DID YOU READ

Scott Aukerman on Comedy Bang! Bang!, SXSW and the worst job ever

scott-aukerman-comedy-bang-bang-ifc-sxsw-2013

Posted by on

During this year’s SXSW festival, Scott Aukerman couldn’t stick around Austin for very long because he had to get back to Los Angeles to continue working on the second season of Comedy Bang! Bang! He took some time out of his schedule of podcast tapings, Comedy Bang! Bang! live and panel discussions to chat about Comedy Bang! Bang!, being drunk and the worst job he’s ever had.

Hi Scott, how do you think season two is going so far?

Great! The stuff we’ve shot is really amazing. It feels bigger this year. We’ve shot a couple of huge, huge pieces that are really technically impressive.

You have always been good at Green Screen.

This is stuff that’s not even on Green Screen. This is huge builds and massive crews and special effects and stuff. It’s been pretty cool. We taped one show, which is kind of a dream come true show for me, which I can’t really talk about what it is. But it’s a crazy show. Some of the IFC people were actually on set that particular day and they were blown away by it. It’s a really incredible episode. So yeah, season two has been going great. We are about six episodes in so far and we have 14 more to do.

Was such a large order daunting or exciting?

It wasn’t daunting when they first told me about it because I kind of am of the mindset that you just say to yes to everything and then just figure out how to do it, how to work it into your life somehow. So I said yes and I didn’t think much of it until week one or two of writing. Well, the first few weeks of writing we just wrote pieces and put cards up on the board, but after two weeks I made the cards for 201, 202, 203 all the way through 220 and realized the slots that we would need to fill and that’s when it started to feel really daunting to me. Like, oh there are nine or ten slots per episode that we need to fill, if there are 10 slots per episode that we need to fill, we need 200 cards. That’s when it started to fill daunting, like we’ve been working for two weeks and we have 20 cards. But by the end of the writing we had more stuff than we needed and realized we could cut stuff. We didn’t have to use something just because it was there.

How is the process different between the show, the video podcast and your regular podcast?

Obviously we put a ton of work into the TV show. The podcast for me is 100% improvisational, so I put no thought into it other than the catchphrase and the engineer picks the plug song from the internet. That is just completely improvisational, I just show up and do it and fly by the seat of my pants. Same with the video podcast, they are just filming what I am doing. As for the TV show there’s just way more work going into it, but at the same time, half of it is improv’d as well. That’s the part that always give me a knot in my stomach on the day that we do it, like, ‘oh man, how is this going to go. I have this celebrity on the show and I’ve never met them before and I’m supposed to improv a whole interview with them and do bits with them.’ But it always turns out great.

Does grapefruit vodka help? [Ed note: Scott is drinking a grapefruit vodka.]

Yes, I’m drunk the entire show. It’s a lot like Match Game 77 like that. I am completely obliterated the entire time and that helps. So if you’re reading this, just get drunk! It helps! It helps you through life. You know, just self medicate. What I want to get out there to people is that you can bury your issues down so far that they never have to come to the surface.

Joking aside, your job does seem incredibly hard, because you’re improv’ing but you’re also in charge and have to keep the show moving along and on track.

Thank you so much for noticing!

You’re welcome, but really it seems like a stressful job.

It’s not stressful for the podcast any more, but it is interesting when I am on other people’s shows or podcasts, I can just be funny and be myself. If I’m on Doug Loves Movies, for instance, I can just lay out and tell a joke and I don’t have to be constantly talking. When you’re the host of the show you have to be constantly steering. Sometimes people tell me, ‘Oh wow, I heard you on another show and you were much funnier than you are on your show.’ Which is a lovely compliment, by the way. When you’re the host of something you do have to be mindful of the whole and keep it moving in the direction that you want it to go and you can’t just be the sarcastic jerk who says funny things.

Well you could, but it probably wouldn’t make great television.

Right, you could have as an interview style that you ask someone a question and whatever they say, just make fun of it and then stare at them.

You have been growing your Earwolf network, maybe there’s a space in it for a show like that.

Yeah, there could be a show like that. I’m not sure how I would get anyone to agree to be on it, but it could be a show.

Speaking of Earwolf, you have been building an empire for yourself there.

An empire? Oh you mean my house. Yes, I did set out to build the largest house in America, bigger than the “Queen of Versailles” house. The documentary inspired me, but not build a house solely of rooms, but comprised solely of bathrooms. I have a one-bedroom, 450-bath house, and I’m slowly adding more. Sometimes I’ll just think, ‘I need to add another bath.’

I agree. You should only use a bathroom once.

Exactly! I don’t want to use a toilet after I’ve already used it! That’s just diz-gusting.

It also seems that you have a great diaspora of talent coming out of your shows. Do you feel sort of paternal watching James Adomian get bigger and bigger or Chelsea Peretti writing on “Saturday Night Live”?

Well, James Adomian has been on my show a lot. I’ve been a fan of him forever. I saw him do an improve show back in 2000. It’s hard to feel paternal when you see a guy like that and you think, ‘Oh that guy is going to be huge.’ It’s more like you as a producer want to work with him because you know he is going to be successful. I wouldn’t take any credit for his success, because I’m just a guy who recognized that he was going to be incredibly successful and said, ‘Please do it on my show and not anyone else’s!’ Most of the people I work with would be incredibly successful without me and I’m just happy to be able to go along for the ride.

What is an awkward high school experience that you are willing to share?

An awkward time for me was day one of Freshman year through last day of senior year. I used to work at Knottsberry Farm…

Really?

I used to work at Disneyland as well.

Were you in costume?

I was in costume at Disneyland as Goofy and Brer Bear and Captain Hook.

Who is Brer Bear?

From the “Song of the South,” which is the DVD that the Disney Corporation would prefer you not see,

Oh right, they keep trying to make it less and less racist.

I don’t think they are trying to make it less and less racist. I don’t think they are altering the film every year. I don’t think can make it less racist. I think it just is racist and they buried in the Disney vault.

But you dressed up as Brer Bear.

Yes. It was probably the worst job I ever had, but I also worked at Knottsberry Farm in security. They don’t have costumed characters at Knottsberry Farm. I worked security there during the Halloween years and we had a system there where my friend, who was a really good-looking, hunky guy, a really popular guy in high school – he was the lead singer in my band – he worked in one of the mazes as a monster. If he ever saw two good-looking girls, he would jump into their car, take off his mask, show that he was handsome and talk to them and ask them out on a date. He would tell them to go give their number to his friend who was working security outside. I would constantly be working security and girls would come up to me and say, ‘Give my number to Dave!’ So we were going on one of these dates once. It was Dave, these two girls and me and we chatted for a while and we said, ‘Okay let’s go!’ and we got up to go and the girls said to me, ‘Oh you’re coming too?’

Ouch. That must have stuck with you for awhile.

Well, yes, when you asked me for an awkward moment, that was the first thing that popped into my mind. I probably have 30 or 40 other ones.

Is there anything that you can tell us about season two?

I think people can look forward to a beginning and then several episodes shall occur and then there will be an end. But it really will be bigger than what we did last year. It’s more ambitious. The guest stars are incredible. I had my dream guest on the show and I think people are going to be really excited to see that one. I think the writers this year were at the top of their game and came up with really funny sketches. I’m just really proud of the show and the way it’s grown.

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet