Bang! Bang!.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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